In which the Moff indulges his fondness for creepy fairy tale rhymes again, and also I'm ever so tempted to use an icon making a complicated joke about roles of actors in other shows, but for plot reasons, a River Song icon it has to be.

Spoilers, sweetie )
Joss Whedon and the Much Ado About Nothing cast answer questions about the film. There are jokes (there would be with the Usual Suspects involved), but also serious discussion. I think the first time I came across the "Beatrice and Benedick had a brief fling in the past which ended badly and that's what Beatrice's cryptic line to Don Pedro refers to" was in the PR materiall for the 70s BBC production, though it's probably older, but I haven't seen a production using that theory since then, so I'm intrigued Joss goes with it. (So that you don't have to brush up your Shakespeare, here's the exchange that caused said theory:


DON PEDRO
(to BEATRICE) Lady, you have lost Signior Benedick’s heart.


BEATRICE
It’s true, my lord. He lent it to me once, and I paid him back with interest: a double heart for his single one. Really, he won it from me once before in a dishonest game of dice. So I suppose your grace can truly say that I have lost it.



Also, good point about Margaret and Borraccio.

*****

The Long Game is probably my least favourite episode of the first New Who season. (It's also my evidence a when people assume that if Christopher Ecclestone had agreed to more than one season, the Nine/Rose relationship would have developed differently - read: less cliquey - than the Ten/Rose did. Leaving aside the obvious Doylist rejoinder about the same writers involved either way, my Watsonian would be: Oh no, it wouldn't have, see: The Long Game.) However, I found this essay about it absolutely fascinating. Both for the background info - I didn't know it was based on a script the young RTD had presented in the 1980s to Andrew Cartmel! This means it was originally a story featuring the Seventh Doctor and Ace! - and for the analysis, which manages that incredible rarity in current DW fandom:

1) It's critical without ever devolving into attack and hyperbole.

2) It analyzes an RTD era (and RTD written) episode without even once mentioning Stephen Moffat, either in a positive manner ( a la "....but how much better the Moff did such and such") or in a negative manner (a la "...since then, we have experienced the likes of Moffat misdeed #11333"). Since the complete inability of a great many fans to talk about one era/writer without slamming the other is something that regularly drives me crazy, I value and appreciate it all the more.

3.) It does something I've otherwise only seen [personal profile] zahrawithaz do in Merlin fandom: take a weaker episode and analyze what works and what doesn't in a way that also analyzes larger narratives of which this particular episode is a part of.

In conclusion, very much worth reading.
In which I agree with what seems to have been the above cut lj consensus: not as good as The Doctor's Wife, but a fun adventure.

Am I the only one paying attention? )
That was fun. Also apparantly the first Doctor and Companion lite episode we've had since a long while, but definitely fun.

Yorkshire for Time Travellers )
In which S. Thompson, he of two dreadful DW and one dreadful Sherlock episode who then wrote a good DW and a good Sherlock episode, contributes to the franchise again. Which will it be this time?

And the answer is... )
Actually I haven't got anything to say about Cold War because I found it, like many a Gatiss script (why won't the man stick to acting?) very bland. But Hide I really liked.

Hide - Hyde - Hide and Seek? )
Now that's more like it.

You, and no one else )
I just came across this excerpt of a conversation between Katy Manning and Russell T. Davies which is from an upcoming dvd audio commentary on The Green Death, in which they discuss Jo Grant. Observe me going awwwww.

When I started to get into Doctor Who and watched old and new episodes, Jo was a companion who kept getting bad references; she was held up for ridicule and described as the "screamer", the useless one, etc.,, contrasted to her disadvantage with the two other Third Doctor companions, Liz Shaw and Sarah Jane Smith, not to mention later companions like Romana or Ace. It therefore caught be by (very pleasant) surprise how completely I fell for Jo when I actually watched her episodes. I fell in love so completely that the most exciting thing about the Sarah Jane Adventures two parter "Death of the Doctor" (spoiler: he doesn't die) wasn't that Eleven would guest star in SJA (Ten had already done so), but that Jo would, and we'd get a meeting between her and Sarah Jane. And what made me even more excited was that our former Welsh overlord, RTD, said that he disliked that Jo in the DW tie in media, the books, had gotten a divorce and cancer, that this was not the fate of Jo, and he would change that. Which he did con brio. As of SJA tv canon, Jo had a splendid adventurous post Doctor life, and a family of world saving hippies, and is still full of joie de vivre. (And the occasional klutziness.) (While he was at it, our Rusty also gave a happy ending to a dozen other Old Who companions as indicated in Sarah Jane's closing monologue as to what had become of them.) Just when I was feeling a bit blasé and jaded and DW, this interview excerpt brought back not only the Jo containing SJA two parter but a wave of program love. In conclusion: Jo Grant: still groovy. Also: awwwwww.
Tags:
selenak: (Clara Oswin Oswald by Magickira)
( Apr. 2nd, 2013 11:18 am)
So, depending on how you count, the mid season episode or the season opener. Anyway: the one where Jenna-Louise Coleman becomes a regular.

Three times is the charm... )
I'll be in London for the Easter holidays, which will include the chance to see some great British dames - two on the stage (Judi Dench and Helen Mirren) and the rest in real life. :) *waves at [personal profile] kathyh, [personal profile] kangeiko and [personal profile] rozk* This unfortunately means no annual Easter Wells post, as they don't have those in England. However, I will try to make up for it with stage reports and possibly some snowy London photos.

Depressingly, every time I visit London I notice more bookstores have closed, so I expect there will be more of that this time, too, but the theatre can always be relied upon. Also, Doctor Who is about to return to the screen, which I'm mostly looking forward to, although the just released webisode prequel made me have this reaction precisely . (Seriously, Moff, three, four times if you count R-as-M in a row is way too often and not clever but unimaginative.) But I had liked the first half of season 7 more than the two previous Moffat seasons (as seasons: s5 and s6 suffered for me from the same "this is a horrible and important thing, but only in arc episodes and otherwise we'll just forget about it" syndrome and some ooc behaviour from the Doctor to make that possible; as far as individual episodes are concerned, both s5 and s6 had some gems, too), and I'm really intrigued by the new companion, so, as I said: I'm mostly looking forward to season 7.5. Something I expect to remain constant: after each episode is broadcast, I'll read positive reviews that will make me wonder why I can't see that wonder of deep storytelling and see a talented, improvised mess instead, and then I'll read bashing reviews which will make me think "hang on, this is really unfair, such and such was great and this and that endearing, and weren't you just looking for stuff to hate?".

Also: I'm only occasionally reading interviews of the DW actors - it depends on the people, i.e. I read and listend to a lot that David Tennant and Catherine Tate did, because they were hilarious together off screen as well, but I never read a single Billie Piper interview and the only one with Karen G. I read was about her role in We'll Take Manhattan, not about DW. But as accident would have it I read a recent one by Jenna-Louise Coleman and in it she mentioned her favourite current show is Breaking Bad. Clearly a woman of taste. :)
Day 24 - Best quote

"There are worlds out there where the sky is burning, where the sea is asleep and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, and somewhere else the tea is getting cold. Come on, Ace, we've got work to do."


(Last lines in the last episode of Old Who, Survival, added in post production when it became clear the show would not get renewed and was, as far as anyone knew back then, over. No other dialogue before or since captured the essence of Doctor Who so perfectly.)

The rest of the days )
selenak: (Elizabeth - shadows in shadows by Poison)
( Feb. 6th, 2013 06:38 pm)
These last few days I was in Bamberg, pacifying Darth Real Life, and therefore rarely online. I did see both the bad news - Robin Sachs dead (though I first saw him in various minor roles in Babylon 5, it was of course as Ethan Rayne in BTVS that I think of him most; followed by the gloriously over the top evil Warlord Sarris in Galaxy Quest) - and the good (well, for geeky history interested people like yours truly) - the confirmation that those bones in Leicester were indeed those of Richard III. (Though like [personal profile] kalypso, I think he should be buried in York.)

Since the [profile] rarewomen ficathon is in its nomination phase, I went and nominated the various ladies from the House of York, hoping for revived interest by the findings. (I really hope someone will do something with Richard's sister Margaret, who had a far better ending than her brothers (whom she loved dearly) - she successfully governed her duchy of Burgundy for her stepdaughter after her husband, the not for nothing thus nicknamed Charles the Rash kicked it, offered a haven for surviving Yorkist loyalists and occasionally made Henry Tudor's life miserable by financing revolts against him. Also she died peacefully in bed.) If you want to do some nominations of your own (which isn't a sign-up for the ficathon itself, so don't worry about that), you can do so here and check the already approved characters here. Incidentally, I also nominated my beloved Agent Abigail Brand from the Marvelverse, comics edition, only to be told someone had already nominated her for Earth's Mightiest Heroes, the tv show. Abigail Brand is in Earth's Mightiest Heroes and nobody told me?



***

In other news: I've started to read a highly interesting Doctor Who blog, currently covering the "Wilderness" years, i.e. the time between the show's cancellation in the 80s and its 2005 revival. Among other things, there is a fascinating entry on the feud between Lawrence Miles and Paul Cornell (New Whovians, the later would be the writer of "Father's Day" and "Human Nature/The Family of Blood"), which might be useful to get back to next time someone reminisces of the good old days when fans were more civil to each other. (Well, Cornell was civil. Miles... isn't nicknamed Mad Larry for nothing.) On the brighter side, there is also a fascinating analysis of Queer As Folk (Russel T. Davies' original series from 1999, that is, not the American version), which reminded me of something, because it sums up Our Former Welsh Overlord in totem: Perhaps the funniest and best scene in the entire series is the cut between some strikingly explicit gay sex and Vince watching the end of Episode One of The Pyramids of Mars and rewinding it to quote along with “I bring Sutekh’s gift of death to all humanity.” As if they’re comparable actions. Because, of course, they are. Oh, RTD.
It's not paranoia if they're really after you. Let's see:

1.) Final scene from Blink, season 3 of current Doctor Who. You know, the one with all those statues. I should add that it doesn't work that way anymore after all the subsequent overexposure of the Angels, but back then? I never felt the same way around statues of any kind again. :)

2.) The panel of a cat dream in Dream of a thousand cats, in volume 3 of The Sandman. Anyone ever owning a cat, or rather, being owned by one, knows that Gaiman reveals the truth here. This is exactly what cats dream of. And if they do accomplish the change they wish, I fear I'll be one of the first to die in the cat revolution. My mother may be spared, being a superbly trained cat servant extraordinaire, but you know, when I'm back home in Bamberg and want to write and our cat wants to sit on the chair in front of the computer? I actually claim that chair and put her down to the floor. I'm DOOMED.

3.) Any number of Twin Peaks scenes featuring BOB, especially if he shows up only at the corner of one's eye, for a moment. But if I have to narrow it down, the final one. If BOB can be in spoiler ), there is no hope for the rest of us.

4.) Sweeney Todd, the song Have A Little Priest. I entirely blame Stephen Sondheim for suspecting that any given fast food enterprise, either in history or now, could be a means for serial killers to dispose of bodies. He accomplished this not just by adapting that Victorian potpoiler but for making the music of the ballad when Sweeney Todd and Mrs. Lovett first develop their fiendish scheme such a damm ear worm.

5.) The Silence of the Lambs, Clarice Starling enters what turns out to be the villain's lair, a fact she realises by a moth fluttering by. Now that movie has a great deal of scary scenes, plus I had read the novel it was based on before and actually knew what would happen. But the use of moths in it on screen somehow impacted me differently. Maybe because the night I first saw it, the summer night, I went home, took a shower, had the window open, a moth flew in while I was still in the shower... you better believe I screamed. I had no feelings about moths before. But after this film, I always get a little shudder when coming across one. Though the time in the shower was the only time I screamed. I blame you, Jonathan Demme.
selenak: (M and Bond)
( Jan. 9th, 2013 04:12 pm)
I am very pleased Judi Dench just got nominated for a BAFTA for her work as M in Skyfall, though confused about the category, because what do you mean, "supporting"? Clearly M was the leading female. :)

In other news, I was all set on writing a parable on how utterly annoying it is that you can't have an internet conversation about anything Stephen Moffat has ever written, the good, the bad, the mixed, without either of two things happening, though usually both: (a) an RTD swipe (this independent of whether or not the comment on a Moffatian oeuvre has anything to do with Doctor Who; I swear, even if the topic should be a school essay the Moff wrote at age 14 on the topic of Scottish independence, someone will interject "oh, this reminds me that Russell T. Davies discriminated against all Scots by making David Tennant talk Mockney instead of letting him use his own accent") and/or (b) someone bringing up the infamous 2002 or thereabouts Moffat interview of all-women-want-to-marry fame which which has dodged him ever since. (Cue the usual "Moffat sexist"/ "Rusty even more sexist"/ "Moffat the evilest"/ "No, RTD the most vile" blabhahblah.) However, my attempts at thinly disguised metaphor employing a tale of apples and oranges and how nice it would be if once, just once, we could discuss apple juice without a snide "oh, BUT THERE WAS THAT TIME WHEN ORANGE JUICE RUINED MY TROUSERS" aside were interrupted and completely abandoned by discovering an absolutely charming Moffat interview. The key to the charm lies in the fact he's being interviewed by his son, who is reading questions to him which fans have send to the son's YouTube channel. As Moffat Junior is an adorable kid (and newly converted Star Trek fan!), this cunning strategy means the practice of the above mentioned tiresome exchange is utterly absent from the questions. Also the Moff gets to be an Old Who fanboy, discuss whether or not the Doctor is a fundamentally happier person than Sherlock Holmes, out himself as a bad conjuror of magic tricks and be generally a good dad. Now if you've followed my ramblings for a while, you know I am anything but uncritical towards Mr. M., but I confess myself charmed nonetheless. Have a gander:


Interrupting my Yuletide readings for tv just a bit, I went for the DW Christmas special, because once I've watched the Merlin finale two parter, the show is over, and grumblings about the fifth season aside, I find I want to postpone that just the teensiest bit. So, the Moff's latest offering it was.

I think I like this best of the Moffat era Christmas specials so far )
Not a new fanfic pet peeve, an old one, but I was reminded of it the other day when hunting for M or Eve focused stories and finding nothing but Q - there are few things I abhorr more than people writing in fandoms where they're not familiar with the source. And just go by other people's fanfic or not even that, just the photos of pretty actors as inspiration. I LOATHE IT. I guess I should be grateful if people tag their stories to indicate they haven't seen the movie/haven't read the book/haven't watched the tv show, because that ensures I can stay the hell away from their stories, but I'm growling like a werewolf mid transformation whenever I read a tag or summary like that anyway.

Don't get me wrong: yes, I've occasionally read fanfic where I wasn't familiar with the source. Usually via a crossover where I knew about one of the fandoms but not the other and was curious enough to check out the story anyway; rarely, but it did happen, in cases where I liked the author via other stories so much and the summary made me think I might be able to follow the story despite not knowing the source. But that's reading. Writing is different. If you don't know the canon, how can I trust you as a reader to get the characters even remotely right?

That was your frustrated rant for the day. Meanwhile, on more fun news, we got a Doctor Who minisode and a trailer for the Christmas special. Spoilery thoughts ensue. )
Yuletide sign-up are open!. Checking out which fandoms were available made me change one of my intended requests and offers, though not of the same fandom. Having the "damn, I should have thought of that" impulse before signing up instead of after comes in handy. :)

You can check which fandoms already got sign-ups here, which is neat and which I'll probably do a lot during the next few months. If only some of these get written in, it's going to be a great Yuletide again. Mind you, now that I've signed up up I suddenly envision dreadful possibilities that didn't occur to me - my selection of Babylon 5 characters was such that I won't get stuck with either Sheridan/Delenn, Susan/Talia or Susan/Marcus, aka the juggernauts, but what if someone requested a Bester/Vir fluffy happy fic? Nah. They wouldn't. Would they?

Also with Breaking Bad I listed most of the characters for my willing-to-write category but maybe shouldn't have listed both Jesse and Walter, because I'm not actually keen on writing Jesse/Walter, which is the - there are so few BB fics of any category that we can't call it juggernaut, but you know what I mean. I wouldn't be in this fandom if I didn't find the Walter and Jesse relationship compelling and crucial, but it's already central on the show, so in fanfic I'd rather explore other aspects or ensemble fic. What if I'm matched with someone who wants a Walt/Jesse PWP? Ah well. (To absolutely no one's surprise, I requested something Skyler centric.)

More suddenly occuring dangers: Sunset Boulevard - nah, can't actually think of anything I wouldn't want to write. (Norma and Betty shop for curtains? Errr. Well, actually, that has potential. Not completely kidding. I mean, why on earth Norma wouldn't let Max do the shopping is beyond me, but hey, she's not famous for her rationality.)

The Sunne in Splendour: someone nominated Sharon Penman's first novel I still have strong nostalgic feelings for, and I couldn't resist signing up. Considering the nominated characters are the York brothers and Anne Neville, I think I'm up for anything. (She says, until she reads the request Yorkcest and/or a high school AU.)

Greek and Roman Mythology: anything goes. Such is the nature of Greek and Roman mythology. :)


***

Also, Doctor Who wise, I watched/listened to the unfilmed but scripted and storyboarded epiloge narrated by Arthur Darville. Alas, my fuzzy feelings and ability to sniffle along with the rest of (not Moffat hating) fandom were severely disrupted because I couldn't help but thinking "That's all very well for Brian, but what about the other Ponds?" You know, Amy's parents? Who must have been swalled up by a crack in time again, because after resurrecting them and giving Amy an entire second childhood with them in The Big Bang so they could be at her wedding, the Moff never bothered mentioning them or Amy's aunt again. I could be mean and wonder whether he even remembers they exist(ed?), but hey. Crack in time.
In which we get the last ep before the Christmas special, and you know, I've enjoyed this half-of-a-season much, much more than the first half of season 6. Probably also more than the first half of s5 which was fine but did have one big clunker (this season didn't) plus I was still trying to get a grip on Amy's character then. Thus I declare s7, first half, as my favourite first half of a Moff era season.

Spoilers, sweetie )
.

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