Entry tags:
A movie, a vid
Saltburn: Can't help but assume the pitch for this was "What about a Brideshead Revisited/The Talented Mr. Ripley fusion? As in, Sebastian doesn't bring home Charles Ryder, he brings Tom Ripley, this all takes place near present day, and no one is Catholic!" The cast is great (and gorgeous to look at), though given the last thing I've seen Rosamond Pike in was The Wheel of Time, and most roles I've seen her in have her being the smartest person in most rooms (whether as a villain or a heroine), seeing her as Lady Elsbeth was quite the switch. The biggest difference to its various predecessors is probably this film eshews subtext and goes for main text right along, and also there are fare more bodily fluids of all kinds involved than in anything written by Waugh or Highsmith. (I'm a Farscape veteran, though. You can't scare me, Emerald Fennell!) Oh, and it's noticable that despite the female characters being played by beautiful actresses, it's the men whom the camera positions as objects of desire and objectivies. A lot.
In conclusion, I thoroughly enjoyed watching, but I don't think I'll do again, because this is also the kind of story where everyone is awful, and I can enjoy that if it's so well done, but it doesn't hook me for repeats. To be fair: On the scale of Sebastian Flyte to Dickie Greenleaf in the category of golden boys and objects of homoerotic desire, Felix is while not as sympathetic as Sebastian way more sympathetic than Dickie. And while both film adaptions of the first Ripley novel - the one with young Alain Delon as Tom from the 1960s and the one by Minghella with Matt Damon doing the honors - feeling the need to add some sort of punishment - in the former, the film ends with the boat and Dickie's body being found, in the later, he does get away with it but has to kill Petr, i.e. the one person wo loves him as Tom - instead of letting him get away scot free the way Highsmith does in the novel, Saltburn does give Oliver a completely consequence free victory. But it still feels like all tlhe characters are puppets in a very clever and gorgeous puppet play, not emotionally real to me. Hence no rewatch intended.
Sense 8: A new and delightful Lito/Dani/Hernando vid.
In conclusion, I thoroughly enjoyed watching, but I don't think I'll do again, because this is also the kind of story where everyone is awful, and I can enjoy that if it's so well done, but it doesn't hook me for repeats. To be fair: On the scale of Sebastian Flyte to Dickie Greenleaf in the category of golden boys and objects of homoerotic desire, Felix is while not as sympathetic as Sebastian way more sympathetic than Dickie. And while both film adaptions of the first Ripley novel - the one with young Alain Delon as Tom from the 1960s and the one by Minghella with Matt Damon doing the honors - feeling the need to add some sort of punishment - in the former, the film ends with the boat and Dickie's body being found, in the later, he does get away with it but has to kill Petr, i.e. the one person wo loves him as Tom - instead of letting him get away scot free the way Highsmith does in the novel, Saltburn does give Oliver a completely consequence free victory. But it still feels like all tlhe characters are puppets in a very clever and gorgeous puppet play, not emotionally real to me. Hence no rewatch intended.
Sense 8: A new and delightful Lito/Dani/Hernando vid.
Brideshead Revisited
"Well, how are things going, the casting?" Jeremy asked, eager to catch up.
"The casting. That's a good question," I said, having been offered the opening. "Look, um, Derek and I have been thinking."
"That's always a good thing," said Jeremy, teasing.
"Charles," Derek said, jumping right in.
"Charles? How do you mean?"
"For you."
"Oh."
Jeremy was silent for a moment and then said, "I'm very happy with Sebastian. I've been thinking about him a lot."
I wondered if he'd bought the new coat to wear as a part of his costume.
Jeremy took a sip of tea.
Jeremy was, and is, a smart actor and realized that Sebastian, with his glamour and his sadness, his golden youth coming to a sodden end, was a gift. (Look at what he later did in his Oscar-winning performance as oddball did-he-or-didn't-he-poison-his-wife Claus von Bülow.)
Our card was on the table, put down with little warning. Jeremy mentally considered his hand and knew it to be a good one. Was there to be any other enticement?
"I think I'd like to stick with Sebastian," he said.
"Ah-ha," I said. "There is something we haven't told you yet."
"Which is what?"
"The voice-over. Charles's voice-over," said Derek. "We're putting it all back. So we'll see it all through his eyes. Your eyes."
"That's an interesting idea," Jeremy said. "Do you think it'll work? All those words, all that 'thinking'?"
"If you're saying it, why wouldn't it?" I asked.
Lesson to be learned: if you want to persuade a young ambitious actor to accept the lesser role, offer him a long voice over to compensate. (And of course Jeremy Irons had and has one of the best voices in the business.)
There's also a more recent movie version, starring Ben Wishaw as Sebastian, Matthew Goode as Charles, Haley Atwell as Julia and Emma Thompson as Sebastian's mother, Lady Marchmain. It's well made but despite the stellar cast doesn't have that undefinable something special the tvs series did.
Re: Brideshead Revisited
I don't really think Saltburn is a great movie, like you say the characters aren't allowed to be too deep or real, but I do find the way the different tropes intersect pretty delightful.
(Also, you know me and men in good shirts).
Re: Brideshead Revisited
I've seen criticisms that she's just ripping off 2 existing stories, but the point about deliberately mashing 2 different things together speaks to the creativity at work
Oh, I absolutely see it as creative, and very similar to what fanfiction does when doing fusions instead of crossover. (Yours truly tried for example in that long ago Heroes fanfic which used the concept of the Runaways comics - young mutants discovering their parents are all supervillains and going on the run.)
Re: Brideshead Revisited
I may have to catch the movie at some point. I rather like Mathew Goode.