Having now read three of the four books the first two seasons of The Last Kingdom
are based on, I find my original suspicion that Bernard Cornwell novels benefit from adaptions into other media because these take you out of the main character's head justified, though not always quite in the way I assumed. Because the novels are narrated by an older Uthred looking back, his narrating self can sometimes point out things his younger self did not yet see or realise, for example, that he wronged his first wife Mildrith, or that he underestimated Alfred early on because a chronically sick non-warrior valueing learning and feeling guilty about sex could not possibly be a strong leader in his young eyes. Otoh, older, wiser Uthred narrating still doesn't change the fact most female characters come across as more dimensional and fleshed out in the tv adaption than they do in the novels (Brida and Mildrith in the first, Hild and Aelswith in the second season - Iseult, alas, is a cliché in both versions).
The tv show cut or compressed various characters and slimmed down events, and given that they do two books per season so far, that's not surprising. But even if they took a longer time, I think some of the changes and cuts were to the narrative's benefit. For example: Cornwell has to come up with some pretty convoluted circumstances and far-stretched plots to have a teenage Uthred who is still with the Danes secretly present when Prince (not yet King) Alfred confesses about his carnal lapses to Beocca. In the book, he needs to be because he's the narrator and neither Alfred nor Beocca would have told him about this. The tv show dispenses with said circumstances and just has the scene between Alfred and Beocca, without Uthred secretly listening in, because he doesn't need to be in order for the audience to get this information about the young Alfred.
Mind you, dispensing with the first two times Uthred meets Alfred and letting their first encounter not happen until after Ragnar the Elder's death creates one important difference between book and show relationship that's worth mentioning. Book Uthred lies to Alfred (and Beocca) these first two times and point blank spies on them for the Danes, so the later "why do you keep distrusting me?" indignation rings a little hollow in this regard. Show Uthred does no such thing, so Alfred is accordingly less justified in his lingering ambiguity.
Another cut that somewhat shifts perception: the first novel has Uthred participating in a few Danish raids led by Ragnar, including one on Aelswith's hometown (though she doesn't know he took part). Now, in the show we go from Uthred the child to adult Uthred directly and adult Uthred is solely seen at Ragnar's home, with the deaths of Ragnar & Co. impending, but given adult Uthred later is shown to be already a skilled fighter, it stands to reason he practiced these skills. But I suspect the show avoided showing Uthred fighting against Saxon civilians this early on deliberately. Both show and books have Uthred loving the Danes but staying with the Saxons post Ragnar's death because various circumstances (and then Alfred's machinations) make it impossible for him to do otherwise. Only the book, though, spells out that Uthred doesn't start to feel any kind of identification/emotional connection to the Saxons until he sees them winning a battle (until then, narrator Uthred says, he hadn't thought Danes could
lose, which makes sense given that throughout Uthred's childhood and adolescence, they were winning), when before he regarded them as weak and didn't want to think of himself as belonging to them. Which makes sense given Uthred is raised in a warrior culture and is a young, arrogant adolescent at the time, but again, I suspect the tv version avoids spelling this out in order not to make him off putting early on when establishing the character.
Otoh, the scenes the tv show adds in the two seasons where Uthred isn't present all serve to flesh out the characters in question more and work to their benefit, whether it's Alfred, Hild, Aelswith or Beocca. The notable exception is Guthred in s2, whose additional scenes make him look worse, not better than the novel does. Possibly, too, because in the novel Guthred is described having an easy charm that makes Book!Uthred forgive him even the truly terrible thing Guthred does to Uthred, and the actor playing Guthred on the show doesn't have that at all, and instead comes across as nothing but fearful, easily influenced and weak. (And show!Uthred while coming to terms with him doesn't forgive him.) I have to say, lack of actorly charm aside, given that Guthred ( does something spoilery to Uthred )
, I find the tv version more realistic.
The push-pull relationship between Uthred and Alfred is there in both versions, but in the tv show, it comes across as more central. As my local library has it, I also read "Death of Kings", the novel in which, Alfred dies, not without manipulating Uthred one last time into doing what he wants him to do, and Uthred's thoughts on the man later, summing him up, are Cornwell's prose at its best: I stood beside Alfred's coffin and thought how life slipped by, and how, for nearly all my life, Alfred had been there like a great landmark. I had not liked him. I had struggled against him, despised him and admired him. I hated his religion and its cold disapproving gaze, its malevolence that cloaked itself in pretended kindness, and its allegiance to a god who would drain the joy from the world by naming it sin, but Alfred's religion had made him a good man and a good king.
And Alfred's joyless soul had proved a rock against which the Danes had broken themselves. Time and again they had attacked, and time and again Alfred had out-thought them, and Wessex grew ever stronger and richer and all that was because of Alfred. We think of kings as privileged men who rule over us and have the freedom to make, break and flaunt the law, but Alfred was never above the law he loved to make. He saw his life as a duty to his god and to the people of Wessex and I have never seen a better king, and I doubt my sons, grandson and their children's children will ever see a better one. I never liked him, but I have never stopped admiring him. He was my king and all that I now have I owe to him. The food that I eat, the hall where I live and the swords of my men, all started with Alfred, who hated me at times, loved me at times, and was generous with me. He was a gold-giver.
Last Yuletide I added a Last Kingdom
request at the last minute because I'd seen it had been nominated, and accordingly it was short, but this Yuletide I think I'll also offer, and will request in more detail and more characters. While the other historical tv shows I consumed during the last year were entertaining in various degrees, this was the only one which was also good.