>>there is an eerie poignancy seeing them all resurrected on screen.<< I have always wondered how much of why I liked Asif Kapadia's Senna pseudo-documentary (it's not a documentary, it's not a hagiography, it's more an impressionist portrait in film) is that for 2 hours I got Senna back. Possibly that sense of "really there" is a sign of a good documentary.
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