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  <title>A Day In The Life</title>
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  <description>A Day In The Life - Dreamwidth Studios</description>
  <lastBuildDate>Thu, 31 Jan 2013 10:03:31 GMT</lastBuildDate>
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    <url>https://v2.dreamwidth.org/16765069/59338</url>
    <title>A Day In The Life</title>
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  <guid isPermaLink='true'>https://selenak.dreamwidth.org/862170.html</guid>
  <pubDate>Thu, 31 Jan 2013 10:03:31 GMT</pubDate>
  <title>Midwives and singers</title>
  <link>https://selenak.dreamwidth.org/862170.html</link>
  <description>&lt;i&gt;Call the Midwife&lt;/i&gt; 2.02: &lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://selenak.dreamwidth.org/862170.html#cutid1&quot;&gt;continues to combine good ensemble storytelling and adorableness in a non treacly way.&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Quartett&lt;/i&gt;:  a film in which Dustin  Hoffman makes his director&apos;s debut by using a Ronald Harwood play to showcase four of Britain&apos;s finest veterans. The story -  retired star soprano Jean Horton (Maggie Smith) arrives at a home for old musicians, where her ex husband (Tom Courtenay) &amp; two old friends and colleagues from ye olde days (Pauline Collins and Billy Connolly) just happen to be living, the home is in danger of being closed if a big charity concert by the inhabitants doesn&apos;t go through, but Jean doesn&apos;t want to sing because of her voice&apos;s decline with age, and her ex husband has massive issues with her; will there be a happy end? (You think?)  - is predictable, but the execution so well done and charming that one doesn&apos;t mind. Especially since the film doesn&apos;t just talk the talk but walks the walk; the various inhabitants of the home are partly real life old musicians (including Gwynneth Jones as Jean&apos;s old rival) and some real life old actors, including Michael Gambon having a great time as a vain and bitchy director (&quot;it&apos;s Ceeeeedric&quot;); in the end credits, you see everyone with a photo from their youth juxtaposed to a photo of them in the film.  As for the four leading actors, they&apos;re great to watch interacting, and I do mean interacting in all combinations, not just Jean with her ex (i.e. Smith with Courtenay).  Cissy, who is losing her memory rapidly (the film doesn&apos;t say whether due to dementia or Alzheimer&apos;s), and remains sweet natured and optimistic has as many scenes with Jean as Reggie the ex does, and Billy Connolly is having a great time being your archetypical rogue, who flirts with the home&apos;s director whenever he can but also is the no-nonsense common sense type as far as everyone else&apos;s personal dramas are concerned. Maggie Smith plays a typical Maggie Smith role, delivering arch put downs but also showing the vulnerability and panic within. Not one for nominations but immensely enjoyable to watch on a rainy or snowy, as the climate may be, afternoon.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=selenak&amp;ditemid=862170&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://selenak.dreamwidth.org/862170.html</comments>
  <category>episode review</category>
  <category>film review</category>
  <category>quartett</category>
  <category>call the midwife</category>
  <lj:mood>mellow</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
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