Captain Marvel
Mar. 8th, 2019 06:39 pmHow you know you're getting old, part the XXXIV - it's now the 90s turn for nostalgia. I mean, the 90s! When we were thrilled as anything to have those slow loading computers. (And where Carol would not have gotten through this movie without at least one scene in her underwear.)
I enjoyed this a lot. Not in a "best of MCU" manner, but I liked Carol and actually the entire ensemble, I really appreciated the MCU pulling the best switch on audience and character preconceptions since what Iron Man 3 did with the Mandarin, and go, Marvel, for not killing anyone (save a few unfortunate redshirts early on and a character who died before the movie starts) just to provide other characters with angst and grief. I mean, we all knew Nick Fury (and Coulson) would survive due to continuity, but pretty much everyone else of the supporting cast was fair game, and they all made it; since the movie among other things makes a point about wars and propaganda, this meant there was no innate hypocrisy here. Also, the mixture of humor and suspense felt right to me; I'm among the minority who is not that fond of the relentless jokiness of Ragnarök or the first Guardians movie.
While I sometimes wished they'd have picked an older actress for Carol, Brie Larson brought the deadpan wisecracking, swagger, temper and fierceness, and had excellent chemistry with everyone - Samuel Jackson, Lashana Lynch and Jude Law, oh, and Annette Bening in a double role. There hasn't been so much Nick Fury in an MCU movie since Winter Soldier, and since he's 30 years younger, less paranoid and with less blood on his hands, he gets to play a very different part. It occurs to me that this means MCU Carol Danvers has a relationship with good old Nick none of the other superheroes have, or can have, because there's no hierarchy here, he's neither a mentor figure nor an authority figure to rebel against, he's the supporting part of her buddy movie. Also, once you've experienced Nick Fury: extreme cat person and bossed him around, he's not going to intimidate you.
(Though of course that relationship begs the question as to why the hell Fury if he had Carol on his speed dial didn't ask for help on any on the various occasions Earth got invaded thereafter until the Snappening.)
(Also: whatever became of Goose?)
For all that the marketing ignited the anger of a certain type of male fan (not to mention that the gender switch for Mar-Vell will probably cause more of same), the movie actually isn't Carol vs the Patriarchy. I really loved that she doesn't let Yon-Rogg psych her into fighting him without her powers; she really does not have anything to prove to him (or anyone else), and the rest of the movie bears that out.
(Oh, and the Bechdel test gets passed not just by Carol & Maria but Carol & Monica, Carol & the Supreme Intelligence, Carol & "Wendy Lawson", and at one point Carol & Gemma Chan's character.)
The twist similar to what Iron Man 3 did with the Mandarin: I don't want to put it more detailed than this, even beneath a spoiiler cut, but as mentioned before: loved that one. And the acting opportunities it provided instead of reducing a bunch of characters to generic villains a la Thor: The Dark World.
In conclusiion: a very entertaining way to pass two hours.
I enjoyed this a lot. Not in a "best of MCU" manner, but I liked Carol and actually the entire ensemble, I really appreciated the MCU pulling the best switch on audience and character preconceptions since what Iron Man 3 did with the Mandarin, and go, Marvel, for not killing anyone (save a few unfortunate redshirts early on and a character who died before the movie starts) just to provide other characters with angst and grief. I mean, we all knew Nick Fury (and Coulson) would survive due to continuity, but pretty much everyone else of the supporting cast was fair game, and they all made it; since the movie among other things makes a point about wars and propaganda, this meant there was no innate hypocrisy here. Also, the mixture of humor and suspense felt right to me; I'm among the minority who is not that fond of the relentless jokiness of Ragnarök or the first Guardians movie.
While I sometimes wished they'd have picked an older actress for Carol, Brie Larson brought the deadpan wisecracking, swagger, temper and fierceness, and had excellent chemistry with everyone - Samuel Jackson, Lashana Lynch and Jude Law, oh, and Annette Bening in a double role. There hasn't been so much Nick Fury in an MCU movie since Winter Soldier, and since he's 30 years younger, less paranoid and with less blood on his hands, he gets to play a very different part. It occurs to me that this means MCU Carol Danvers has a relationship with good old Nick none of the other superheroes have, or can have, because there's no hierarchy here, he's neither a mentor figure nor an authority figure to rebel against, he's the supporting part of her buddy movie. Also, once you've experienced Nick Fury: extreme cat person and bossed him around, he's not going to intimidate you.
(Though of course that relationship begs the question as to why the hell Fury if he had Carol on his speed dial didn't ask for help on any on the various occasions Earth got invaded thereafter until the Snappening.)
(Also: whatever became of Goose?)
For all that the marketing ignited the anger of a certain type of male fan (not to mention that the gender switch for Mar-Vell will probably cause more of same), the movie actually isn't Carol vs the Patriarchy. I really loved that she doesn't let Yon-Rogg psych her into fighting him without her powers; she really does not have anything to prove to him (or anyone else), and the rest of the movie bears that out.
(Oh, and the Bechdel test gets passed not just by Carol & Maria but Carol & Monica, Carol & the Supreme Intelligence, Carol & "Wendy Lawson", and at one point Carol & Gemma Chan's character.)
The twist similar to what Iron Man 3 did with the Mandarin: I don't want to put it more detailed than this, even beneath a spoiiler cut, but as mentioned before: loved that one. And the acting opportunities it provided instead of reducing a bunch of characters to generic villains a la Thor: The Dark World.
In conclusiion: a very entertaining way to pass two hours.
no subject
Date: 2019-03-08 06:37 pm (UTC)Given all the speculation about Jude Law's character, I so loved the Mar-Vell reveal, and I literally cheered when she didn't let Yon-Rogg goat her into fighting him on his terms. It was her story, on her terms, not his. So yeah, I loved when she refused to engage him, especially because it was also coupled with the "you are too emotional" cliché. Yay.
Also loved the "Carol keeps getting back up" montage and the moment when she finally took full control of her powers. Plus, lots of points for not making her the lone female character, but giving us Maria. (And Monica, clearly inspired by Carol and providing her colours in return. And Mar-Vell of course.)
Speaking of Carol's powers - while I can see why the Infinity Stones at least would need a team effort (yay, mid-credits scene - and only a couple of weeks away, too), I am wondering what kind of villain is even going to be a problem for her in the future, after her display with the Kree ship.
best switch on audience and character preconceptions since what Iron Man 3 did with the Mandarin
With you on both! Appreciated the character scenes that went with it and that they didn't actually kill Talos, which I thought might happen for a moment.
Re: Fury - I have to say, I am beyond amused that this is the backstory they gave us for his eye injury. Goose was a great detail for the movie and I did not expect Fury of all people to be the cat person here.
no subject
Date: 2019-03-08 08:54 pm (UTC)no subject
Date: 2019-03-08 11:10 pm (UTC)no subject
Date: 2019-03-09 12:01 am (UTC)no subject
Date: 2019-03-09 12:03 am (UTC)Yes, when the critics called it "a somewhat retro" tale set in the 90s. I thought, wait, the 1990s are retro? When did that happen? Ack.
Didn't help that Luke Perry died at 52 of a stroke. Ugh.
What happened to the 1970s and 60s being retro? Now it's the 1990s and 80s?
Also, I knew I was getting old when people would tell me that they grew out of Live Journal when they graduated from high school, which was ages ago. I'd think, okay...
no subject
Date: 2019-03-09 01:00 am (UTC)It occurs to me that this means MCU Carol Danvers has a relationship with good old Nick none of the other superheroes have, or can have, because there's no hierarchy here, he's neither a mentor figure nor an authority figure to rebel against, he's the supporting part of her buddy movie
Hah, I was thinking this too, watching the two of them as buddy-cops.
The entire audience groaned when they saw the dial-up internet disconnect. I kind of love that Carol is the younger-audience stand-in, trying to comprehend old technology, and was doubly glad that enough audience members were old enough to remember this.
no subject
Date: 2019-03-09 07:09 am (UTC)Well, for starters, she can't be everywhere at the same time. And she has to sleep at some point. Meaning: a villain who can threaten other people she can't reach in time and/or who overwhelmes her when she's not alert could get the upper hand. Also of course villains with psychic powers. As far as I know via fannish osmosis, not having read the relevant issues myself, in the comics Rogue (the mutant of X-Men fame) started out as a villain who really did a number on Carol by absorbing her powers, for example, which had psychological aftereffects for a long time.
But in general, I'm a bit worried because: Vision was introduced as superpowerful and then subsequent movies who had to go through plots which realistically would have ended far sooner if Vision had kept his Age-of-Ultron level of power had to work around that, so he's distracted by love of Wanda in Civil War and completely incapacitated by a blast early in Infinity War. Which could set the precedent for Carol getting knocked out a lot in future movies...
I did not expect Fury of all people to be the cat person here
Well, you know, Cardinal Richelieu historically was a cat person. He had thirteen of them at some point. This did not stop him from transforming France into an absolutist state, so there's precedent. :)
no subject
Date: 2019-03-09 07:11 am (UTC)no subject
Date: 2019-03-09 07:14 am (UTC)*coughs* Catwoman *coughs*
(I mean, I know that like Elektra on the Marvel side of things, it flopped big time, and Diana and Carol respectively make for far more impressive first female heroes on screen, but well, these other movies did happen....
Both very entertaining, and close enough for me that I might have to go rewatch CM three or four more times to decide which I like better. Which is a recommendation in and of itself, if you like.
Indeed it is!
no subject
Date: 2019-03-09 07:22 am (UTC)Yes, quite. A lesser movie would have felt the need to let some other character say a variation of "see, a mother who hadn't been allowed to fly the important missions when she was in the air force saves people!" and let her hear it, but that so wasn't the point.
And yes, the metaphorical/real life implication of Carol's storyline. Having watched Vice recently, I was reminded all over again of my rage re: the Bush government and the Iraq War.
The entire audience groaned when they saw the dial-up internet disconnect.
In my cinema, too! That was one of the most successful gags of the movie on that occasion.
no subject
Date: 2019-03-09 10:43 am (UTC)no subject
Date: 2019-03-09 12:00 pm (UTC)I was delighted with this for any number of reasons, but possibly the biggest was that it definitely enabled a certain actor to achieve a state aptly described by another DW reviewer as Peak Mendo. I think he actually achieved a Platonic ideal of Mendohood at some points, usually the ones that sent the audience into gales of laughter and meant we missed half the next scene...
They definitely made the Skrulls into an interesting element of the Marvel Universe; given how that bit of the story ended, I can't help but wonder if they'll be back at some point.
no subject
Date: 2019-03-09 12:42 pm (UTC)no subject
Date: 2019-03-09 01:49 pm (UTC)The price of watching period pieces set in a time period you actually remember.
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Date: 2019-03-09 05:48 pm (UTC)no subject
Date: 2019-03-15 05:40 pm (UTC)Nick Fury: extreme cat person Speaking of that-
Trust Exercise: https://archiveofourown.org/works/18088979
Summary: Five times (of many) that Fury trusts Goose to show him when someone is an ally (or not).
no subject
Date: 2019-03-15 05:44 pm (UTC)