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Date: 2015-02-15 05:59 pm (UTC)When I said they were selling Cromwell/More as an unrequited intellectual love story, I didn't mean it quite like that. My interpretation was that Cromwell doesn't give a damn about the snobbish courtiers who look down on him, but does crave the requital of the respect he pays to heavyweights like Wolsey and More. Clearly in this version he hits lucky with Wolsey, who becomes his surrogate father, and probably the social factor plays a role here (Wolsey appreciates what he's achieved as a self-made man himself - though it didn't have to play out that way, the line where he laughs about finally meeting someone of lower birth than himself could have been a malicious one). But Wolsey's dead, and that's left a void. Cromwell can't realistically expect More to fill that void, but he's still hoping for some sort of grudging acknowledgement, and More just won't provide it - not, I think, through malice: it's not as if he's pretending to forget the childhood incident, he simply doesn't because it wasn't important to him, and Cromwell still isn't important to him now.
Margaret Pole was a bit blink-and-you'll-miss-her-hey-was-that-Janet-Henfrey - did she get any more time in the book?
Incidentally, I noticed that the young Mary Tudor was played by Lily Lesser, so looked her up and confirmed my suspicion that she's Anton's daughter, which was amusing, though I think they were probably wise not to cast her as Meg.