Fanfiction Turn-offs: Heroes edition
Jan. 14th, 2008 05:20 pmAt a guess, as readers of fanfiction, we all have our buttons, not just the good ones which make us love a story immediately but also the ones that take us right out of the narrative. Doesn't always have to be something glaring, or something that would even matter to any other reader, but they exist. I've found some of mine in just about every fandom I was/am in, though it usually takes a while for me to discover what they are. After three quarters of a year of watching Heroes and reading Heroes fanfic, I have come to the conclusion that the following things especially annoy me when they show up in a story:
1) The name thing. Back in the Jossverse, I used to groan over the existence of "Delia"; it's not like BTVS and AtS are short of nicknames, and the woman in question is "Cordelia" or "Cordy". Nobody, but NOBODY on either show ever called her "Delia". So why introduce that in fanfic? In Heroes, the two equivalents of "Delia" are "Pete" if used by someone other than Nathan, and "Nate". Nathan occasionally calls his younger brother "Pete" instead of "Peter"; not all the time, just now and again, and it usually conveys something emotionally. Nobody else does. Which makes Sylar's use of "Pete" so effective a taunt in the climactic revelation scene from "Five Years Gone", as in "But we know better, don't we, Pete". Consequently, if Peter gets called "Pete" all over the place, be it by Claude or someone else, it irritates me. The use of "Nate" irritates me even more, because that's entirely made up and not used by anyone on the show, including Peter. (It also immediately brings Nate Fisher from "Six Feet Under" to mind.) Now everyone has their own fanon - mine is that Nathan would either ignore people calling him "Nate", given them one withering stare and then ignore them, or make a sarcastic remark, depending on who they are - but I think the way Heroes uses pet names, or doesn't, isn't just random. It's menat to signify something about the characters. The fact that Noah Bennet calls his daughter "Claire Bear" is one of the first humanizing touches we get, an early hint that the character who got introduced to us as a sinister force might have a different side. Nobody whom Peter meets calls him "Mr. Petrelli", everyone uses his first name, which fits Mr. Instant Bonding. By contrast, when Matt meets Nathan at the police station in Lizards and reintroduces himself, mentioning they met briefly in Odessa when Nathan retrieved Peter, he calls Nathan "Mr. Petrelli". So does Mohinder. The big exception is Hiro. Hiro gets Nathan's full name during their first encounter, and also gives his full name, but on subsequent meetings, when he doesn't call him "Flying Man", he calls him "Nathan", and Nathan when explicitly seeking out Hiro in Parasite also addresses him as "Hiro". (Whereas he always refers to Mohinder as "Suresh" or "Dr. Suresh", as in "We can talk to Suresh". The only time he uses Mohinder's first name is when it's not Nathan but Sylar in disguise, in "Five Years Gone".) Matt and Nathan graduate to last names without "Mr." or "Detective" pretty soon, and Matt uses "Nathan" for the first time when trying to get Nathan out of his Maury-induced nightmare; Nathan keeps switching between "Matt" and "Parkman" for the rest of volume 2. Kensei/Adam nicknames Hiro "Carp" early on, and keeps using the pet name after their breakup, usually at a point when he wants to convey bitterness and betrayed affection. Bob uses his "call me Bob" opening time and again, and never makes anyone call him "Mr. Bishop"; it's part of his "I'm harmless and forgettable, underestimate me, please!" facade. Oh, and while we're talking Elders, if Kaito, who not only has known Angela for decades but used to have a sexual relationship with her, doesn't call her by a nickname but "Angela", I very much doubt anyone else did. Again, all of this gives us indications about how the characters see each other and themselves, how distant or close they are. So when in a story details like this are randomly ignored, I am anal enough to react badly. Lastly: what is it with Mohinder suddenly calling Matt "Matthew"?
2) That projected knowledge and feeling thing. This I found more in roleplay journals during the course of the last year than in fanfic, but it's in fanfic as well, and again, Heroes doesn't do anything there which other fandoms haven't done as well. To wit: the writer projects her/his feelings about another character on the character she's writing, regardless of how "her" character sees that other person on the show. In Heroes, stories that have Peter hostile towards his mother stumble right against my suspension of disbelief. Post-volume 2 stories are an exception; it's anyone's guess how Peter will react. But if you are setting the story before the season 1 finale, I don't care how much you dislike Angela Petrelli. Peter doesn't. He takes her part, not Nathan's, in the show pilot. His scenes with Angela are free of the tension that characterizes the interaction of Angela and Nathan. He looks neither surprised nor skeptical when she says he's her favourite. Mind you, it also never seems to occur to him to tell her about the flying, or to give her an alternate explanation for the incident that lands him in the hospital than the one Nathan gave, and he clearly disbelieves her "he doesn't love you" in the pilot, so you can make a case for Peter not being as close to Angela as he is to Nathan, or for not believing her every word. But he clearly loves her and has no anger or hostility towards her. (If Peter is hostile, he kind of makes that noticable. Ask Isaac.) What's more, please don't write stories in which Angela forbids Peter to go to nursing school and Nathan supports him. We have canon on that. In "Six Months Ago", Angela makes her "we need a nurse in the family, we have enough lawyers" remark, and Peter, kissing her and saying "thanks, Mom" clearly takes that as approval. Meanwhile, Nathan just as clearly at best doesn't take Peter's job very seriously and at worst sees it as something below his brother. (The shoes are a joke between brothers, but in the car scene when he's talking to Heidi, he sounds clearly annoyed when he says "my brother the nurse, can you believe it?" and in the pilot of course he basically says "the whole dreamer thing is cute, but it's time to get a real job" and offers Peter one at his campaign. Now what I can buy is that Angela, being the arch manipulator she is, wasn't keen on Peter being a nurse, either, and first had Arthur play the bad cop to her good cop and after Arthur's death tried to make Nathan into the bad cop. But if so, she successfully disguised it, and a pre-season 1 finale story has to take that into account. (A post season 1 finale story could have Peter react to the whole Charles Deveaux-Angela conversation he overheard, of course, but then the problem is that during the three months at the Company, he had other things to angst about, and afterwards, he had amnesia. In "Out of Time", when he gets a series of memories about Angela back, they obviously are positive ones.)
3) Admittedly solely based on summaries: Sylar isn't Mr. Hyde, and Gabriel Gray isn't Mr. Jekyll. In other words, the man isn't schizophrenic, and Gabriel isn't an alternate well-meaning but weak personality. We got a good long look at Gabriel pre-Sylar in Six Months Ago. I seem to remember an obsessive type who really, really wanted to be special and had quite a temper when hearing he might not be. So if a story is summarized as portraying some Sylar-Gabriel struggle, I am tempted to suspect the writer has watched AtS' Orpheus once too often.
4) Also based on summaries and a few aborted attempts to read the stories in question: Claire might have a penchant for hurting herself, but at no point is she portrayed as downright suicidal. At her most desperate and guilty-feeling, about the seemingly dead Noah in Truths and Consequences she wishes the Haitian would take her memories away. She doesn't wish herself dead. So I very much doubt that she spent the months between seasons 1 and 2 suicidally pining for Peter and wishing she had died instead. In fact, the phonecall from Four Months Ago portrays her in a rather healthy state of grief, the moving on one. And there is no reason why she shouldn't. Yes, she did the instant bonding with Peter, and he deeply affected her, but the most time she spent with him was a week (between her arrival in New York and election day). This does not make her Juliet in the last act. Note that in her brief conversation with Nathan, she goes from I know why you do this, I miss him, too to talking about the way she can't deal with pretending to be someone else and to figure out who she is, which makes for the main part of the conversation. If you want to write for a female character who is feeling suicidal with grief, go for Maya.
5) Claude: Not Nine In Disguise. Any stories in which Claude behaves towards Peter like Nine did towards Rose instantly make me click away. Those were two different characters, people, and two entirely different relationships. I think around "Unexpected" Claude had reached the point where he thought he maybe didn't hate the kid. But then came kind reminders of the past, and he got out of Dodge post-haste. But even if you postulate he was a firm believer in tough love, had an instant attraction to Peter he cunningly disguised with snark and somehow knew Peter wouldn't die when thrown of a roof, no matter whether or not he'd be able to use a power, we've yet to see any sign he didn't do just what he said he would - get out of town, since he had no intention of either getting himself captured or being there when the big exposion happened. So stories in which Claude really was invisibly body-guarding Peter or angsts about Peter non-stop have the clicking-away-instantly effect on me. And let's not even mention stories in which Claude lectures Nathan on his behaviour towards Peter. See above, re: projecting feelings on characters.
1) The name thing. Back in the Jossverse, I used to groan over the existence of "Delia"; it's not like BTVS and AtS are short of nicknames, and the woman in question is "Cordelia" or "Cordy". Nobody, but NOBODY on either show ever called her "Delia". So why introduce that in fanfic? In Heroes, the two equivalents of "Delia" are "Pete" if used by someone other than Nathan, and "Nate". Nathan occasionally calls his younger brother "Pete" instead of "Peter"; not all the time, just now and again, and it usually conveys something emotionally. Nobody else does. Which makes Sylar's use of "Pete" so effective a taunt in the climactic revelation scene from "Five Years Gone", as in "But we know better, don't we, Pete". Consequently, if Peter gets called "Pete" all over the place, be it by Claude or someone else, it irritates me. The use of "Nate" irritates me even more, because that's entirely made up and not used by anyone on the show, including Peter. (It also immediately brings Nate Fisher from "Six Feet Under" to mind.) Now everyone has their own fanon - mine is that Nathan would either ignore people calling him "Nate", given them one withering stare and then ignore them, or make a sarcastic remark, depending on who they are - but I think the way Heroes uses pet names, or doesn't, isn't just random. It's menat to signify something about the characters. The fact that Noah Bennet calls his daughter "Claire Bear" is one of the first humanizing touches we get, an early hint that the character who got introduced to us as a sinister force might have a different side. Nobody whom Peter meets calls him "Mr. Petrelli", everyone uses his first name, which fits Mr. Instant Bonding. By contrast, when Matt meets Nathan at the police station in Lizards and reintroduces himself, mentioning they met briefly in Odessa when Nathan retrieved Peter, he calls Nathan "Mr. Petrelli". So does Mohinder. The big exception is Hiro. Hiro gets Nathan's full name during their first encounter, and also gives his full name, but on subsequent meetings, when he doesn't call him "Flying Man", he calls him "Nathan", and Nathan when explicitly seeking out Hiro in Parasite also addresses him as "Hiro". (Whereas he always refers to Mohinder as "Suresh" or "Dr. Suresh", as in "We can talk to Suresh". The only time he uses Mohinder's first name is when it's not Nathan but Sylar in disguise, in "Five Years Gone".) Matt and Nathan graduate to last names without "Mr." or "Detective" pretty soon, and Matt uses "Nathan" for the first time when trying to get Nathan out of his Maury-induced nightmare; Nathan keeps switching between "Matt" and "Parkman" for the rest of volume 2. Kensei/Adam nicknames Hiro "Carp" early on, and keeps using the pet name after their breakup, usually at a point when he wants to convey bitterness and betrayed affection. Bob uses his "call me Bob" opening time and again, and never makes anyone call him "Mr. Bishop"; it's part of his "I'm harmless and forgettable, underestimate me, please!" facade. Oh, and while we're talking Elders, if Kaito, who not only has known Angela for decades but used to have a sexual relationship with her, doesn't call her by a nickname but "Angela", I very much doubt anyone else did. Again, all of this gives us indications about how the characters see each other and themselves, how distant or close they are. So when in a story details like this are randomly ignored, I am anal enough to react badly. Lastly: what is it with Mohinder suddenly calling Matt "Matthew"?
2) That projected knowledge and feeling thing. This I found more in roleplay journals during the course of the last year than in fanfic, but it's in fanfic as well, and again, Heroes doesn't do anything there which other fandoms haven't done as well. To wit: the writer projects her/his feelings about another character on the character she's writing, regardless of how "her" character sees that other person on the show. In Heroes, stories that have Peter hostile towards his mother stumble right against my suspension of disbelief. Post-volume 2 stories are an exception; it's anyone's guess how Peter will react. But if you are setting the story before the season 1 finale, I don't care how much you dislike Angela Petrelli. Peter doesn't. He takes her part, not Nathan's, in the show pilot. His scenes with Angela are free of the tension that characterizes the interaction of Angela and Nathan. He looks neither surprised nor skeptical when she says he's her favourite. Mind you, it also never seems to occur to him to tell her about the flying, or to give her an alternate explanation for the incident that lands him in the hospital than the one Nathan gave, and he clearly disbelieves her "he doesn't love you" in the pilot, so you can make a case for Peter not being as close to Angela as he is to Nathan, or for not believing her every word. But he clearly loves her and has no anger or hostility towards her. (If Peter is hostile, he kind of makes that noticable. Ask Isaac.) What's more, please don't write stories in which Angela forbids Peter to go to nursing school and Nathan supports him. We have canon on that. In "Six Months Ago", Angela makes her "we need a nurse in the family, we have enough lawyers" remark, and Peter, kissing her and saying "thanks, Mom" clearly takes that as approval. Meanwhile, Nathan just as clearly at best doesn't take Peter's job very seriously and at worst sees it as something below his brother. (The shoes are a joke between brothers, but in the car scene when he's talking to Heidi, he sounds clearly annoyed when he says "my brother the nurse, can you believe it?" and in the pilot of course he basically says "the whole dreamer thing is cute, but it's time to get a real job" and offers Peter one at his campaign. Now what I can buy is that Angela, being the arch manipulator she is, wasn't keen on Peter being a nurse, either, and first had Arthur play the bad cop to her good cop and after Arthur's death tried to make Nathan into the bad cop. But if so, she successfully disguised it, and a pre-season 1 finale story has to take that into account. (A post season 1 finale story could have Peter react to the whole Charles Deveaux-Angela conversation he overheard, of course, but then the problem is that during the three months at the Company, he had other things to angst about, and afterwards, he had amnesia. In "Out of Time", when he gets a series of memories about Angela back, they obviously are positive ones.)
3) Admittedly solely based on summaries: Sylar isn't Mr. Hyde, and Gabriel Gray isn't Mr. Jekyll. In other words, the man isn't schizophrenic, and Gabriel isn't an alternate well-meaning but weak personality. We got a good long look at Gabriel pre-Sylar in Six Months Ago. I seem to remember an obsessive type who really, really wanted to be special and had quite a temper when hearing he might not be. So if a story is summarized as portraying some Sylar-Gabriel struggle, I am tempted to suspect the writer has watched AtS' Orpheus once too often.
4) Also based on summaries and a few aborted attempts to read the stories in question: Claire might have a penchant for hurting herself, but at no point is she portrayed as downright suicidal. At her most desperate and guilty-feeling, about the seemingly dead Noah in Truths and Consequences she wishes the Haitian would take her memories away. She doesn't wish herself dead. So I very much doubt that she spent the months between seasons 1 and 2 suicidally pining for Peter and wishing she had died instead. In fact, the phonecall from Four Months Ago portrays her in a rather healthy state of grief, the moving on one. And there is no reason why she shouldn't. Yes, she did the instant bonding with Peter, and he deeply affected her, but the most time she spent with him was a week (between her arrival in New York and election day). This does not make her Juliet in the last act. Note that in her brief conversation with Nathan, she goes from I know why you do this, I miss him, too to talking about the way she can't deal with pretending to be someone else and to figure out who she is, which makes for the main part of the conversation. If you want to write for a female character who is feeling suicidal with grief, go for Maya.
5) Claude: Not Nine In Disguise. Any stories in which Claude behaves towards Peter like Nine did towards Rose instantly make me click away. Those were two different characters, people, and two entirely different relationships. I think around "Unexpected" Claude had reached the point where he thought he maybe didn't hate the kid. But then came kind reminders of the past, and he got out of Dodge post-haste. But even if you postulate he was a firm believer in tough love, had an instant attraction to Peter he cunningly disguised with snark and somehow knew Peter wouldn't die when thrown of a roof, no matter whether or not he'd be able to use a power, we've yet to see any sign he didn't do just what he said he would - get out of town, since he had no intention of either getting himself captured or being there when the big exposion happened. So stories in which Claude really was invisibly body-guarding Peter or angsts about Peter non-stop have the clicking-away-instantly effect on me. And let's not even mention stories in which Claude lectures Nathan on his behaviour towards Peter. See above, re: projecting feelings on characters.
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Date: 2008-01-14 04:38 pm (UTC)no subject
Date: 2008-01-14 04:41 pm (UTC)Re: Peter and Mrs. Petrelli--I can definitely see futures where Peter becomes suspicious of her. I think he loves her, and takes her love for him as a given, but he overheard her calling him weak and I think he's not completely blind to her manipulations and her dark side. So I can buy a lot of different futures for their relationship.
And GOD, I've never understood this whole treating-Gabriel-Gray as a different person. He's Sylar's past, not a different personality.
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Date: 2008-01-14 05:00 pm (UTC)I agree with you 100% on Sylar/Gabriel. I have no idea where people are getting that.
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Date: 2008-01-14 05:08 pm (UTC)no subject
Date: 2008-01-14 06:31 pm (UTC)Wonderful, wonderful. So much word, especially on Angsting!Claire and the alleged Sylar/Gabriel divide. The boy was pretty much one sandwich shy of a picnic, and bashed a man's head in because he didn't like his attitude towards being special, for heaven's sake - that's not the behaviour of someone who is just a meek and decent guy.
Concerning nicknames: I tend to do that in reviews a lot, but when I call Nathan "Nate" or Matt "Matthew" it conveys something about my thoughts on their specific behaviour in a given situation. Doing the same in fic would mean to impose my own views on them on other characters, and especially in using "Nate" parallel to "Pete" it somewhat derails the reason for the nickname - Nathan uses it from a big brother point of view, which means it is both endearment and belittlement, and Peter or even someone else using "Nate" completely misses the context. I think the only person I could see using "Nate" under specific circumstances and not get his head bitten off is Arthur.
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Date: 2008-01-14 07:26 pm (UTC)On the suicide thing - I definitely thought, watching the show first time around, that Claire was trying to kill herself. The "that was attempt number six" thing. That she'd found out about her powers because she'd tried to commit suicide and failed.
*bookmarks for later*
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Date: 2008-01-14 08:17 pm (UTC)And I'm glad I'm not the only one that cringes whenever someone uses "Delia" in a Jossverse fic. Especially when the character calling her that is Angel or someone else that has already been established in canon as calling her Cordy or Cor.
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Date: 2008-01-14 08:58 pm (UTC)So very true. I liked your overview of the use of names in Heroes and I agree that the show uses not only pet names but names very carefully.
2) I might add shipping tendencies who also have a habit of coloring characterizations to the point of OOC-ness.
Have you heard of Sybriel? Now that's something I really don't get although I have to admit it might even have some foundation in canon. *g*
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Date: 2008-01-14 09:33 pm (UTC)no subject
Date: 2008-01-14 09:49 pm (UTC)My absolute favourites here are the characterizations in certain Claire/Peter fic summaries. Claire as the weepy romance novel heroine! Nathan either dead or as every villain cliché combined! Noah either conspicuously absent or secretly okay with his daughter dating her uncle!
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Date: 2008-01-14 11:03 pm (UTC)no subject
Date: 2008-01-14 11:10 pm (UTC)I guess the way I won't read fic where Connor has become "Conner" is a different thing. :)
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Date: 2008-01-15 03:05 am (UTC)I always read these lists with terrified fascination, sure that I'll have done everything on it, but I only used "Nate" once, when I was new to the fandom and totally didn't know better. Whew.
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Date: 2008-01-15 08:15 am (UTC)I remember Nathan's classmate calling him "Nate" to annoy him in your story! That actually worked for me, because Nathan reacted just as I thought he would.*g* And it's the kind of thing teenagers do.
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Date: 2008-01-15 08:22 am (UTC)Re: Peter's own ability to manipulate people: well, there is one instance where he does do it deliberately outside the family, with Elle in Four Months Ago, though one could argue special circumstances, I suppose. (It's also interesting that he must have point blank and convincingly lied to Claire when promising not to call Nathan despite having every intention of doing so, but then this was after he knew Claire was family.) Still, Elle's the one with the keys and the electro shock power, and he gets her to plead with him ("just a little one?") and negotiate, tell him something about her past and finally completely buy that he likes her via emotional manipulation alone, and he does it consciously. Angela would be proud.
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Date: 2008-01-15 08:30 am (UTC)Well, use of nicknames in reviews is different! That's you as an observer speaking, not an attempt to give one of the characters a voice.
Arthur: good point. We simply don't know enough about him to say whether or not he was the nickname using type, but if he was, he'd be the sole one in a position to do so.
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Date: 2008-01-15 08:35 am (UTC)no subject
Date: 2008-01-15 08:40 am (UTC)I suspect it's because they want him to be redeemable and able to hook up with the character of their choice. But seriously, Heroes does the multiple personality disorder thing with a character. She is called Niki. If there was even the slightest intention to write Sylar as someone with an alternate personality, he'd have gotten similar scenes and imagery to Niki/Jessica. Which he didn't. He has been consistently the same character, no matter what he calls himself.
"Delia": you're so not the only one, trust me.
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Date: 2008-01-15 08:45 am (UTC)re: 2) I see W_w and you have that covered. And yeah, that's how my valiant attempt to read some of that ended as well.
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Date: 2008-01-15 08:50 am (UTC)Not having seen Sports Night, I nonetheless think given your description that's a good example of what I mean about the misuse of names in fanfic. In most shows, it really is very important to characterisation. Going back to the Jossverse: it's ic for Xander to refer to Buffy as "the Buffster" - he did this a couple of times on screen. But it would be completely ooc for Angel to do the same thing...
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Date: 2008-01-15 08:58 am (UTC)Also: I'm sure someone somewhere has a list of fanfic don't which includes stuff I've done, because yes, each time you write in a new fandom you are a bit insecure at first. That's why feedback is so important!
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Date: 2008-01-15 01:04 pm (UTC)Lastly: what is it with Mohinder suddenly calling Matt "Matthew"?
Well, that's what controlling wives do with their husbands -- they pull out the full name as if they are the mother of the man. (Not always, but yeah, that's what my experience has been there, which is why I can't help but wince when people think it's cute to do in fiction.)
Now what I can buy is that Angela, being the arch manipulator she is, wasn't keen on Peter being a nurse, either, and first had Arthur play the bad cop to her good cop and after Arthur's death tried to make Nathan into the bad cop.
See, I can actually buy that she was trying to undermine Peter being a nurse. Not actively, necessarily (since obviously it was a good ticket to hooking him up with Charles, and she was very possibly masterminding a Peter/Simone match through that), but she does make some comments about his salary in the pilot that show she thinks nursing is beneath a Petrelli. And I can't imagine that she or Nathan was pleased with the idea of Peter watching people he loves die for a living. Because, of course, he will love them.
But that's a rather more altruistic reason for trying to get him a new career than Angela bashers would go for.
Can I also add a fic-squick of people writing Peter as naive to manipulation? Adam is pretty much the exception, and there are a hell of a lot of mitigating circumstances there. In general, Petrellis win at manipulation, and if I never see another fic where poor, delicate flower Peter is manipulated into dirty, dirty sex it'll be too soon. (If he's playing innocent, it's just so he can get someone to slam him into a wall and ravish him.)
Oh, and I randomly get tetchy about the idea of Peter going to public school or Nathan going to any college other than Annapolis. He was a pilot! You can't do that if you just enlist!
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Date: 2008-01-15 01:08 pm (UTC)no subject
Date: 2008-01-15 01:53 pm (UTC)And I can't imagine that she or Nathan was pleased with the idea of Peter watching people he loves die for a living. Because, of course, he will love them.
Of course, and now I wish
Adam is pretty much the exception, and there are a hell of a lot of mitigating circumstances there.
There are. I suppose you could add Bob - for having gotten Peter to agree to the Company custody to begin with - but that was directly after Peter exploded in the sky and got Nathan toasted, for heaven's sake. Also, Bob demonstrated via the Haitian that they did indeed have a way to contain Peter's powers, and if you had just nearly nuked NY because you couldn't control them, what would you do?
if I never see another fic where poor, delicate flower Peter is manipulated into dirty, dirty sex it'll be too soon.
Well, me, too, but you have to admit that the stories in which he's a slut are far more numerous. *g* I.e. the fanon that Peter had a lot of sex with people of either gender before we meet him in the show pilot. I usually go for that fanon, too, though I'll admit it doesn't quite square with his dorky behaviour towards Simone, but then Simone, being the daughter of Ideal Dad Charles, may have been in a different category for him.
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Date: 2008-01-15 02:15 pm (UTC)Ohhh, I like that. It makes far more sense than it metaphysically being true, or than Angel himself seeing it that way (given that he has stated on multiple occasions that he is Angelus and there is no divide).
Cameron in her House crossover. She loves her dying patients, too.
They could martyr themselves together!
. Also, Bob demonstrated via the Haitian that they did indeed have a way to contain Peter's powers, and if you had just nearly nuked NY because you couldn't control them, what would you do?
Exactly. Peter was looking to be punished and to be contained. Even if Bob hadn't sold the place as a center to help mutants, he probably would have gone for it. If Peter had been thrown into a prison, he wouldn't have fought. He only decided to escape once the possibility of saving Nathan was on the table. Now, not realizing that he wasn't in a prison was pretty foolish, but I don't think he can really be held accountable for his mental state at that point. He was traumatized by the explosion and then drug addled for months.
I.e. the fanon that Peter had a lot of sex with people of either gender before we meet him in the show pilot. I usually go for that fanon, too, though I'll admit it doesn't quite square with his dorky behaviour towards Simone, but then Simone, being the daughter of Ideal Dad Charles, may have been in a different category for him.
Heh, yeah. The idea of Peter being a slut is really just too tempting, especially since so much of S2 plays into that idea. The way he acts around Simone, and mentions that he's changed and never would have been brave enough to confess his love to a girl before he went crazy and started jumping off of buildings, doesn't really fit well with it. Of course, there's also the factor where one of the reasons Peter is such a great manipulator is because he always means what he says in the moment he's saying it. So just because he's an awkward dork with Simone at first, that doesn't mean he isn't a slutty serial monogamist. He meant what he said when he said it to her, but that doesn't mean it's actually true.