Johnson's skewering of the rich felt a bit... hm, limited in scope* in Knives Out. Interesting that he went back to that theme for Glass Onion. (I won't be back to Netflix until March, so we'll see if I remain unspoiled for key elements until then.)

*I'm not sure if that's the best description of my impression of that element in KO. The movie worked very well for me on a first viewing, but I found it tedious while trying to watch it a second time, so my opinion is based on one and a half viewings, one positive and the half negative.