Briefly...
Feb. 21st, 2006 09:14 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
selenakSo, I hear BSG cornered some Saturn nominations, including both James' (Bamber and Callis) for best supporting actor, and Katee Sackhoff for best supporting actress. I'd show my partiality and root for Callis (and not just because I think the writing for Baltar has been better than the writing for Lee this season), except they're running against Terry Quinn as Locke in Lost, and I'm sorry, but based solely on the first season which I've seen, he totally deserves to win. It's galling enough Ron Rifkin never got nominated in all the years for the fabulous stuff he did as Sloane on Alias; very gratifying that at least his spiritual cousin over on that other J.J. show has been recognized.
Meanwhile, I've watched Where The Truth Lies, which is a well-done neo noir, with not one but two period settings; the Fifties, when the murder in question takes place, and the Seventies, when our main narrator tries to solve it. It's based on a novel which I haven't read, so I can't say how faithful an adaption it is, but Kevin Bacon and Colin Firth are great as the two comedians whose double act in the 50s ends with the discovery of a nude dead woman in their hotel suite. Their 70s incarnations as seedy self-loathing has-beens are particularly striking. Alison Lohman as former fan, reporter and mystery solver is pale in comparison, but she holds her own in the two quiet, touching scenes her character has with the dead girl's mother, which brings in an element rarely found in noirs, the grieving family of the murder victim. (Unless the family members are suspects, of course, but that isn't the case here.) If I have any complaint, then that the identity of the killer is a bit of a punchline.
And while we're talking complaints: found an excellent rant by Kita about one of my pet peeves in any fandom regarding a certain kind of feedback for fanfiction.
Meanwhile, I've watched Where The Truth Lies, which is a well-done neo noir, with not one but two period settings; the Fifties, when the murder in question takes place, and the Seventies, when our main narrator tries to solve it. It's based on a novel which I haven't read, so I can't say how faithful an adaption it is, but Kevin Bacon and Colin Firth are great as the two comedians whose double act in the 50s ends with the discovery of a nude dead woman in their hotel suite. Their 70s incarnations as seedy self-loathing has-beens are particularly striking. Alison Lohman as former fan, reporter and mystery solver is pale in comparison, but she holds her own in the two quiet, touching scenes her character has with the dead girl's mother, which brings in an element rarely found in noirs, the grieving family of the murder victim. (Unless the family members are suspects, of course, but that isn't the case here.) If I have any complaint, then that the identity of the killer is a bit of a punchline.
And while we're talking complaints: found an excellent rant by Kita about one of my pet peeves in any fandom regarding a certain kind of feedback for fanfiction.
