selenak: (Bruce and Tony by Corelite)
( May. 15th, 2013 05:57 pm)
Let me tell you, having my Avengers reading hunger rekindled by Iron Man 3 was tricky, because while on the one hand there are gazilion stories, on the other I have to eliminate so much which I'm really, really not interested in. My avarage look through archives and lj communities goes roughly like this:

- is Loki mentioned in a prominent position in the summary and paired with an Avenger in the pairings list? Do not want.
- Clint/Coulson? Do not want.
- Steve and Tony as adopted fathers of Peter Parker? SO DO NOT WANT, Peter is one of those characters you can't detach from Uncle Ben and Aunt May without altering him (any version of him) so much that it kills any interest I might have)
- Tony as Darcy's newly discovered bio dad? Okay, new trend, is at least more plausible than the Peter Parker stuff, but still not exactly what I'm looking for
- Clint/Natasha - I'm okay with this, but right now I'm more in a Natasha and Clint as team mates mood
- Tony/Steve - absolutely for the comics, but so far I don't see it in the films; author would have to start from scratch to convince me
- any summary indicating it postulates Howard Stark as an abusive parent: DO NOT WANT. I'm aware that some of the comic versions (and they get endlessly retconned anyway) go with that, but the movieverse didn't indicate anything more than Howard having been focused on his work and not having spent much quality time with his son. I get so TIRED of the fannish trend to blame parents, I can't tell you. (Not just in the Marvelverse. Everywhere.) Anyway, if you want a MCU character who has had an abusive father on screen, go with Bruce Banner. (He did in the Ang Lee Hulk.)

Having filtered all this out, still looking in vain for Happy Hogan centric stories and also having been converted to Tony/Pepper as a pairing by the combination of their screentime in Avengers and by Iron Man 3, this leaves me with the following stories I can recommend.

Below the cut, as they can't be described without spoilers. )
Just a sample of the goodness, which, you know, you can find and comment (or kudos) on here.


The Charioteer:

Washing-up, Ward B : Nurse Adrian compares notes with Andrew. Both great as a friendship story and as a direly needed reaction and revelation story.

Greek Mythology:

and wake to start the world again: Wherein Pandora is curious, Prometheus proud, and Athena has a different plan than Zeus. An inventive twist on the myth of Pandora.

Ivanhoe:

Apart Yet Not Afar: In which Rebecca saves Ivanhoe's life (again) some nine years after the novel, he returns the courtesy, and the author actually pulls off Sir Walter Scott's style, which is awesome. Most of the (few) post-Ivanhoe fanfics I've come across were about getting Rebecca and Ivanhoe together; this one decidedly is not.


Star Trek:

Waiting: Saavik during the months between The Search For Spock and The Voyage Home, with flashbacks to her life pre Wrath of Khan. I'm always delighted to come across fanfiction featuring Saavik, and this one does a wonderful job with her, and with the various other characters she deals with, including but not limited to Spock, Kirk, Amanda, T'Pol (from Enterprise), and, best of all, Number One. (The original female first officer from the unaired ST pilot.)


West Wing:

Cast me gently into morning: When Ellie catches Zoey's interview on TV, she is prompted to go up to New Hampshire to see how her sister is really doing. Hooray for sibling interactions, and a great take on Ellie helping Zoey deal with the aftermath of the s4 cliffhanger.
Once Upon A Time is shaping up to be one of those fandoms for me where the canon gives me more of what I want than the fanfiction does. Most, though not all, of my fanfic seeking expeditions to see what’s been posted at the usual suspect places end up spotting:

- A gazillion Rumplestilskin/Belle stories, most of which, going by the summaries, A Us: so do not want.

- Emma/any guy, be he Graham, Neal, Jefferson or Hook: sorry, not interested, either. Emma gen stories are cool, but rare.

- Emma/Regina: okay, let’s try the slash juggernaut. Hang on… who is this completely out of character written obligatory Bigoted Coldhearted Enemy Of Pairing person the writer calls “Snow” or “Mary Margaret”? SO DO NOT WANT. I didn’t get even to the point of finding whether or not Regina gets the full woobie why-are-those-meanies-not-giving-her-hugs treatment in the story in question, the Snow bashing made me click away in a fury.

- Ruby/Whale: after In the name of the brother, there were three or so charming stories, but not it’s AU s all the way there, too.

The family relationships and friendships which are actually my primary interest in this show you have to look really hard for, fanfic wise. And the one pairing I actually would love to read more of, nobody but me seems to have been writing. *waves sociopaths-in-love flag and eyes another rewatch of The Miller’s Daughter. * However, [personal profile] misscam is a lone star in the wilderness, writing about Emma and her parents – I’ll link some stories beneath the cut, because the descriptions are spoilery for s2 and I know some people on my flist haven’t watched it yet – and now has started a fascinating A U which asks a “what if?” question that made me wonder “damm, why hasn’t anyone done this yet?” but also be glad [personal profile] misscam does it, who isn’t likely to woobify our Mr. Gold or Regina, yet render them layered. It is this: what if Regina had balked at doing that spoilery thing she does in 1.2. in order to ) cast the curse, leaving Rumplestilskin no choice but do his own dirty work and cast it himself? How different (or not) would Storybrooke be if it had been formed by his wishes instead of hers? The backstory gets revealed, like in the show, bit by bit, so we haven’t found out yet whom Rumplestilskin has done a spoilery thing to ) I’m simultaneously eager and dreading to learn which one, and how a Regina who has stopped herself from one crime but still has a long way to go will be handled.

These and other story recs beneath the cut )
selenak: (Katniss by Monanotlisa)
( Jan. 13th, 2013 08:14 pm)
I discovered that my favourite Star Wars author of old, [profile] fernwithy, is now writing Hunger Games fanfiction, which is delightful news. So far my favourite is this Johanna pov set near the end of Mockingjay, and her still in progress Haymitch-during-Catching Fire series, Golden Mean.

Also, because I guessed her Yuletide story correctly, [personal profile] amatara wrote me this lovely story about Regent Virini. Spoilers for all five seasons of Babylon 5, so newbies beware, but if you alrready know all the canon, this is a sensitive portrait of a character who gets very little fanfic or meta attention yet was a part of the Centauri storyline through its most crucial seasons.
selenak: (Camelot Factor by Kathyh)
( Dec. 30th, 2012 12:17 pm)
I dashed off a few more Yuletide reviews while we’re all still anonymous, not least because I know how happy mine made me, but also because the stories in question were superb. It really was a splendid Yuletide this year. And there is fanfic outside of it to love, too.
For your, or, well, my post Merlin finale needs, two stories, a Gwen pov and a Merlin pov, which not only characterize them and their, to put as unspoilerly as possible, emotional situation beautifully, but also their relationship with each other:

Heavy is the Head (That Wears The Crown): Gwen post finale.

Old Love, But In Shapes That Renew And Renew Forever Merlin post finale
selenak: (Claudius by Pixelbee)
( Dec. 28th, 2012 07:54 am)
I still haven't read all the stories and fandoms I want to expore, there are that many this year. :) But here is a second bunch of reccomendations:

Singin' In The Rain: Top Billing

What happened to Lina Lamont and Cosmo Brown after the film. The author hit on the ingeneous idea of letting Lina essentially become Hedda Hopper (who was a film actress before switching to becoming one of the two lethal gossip journalists of Hollywood), while Cosmo gets into script writing in earnest, and the zingers fly while Hollywood is Hollywood.

Star of the Guardians: Sanctuary

I think I may have mentioned before, years ago, that among the many, many Star Wars inspired space operas, this one, a series of novels by Margaret Weis is my clear favourite. Given the central relationship in it is between friends/lovers-turned-enemies-turned-allies-where-trust-is-a-big-question, how could it not? The simplest explanation for non readers is probably: think Leia and Obi-Wan Kenobi as one and the same character (the Lady Maigrey Morianna), with a telepathic link to the Darth Vader character (Derek Sagan), whether or not they're currently enemies or allies. This story is set after the novels end and probably makes no sense if you haven't read them, but it captures their dynamic beautifully.

Star Trek: Deep Space Nine: Familiar

At Ezri's zhian'tara, she is most nervous about meeting the most recent former host of the Dax symbiont. I'm fond of Dax in various incarnations, and this one was written beautifully. The Ezri-Jadzia-in-Kasidy encounter is the well deserved climax, but I confess I had a particular soft spot for Curzon-in-Quark.

Norse Mythology: The Lidless Eyes of Night

Sigyn is holding the bowl. Fantastic fleshing out of a character somewhat obscure in the myths, Loki's wife Sigyn. Pulls no punches.

Looper: Across The Sea: impossible to describe in an unspoilery fashion, and the film is still relatively new, so I shan't try. Let's just say it's an intense portrayal of the three main characters that deals with some of the central questions of the film.

Homeland:

The Spy's Guide To Survivor's Guilt: Carrie after season 2. A possible future. Excellent ensemble use, and I love the Carrie-Dana encouner in particular.

L'Dor Vador: Backstory for Saul and Carrie, Saul's pov. How their relationship was forged. A magnificent Saul voice.

Adrian Mole Diaries For Historical Characters:

I picked this header because there are actually two this Yuletide, and they're both hilarious, one for Alexander the Great and one for Augustine. The Augustine one has already been recced all over the place, but I'll link it anyway, because it's just that good:

The Very Secret Diaries of Saint Augustine

404
Correspondence Jerome continues. Infuriating. Do not understand why he does not see my point! Translation of "gourd" vital to understanding of gospels.


And then we have young Alexander, Achilles and Patroklos fanboy extraordinaire, whose parents just don't get it:

The Not Remotely Secret Memoirs of Alexander the Great, Aged 13¾

When will I meet my own Patroklos??? Father has dozens of lovers, and six wives to boot. I only want one! Well, I suppose I’ll need a Queen someday, as well, but one of those will be quite enough, too.


Dollhouse: Documentation

As far as Whedon shows are concerned, I think of Dollhouse as an interesting and sometimes even fascinating failure, but it had its moments and most definitely its actors. Some of the characters stuck with me, which is why I still check out the fanfic at Yuletide, and I'm glad I did, because this Topher portrait just about kills me.
selenak: (Londo and Vir by Ruuger)
( Dec. 27th, 2012 07:36 am)
Emerging bleary-eyed from a lot of reading, I bring reccomendations. (Well, the first part of them anyway. More to follow.) As for my own stories, both the recipients liked them and wrote lovely things about them at their own journals (their summaries of what the stories are about are better than mine, drat!), which makes me glad, but not too many other people so far bothered to check them out so far, woe. Ah well. Self, you knew this would happen, a rare fandom is a rare fandom, and within rare fandoms, at least in one case you picked a subject you knew maybe only recipient and yourself are interested in. (But I still want other people to read both stories, she sniffles, they mean so much to me this year!)

However, as a reader, I'm in unqualified ecstasy. Have a first bunch of recs (excluding, of course, my gifts which I have already talked about).

History/Hunger Games: The Sticking Place

Yes, you read the fandoms right. Someone wrote an ingenious fusion of the Hunger Games premise with the 15th century. In the Fifth Hunger Games, Lucrezia Borgia, Richard (III.) of York, Marguerite d'Anjou and poor Henry of Lancaster are all tributes. It sounds like crack, but the characters are played, err, written straight, and of course it has to end the way it does.

History: The most pleasant tale of Lady Bessy

Four titles Elizabeth of York never held, and one she did. The "Five Things" format applied to the woman who was the last Planatagenet princess and the first Tudor queen, but rarely gets fictional or biographical attention. This year, she got several stories. This one which applies the "Five Things" format in ingenious ways is my favourite.

A Place of Greater Safety: Parallel or Together

In which Camille Desmoulins tries to bring Robespierre and Danton together. It doesn't work out the way he expected. The characterisations ring very true to Hilary Mantel's novel, and it does something I've been secretly and not so secretly hoping for when reading the actual book, where it didn't but could have. :)

Babylon 5:

The Subtle Arrangement of Stones: the Babylon 5 story I never knew was missing in my life, but retrospectively it so was, and oh, how it wins at Yuletide! Set during the first season. Londo, G'Kar and Delenn are kidnapped by the Homeguard, and it's up to their valiant aides, Vir, Na'Toth and Lennier to rescue them. The characterisations and - as invevitable given the characters in question - the bickering are top notch, the format (Garibaldi interviewing everyone for the security files afterwards) ingenious, and it fits into canon beautifully. I loved this to bits.

The Price of a Favour: Timov in the days of Cartagia. I'm always thrilled to find fic dealing with my favourite B5 one episode character, and this was great.

In Flagrante: three times Londo and G'Kar are caught in the act. One happy, one angry, one sad. Alternatively funny and heartbreaking, as Londo and G'Kar are wont to be.

James Bond: Protégé

M passes on what she learned. Contains two of my favourite things, M backstory and Eve Moneypenny fleshing out. I loved it.

Elementary (which had 21 new stories in Yuletide - hooray!):

Three Anniversaries: A Love Story: Not all great love stories are about romance is the summary the author gives, and this one celebrates the (platonic) friendship between Sherlock Holmes and Joan Watson through the years. Present and future fic that feels true to where the characters are now and where they could be through the years, and has that same restraint and understated affection I find appealing on the show.

The Long Summer: this one is an ensemble fic that uses a frustrating case to show Holmes' relationships to Watson, Gregson, Bell and deliver an excellent Holmes character exploration to boot.

Greek Mythology: this year one of the requests was for a story about Ariadne and Icarus growing up together in Crete. This resulted in a dozen or so great tales, and it feels unfair to single one out, but this is my favourite of them all:

Thirteen Views Of A Labyrinth: They are not so very different, Ariadne and Pasiphaë, Icarus and Daedalus, Ariadne and Icarus. This has fantastic world building and awe-inspiring characterisations of everyone, is full of shades of grey and surprising yet sense making twists on the myths. I admire it so much.

The Count of Monte-Cristo: Constant.

It's a rare story which takes one of the source canon's villains - in this case Fernand Mondego, the later Count de Morcerf - and fleshes him out without going the excuse and woobiefication road. This story accomplishes it.

New Tricks: New Tricks for Old Dogs (or Five Alternate Universes Where Sandra Pullman Was Always Awesome)

What the title says. :) Wonderful banter and character voices in every universe.

Prometheus: Satellites: Three events in the life of Peter Weyland. Dysfunctional family relationships are my soft spot, and they rarely come more messed up than with Weyland, Meredith Vickers and David 8. This story gives us some background for this, in a Weyland, Meredith and David pov respectively, and it's fascinating.
selenak: (Emily by Lotesse)
( Dec. 25th, 2012 01:08 pm)
Yuletide!

And I got not one, not two, but THREE stories as gifts, which makes me beaming as if someone reformed by face to a permanent grin. (Otoh, that sounds suspiciously like the Joker and his victims, so perhaps not the best simile. But you know what I mean.)

Here is what I got, in historical order, for lo and behold, all these stories are based on real people:

Roman History:

Scenes from something which is certainly not a friendship: Two formidable ladies from the last days of the Republic, Terentia (Cicero’s wife) and Clodia (as far as Roman historians were concerned, her total opposite in terms of life style and politics). The relationship the author builds up between them is terrifically written, the dialogues sparkle and then a quiet descriptive statement hits you in the gut with its understated emotion, and watch out for the appearance of the most famous Roman lady of the early empire, Livia, as a young woman.

Literary History:

The Sound of Thunder: the story of the Brontes begins when four gifted children start to play with toy soldiers, and it ends, all too soon, when the toy soldiers are all that is left. This author wrote me the birth of Angria and Gondal, the morning Branwell brought his new toys to his sisters and their imaginations were set on fire, and she also gave me the two survivors after all those children were gone, Patrick Bronte and Arthur Nicholls. I loved it.

Swinging London History:

A guy who really knows his way around: in which young Brian Epstein meets even younger Andrew Loog Oldham, who wants a job and maybe more. Yes, the manager of the Rolling Stones used to work for the manager of the Beatles just around the time when everyone was on the verge of getting their breakthrough, and the author – the only one of my Yuletide authors whose identity I’m fairly certain I can guess – develops a fascinating dynamic between these two men, and captures the whole dawn-of-Swinging-London atmosphere beautifully.

Now, before I dive into the rest of the treasure: I think the two stories I wrote are pretty obvious, but then, I thought that before and was wrong. If you can guess them, you get a drabble on the subject of your choice, provided I know the canon.
Skyfall:

The Road and the Room: an AU which departs from canon in the Westminster scene. Bond doesn't arrive at the inquiry in time, giving Silva the chance to abduct M. What then? It's an M pov throughout, her weary strength and sharpness captured fantastically well, Silva and Bond ring very true, and so does the way she relates to each. If you're easily triggered, there is a warning you should pay attention to, but to put it as unspoilery as possible, I found the potentially triggery thing that happens mid-story in character and handled in a non-gratitous manner, especially given the follow up.

Harry Potter

Undertow: It's hard to remember if you have to fight the current or swim with it to stay alive. Bellatrix, Narcissa and Andromeda during Deathly Hallows. The Black sisters have always intrigued me more than cousin Sirius, and this a poetic yet unsentimental and captivating take on them.
Firstly, two Skyfall recs:

Until My Dying Day: great missing scene fic in which Bond and M make a stop on their way to Scotland. It's one of those stories in which outwardly, nothing much happens - conversation and a cup of tea - and emotionally, so much does. The snarky weariness and implicit understanding in the voices feels so right for these two.


Before The Taking Of A Toast And Tea: the one where M takes in and trains an orphaned Eve. Very well carried out premise, and it contains a hint of my favourite speculation about Eve's future.


Secondly, last week when I was in Berlin for a day I got my hands on the Call the Midwife, season 1 dvd, about which I'd heard good things, and have now finished watching the six episodes it consists of. Set in the fifties and a lovely ensemble story about, duh, midwives in the London East End, which means most of our regulars are female, and so are most of the people they interact with on a week to week basis. The point of view character is Jenny (the series being based on the memoirs of Jennifer Worth, which I haven't read), but as I said, it's an ensemble series; for example, the season's traditional "go from insecure to strong, also fall in love, overcome obstacle" tale isn't Jenny's storyline but the one of Camilla aka Chumney, who in a most untraditional twist is that rarity on tv: a female character big in every since (she's large, she's heavy) who gets narrative space and emphasis instead of being relegated to a sidekick role or not existing at all. As I said, her - really endearing - romance with Peter the policeman is the big love affair of the season, but it's not treated as her only reason of existence; initial clumsiness aside, she's a dedicated midwife and really good at her job, which is treated as the most important thing.

The show is also a good antidote if Downton Abbey left you a bit exasparated for class reasons; as mentioned, it's set int the East End, everyone is working for a living, wanting more from your life without the approval of the upper classes isn't treated as a sinister scheme. The comraderie between the midwives/nurses is delightful, and a lot of the cases of the week are memorable characters. I was also impressed by the non-sensational way topics that would come up and in other shows would be dealt with very differently are treated; one of the more harrowing stories deals with a teenage prostitute, but there is no "zomg, you mean teenagers have sex! And end up as prostitutes!" moment, the focus is on what happens to the pregnant girl and her baby next. Or: late in the season we encounter a brother and sister who live in incest. Who are old, have spent their entire lives together, and are presented as sympathetic and devoted to each other. Conversely, there is an old pensioner whom Jenny befriends and cares for, but their friendship can't change the fact he's getting evicted of the house his flat is in and ends up in a nursing home. Cliché also avoided so far, which going in I was dead sure would happen in the pilot, even: young women gruesomely dying in childbirth. Not yet. Oh, and the various babies look more like newborns than they usually do on tv - when they're born (and presumably puppets), afterwards they're replaced by the usual larger babies, due to rules for children on tv.

Casting: I like the lot, especially that the show went to the trouble of getting actresses of various age groups. Also, we never see her, but the voice of old Jenny who is telling the story, looking back, is unmistakably that of Vanessa Redgrave.

Lastly: a constant feature - and in episode two, a plot point - is the fact the midwives's primary mode of transportation are their bicycles. Which made the Beatles fan in yours truly think, aha, that explains that, because I was familiar with a quote from Paul McCartney about one of his earliest memories of his mother, who was a midwife/nurse like the heroines of this show and at the same time, saying: I have a crystal-clear memory of one snow-laden night when I was young at 72 Western Avenue. The streets were thick with snow, it was about three in the morning, and she got up and went out on her bike with the little brown wicker basket on the front, into the dark, just with her little light, in her navy-blue uniform and hat, cycling off down the estate to deliver a baby somewhere.
selenak: (Naomie Harris by Lady Turner)
( Nov. 21st, 2012 09:43 pm)
Skyfall:

Heart-Shaped Stone: it's lengthy, layered, delicious Eve character exploration. Why she makes the choices she does in the film, what creates an agent. Has also excellent Bond and M, but that's just a bonus. This is the Eve story I've been waiting for.

in all i've done: whereas this one, to put it as unspoilery as possible, is an M story that deals with a central event in a creative, dark way by using the Groundhog Day concept.
selenak: (Gentlemen of the Theatre by Kathyh)
( Nov. 19th, 2012 09:08 am)
A week of travelling ahead means regular tv reviews next week. Including the latest Merlin episode, which I have watched but won't discuss until I've seen the follow-up next week, either. However, I come bearing links:

Elementary:

Some observations on the segregation of the queen: Joan Watson character study. Quiet and smart, like Joan herself.


Skyfall:

Something like this hasn't happened since [personal profile] futuresoon created lovely art for a Heroes story of mine, and it started off my week with a happy squee: my M and Bond meta seems to have inspired a beautiful drawing called The Queen of Shadows and her Knight in the Underworld.


Avengers:

Time and Place: in which Maria Hill and Nick Fury have to go undercover at a society gig, and Natasha is very amused. Everyone is competent and is it's so very enjoyable to read!


Various actors:

Jodi Foster, one of my favourite actresses (also a good director) and one of the few who survived being a child star and followed it up by an impressive adult career, turns 50 today. (Can you believe it?) I would link an article in English in celebration of her birthday, but I can't find one right now, so here is one in German. She did, however write an article herself - defending Kristen Stewart, whom she had worked with when the later was 11, and being withering about the paparazzi. Choice quotes: "I have been an actress since I was 3 years old, 46 years to date. I have no memories of a childhood outside the public eye. I am told people look to me as a success story. Often complete strangers approach me and ask, How have you stayed so normal, so well-adjusted, so private? I usually lie and say, “Just boring I guess.” The truth is, like some curious radioactive mutant, I have invented my own gothic survival tools. I have fashioned rules to control the glaring eyes. Maybe I’ve organized my career choices to allow myself (and the ones I truly love) maximum personal dignity. And, yes, I have neurotically adapted to the gladiator sport of celebrity culture, the cruelty of a life lived as a moving target. (...) I’ve said it before and I will say it again: if I were a young actor today I would quit before I started. If I had to grow up in this media culture, I don’t think I could survive it emotionally.(...) The point is to survive, intact or not, whatever the emotional cost. Actors who become celebrities are supposed to be grateful for the public interest. After all, they’re getting paid. Just to set the record straight, a salary for a given on-screen performance does not include the right to invade anyone’s privacy, to destroy someone’s sense of self." The entire article is here.


Patrick Stewart, Ian McKellen and Roger Rees: I think I've linked to this before, but was reminded of it the other day, and just in case I hadn't, and/or someone missed it, here are three awesome Brits in 2010 when Patrick Stewart and Roger Rees, both of whom had acted in Waiting for Godot with Ian McKellen, presented an award to him. I can't decide whether my favourite bit is Patrick Stewart correcting Roger Rees' pronounciation of "Magneto" (well, he would!), or Sir Ian flirting with them both, the the choice of song they had for Ian McKellen accepting his award.... aw, just watch it.

Ralph Fiennes: a very good interview, mostly apropos Dickens, as he's playing Magwitch in the most recent Great Expectations and, as I found out for the first time via this interview, Charles Dickens himself in a film based on Claire Tomalin's biography of Ellen Ternan, The Invisible Woman. (Good choice, casting director. I can definitely see Fiennes with his talent for obsessive types as C.D.) He also talks about Corialanus, the film he directed, and the late Anthony Minghella, who directed him in The English Patient: "There are only a few directors who have a language for nurturing nuances of performance with any real skill. A lot of directors love their actors, admire and want to help them but he was exceptionally perceptive; he invested in teasing out, developing and nurturing."















So far, no one has written the Skyfall inspired long M story of my dreams, and I'll try not to pout about the avalanche of Bond/Q there is instead. (At least as opposed to the last avalanche, Clint/Coulson, they had actual on screen interaction.) (Also, it's always great to reread the Casino Royale and Quantum of Solace era M stories.) However, since Skyfall opened in the US later than elsewhere, the actors are still busy promoting, which means there is no lack of new "Daniel Craig declaring his love for Dame Judi" material. In this interview, he comes up with gems like "She walks into a room, she lights it up" and "I'd sweep the floor for her". Bless. Also, clearly someone was enjoying themselves during shooting this film:

Photobucket


And here are some Skyfall related stories I did enjoy reading:


Perpetual Anticipation: a short and intense look at M and her relationship with Bond.


Seek a newer world: Silva, Q, Bond and M before and during the film. Uses the "Silva is who Bond could have become" interpretation the film suggests creatively.

Down the burning ropes: the treatment of Sévérine by the film came in for much justified criticism. Luckily, fanfiction thrives on going for plot holes and fail and making something creative out of them, and I don't mean fix its. Here's Sévérine in her own point of view. Burns, as it should.


With your hand in my hand we'll still stand: The crisis is over but no one at MI6 is sleeping yet. Film aftermath centered on Q and Billl Tanner, which is also Q/Bill Tanner. See, I've got nothing against Q slash. Just not with Bond. (Incidentally, the TNG fan in me finds it incredibly weird to type "Q" , add a / and then not to follow it up with "Picard".)

It felt like a betrayal: creepy and hence appropriate Silva drabble.


You may have my number, you can take my name: MI6 tries to recover from the film's events. This one is great with the Q and Eve friendship, and offers a bonus Avengers or rather Captain America crossover near the end. (I have to handwave some logistics for the premise of same here, but hey.)
selenak: (Scarlett by Olde_fashioned)
( Oct. 23rd, 2012 07:44 am)
For some recent, in recent days I got more spam on lj than I got otherwise in five years. Are we due for another breakdown?


Until then, have some links, both fanfiction and meta:

Prometheus:


Persephone . It's post-movie fic by legendary-in-several-fandoms Yahtzee, developing the complicated relationship between those characters alive by the end of the film ), it's long, and it's layered. What are you still doing here instead of reading it?

Galaxy Quest:


The Headaches, the Heartaches, the Backaches, the Flops. Gwen DeMarco and the first rise and fall of Galaxy Quest. What I appreciate especially about the world buildling is that for all that Galaxy Quest obviously takes the majority of its inspiration from Star Trek, the fictional show is one of the late 70s (i.e. presumably, like the original Battlestar Galactica, made to cash into the Star Wars craze), not 60s as ST was, and this story remembers that. Characterisation wise, this is very plausible, giving us younger versions of the people we meet in the film, and catches the film's atmosphere perfectly in its mixture between funny and poignant.


Gone With The Wind:

Scarlett O'Hara meta. I love discussing Scarlett, and had fun doing so in the comments.


Sherlock, Elementary, The Avengers, Batman:


How not to act as part of the creative team, take one:


Jonathan Ross disses Elementary, Mark Gattiss agrees. Now my own take on this is that Sherlock for all its flaws is undoubtedly the more original and better written show, but so far I like Elementary more because it gives me leads and a relationship I can honestly cheer for. But even if I loathed every second of screen time Elementary ever broadcasts, I'd still consider this bad form, because the one thing you don't do is dissing the competition in public. It only makes you look petty and pisses off those fans of your show who enjoy both. Which brings me to:

How not to act as part of the creative team, take two:

Wally Pfister (cinematographer for Christopher Nolan) disses The Avengers, calling it "an appalling film". Again, obviously I'm biased (guess which superhero film I saw multiple times this summer and own the dvd of? Not The Dark Knight Rises), but that's not the point. However, luckily this particular dissing also caused a response that may serve as a lesson:

How to actually act as part of the creative team (especially as the head of one):

To wit, Joss Whedon's response, also quoted in the article I linked. He only said, when asked about Pfister's remark: “I’m sorry to hear it, I’m a fan.” Now I don't care if you think The Avengers was a waste of space, but this is brilliant, PR wise. It a) avoids pissing off fans of Nolan's Batman trilogy, who may or may not also like The Avengers, b) utterly avoids responding to Pfister's more specific criticism (about the camera angles used in The Avengers), and c) instead makes Whedon look modest and classy, and Pfister look even more petty and envious. The man hasn't been writing dialogue since decades for nothing.:)
Something to cheer myself up in various areas, and hopefully some of you, too:


Avengers:

check out this adorable Bruce and Tony cartoon


Angel:

Various minor character drabbles. Two are about Anne, who is the best minor recurring character going from BTVS to AtS, full stop, and the first one is magnificent. But really they're all good.


The Borgias and history:

A good post on the historical Rodrigo Borgia and the three most important women in his life: Vannozza, Giulia and Lucrezia.
Note to self: you already knew not to look at Breaking Bad comments. You have only yourself to blame for breathing fire again. But seriously: "Walt needs a hug! Skyler, you bitch!" as a response to the latest BB episode?!? Rinse, repeat older entry about Skyler hate and how it creeps me out, even more than the usual fandom misogyny. I think I'll do something constructive with my frustration and make a post about how I came to love Skyler White and why Anna Gunn should win an Emmy already. It didn't happen overnight or immediately, but happen it did, and writing a post about why I think she's a great character will be better than hating on the haters and their idiotic, moronic... well, you get the picture.

Helping to wash the bad taste out of my mouth was also this delightful post of silly crossover ideas (Breaking Bad/Buffy, Breaking Bad/Oz, Breaking Bad/Battlestar Galactica, Breaking Bad/The Wire and Breaking Bad/Deadwood). Spoilers for all shows concerned, but if you don't mind that and want a good giggle, have a look.

Two fanfic recs:

Amazing Spider-Man:

Promise not to promise anymore: spoilery for the film summary is spoilery but necessary. )


Battlestar Galactica:

Emissary from Another World: The collected diaries of Dr. Gaius Baltar. It's a story from 2009 but I discovered it only now, and am awed. One of the two best post-finale stories I've read, covering about nine years from the time the show ended. I love the way it takes up, argues with and against and with the ideas of the show. I love the characterisations all around, how the relationships are in constant flux (Gaius and Caprica and their ups and downs, but also Gaius Baltar and Lee Adama striking up the least likely yet, because the story takes the time to develop it step by slow step, entirely believable friendship), how past issues still matter (Caprica and Sharon have quite a different attitude towards Laura Roslin to both each other and to how the colonials see her; Felix Gaeta is very much present in Baltar's thoughts throughout) , how the new characters are as interesting as the ones we know from the show (seriously, this story has one of the best OCs I've seen in the form of Lee's wife, who is... you'll find out), and how people are layered and complicated and screwed up but never quite lose hope but continue trying.
selenak: (Sternennacht - Lefaym)
( Aug. 13th, 2012 09:44 am)
Since most of these stories are set post-movie, they are inevitably spoilery when described. Hence a spoiler cut for all the recs. )
Everything I've seen twice: short and poignant Bruce pov after the film.


Although it's so romantic on the borderline tonight : Natasha and Bruce, working on those trust issues. This one is categorized Natasha/Bruce, though personally I'd call it subtext rather than main text; it has a terrific Natasha pov, excellent ensemble use (including having-each-other's-back buddyness with Clint) - I do so love when the main characters of a story don't live in a vacuum - and doesn't offer facile solutions.

Don't we all want happy endings?: also a character centric piece with excellent use of the rest of the ensemble. In this case, the character in question is Thor, and most unusually, the story isn't about his relationship with Loki. His Loki worries play their part, because that's inevitable if you want to write true to character Thor, but in this lovely missing scene tale it occurs to him to contact Jane Foster (and Darcy) before returning to Asgard with Loki, and the rest of the Avengers are helpful (or, err, not so much). Thor is a character who exists for other reasons than to worry about Loki or for Loki to resent is so incredibly rare in fanfic, and Thor allowed more than one emotion and team interaction as well. This story was so enjoyable to read, with lots of great little touches, like Darcy's voicemail text.

Another bizarre and thankless situation: speaking of unusual trope-defying combinations: this story has Tony, and later Natasha, taken hostage by Loki. And lo and behold, it's not about either of them having sex with Loki or realising how misunderstood Loki is. There is terrific continuity given Tony's backstory with being taken hostage. Natasha, for plot reasons, only gets to act in the last third of the tale, but when she does she's wonderfully ic and awesome, plus this is an intriguing and plausible take on how she and Tony might interact post-Avengers. As for Loki: his fans should be happy, too; I certainly am because what he ends up doing isn't for the reasons those tropes avoided in the story would have given him, but for reasons I find compatible for the in-over-his-head emotional adolescent supervillain wannabenot in need of a hug we've seen on screen.


Putting out fire (with gasoline) : a lovely and charming Tony/Pepper/Bruce threesome tale written by the magnificent in any fandom [personal profile] penknife.

And lastly, an Avengers/Silence of the Lambs crossover in an awesome drawing, in which Natasha and Clarice Starling have the conversation you know they did.

ETA: and this link goes to the original artist.
The great thing about a big fandom like the Avengers is that so much gets written, which means that once you filtered out the kind of stories you don't care for, there are still more than enough left to filll your particular fannish tastes.  Of course, the flipside of this is that the sheer amount of tales means it's hard work to filter (while in small fandoms you're lucky if four or so stories per year to your liking get written) among the tidal wave of writing. Which is why I find rec posts helpful, and why I'm writing them now and then. :)

In my case, digging as I do the ensembleness and Natasha, it's not hard to figure out what will make me happy:

Anatomy for children: Natasha starts to adjust to her new not-quite-friends. Her pov on everyone sounds completely plausible.

walk a while beside you: Five observations Bruce has about living with Natasha in Stark Tower with the rest of the Avengers. This, conversely, is Bruce's pov on Natasha and the way she interacts with everyone.

Soft Skills: The team tries to bring Steve Rogers into the 21st Century. It mostly works. One of the things I really appreciate about the story is that it presents Steve not as some naive manchild and remembers the 1940s weren't the stone age.  It's delightful, and the humor and banter isn't one note. 
Inspired by my recent re-reading of the novel, here are some excellent fanfics set in the book's universe. (Which, btw, due to its very concept is infinitelely cross-overable.) Some I knew of old, and some I found when checking on the AO3 section yesterday.


Confidence Men : Life, liberty, and the art of the two-man con. Mr. Wednesday and Low-Key Lyesmith through the years. Did I mention these two are my favourite incarnations of Odin and Loki?

Every ending is a new beginning: Eighteen ficlets, one for each charm Wednesday knows.

Forever Lovely Now: Laura and Shadow and their post-mortem, issues-and-tenderness ridden marriage.

Two ships passing In which Shadow has a drink with the (former) goddess of the Underworld. I love this version of Persephone.

do zla boga: Czernobog and the Zoryas arrive in the New World. Gods aren't noted for their trustworthiness.
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