Doctor Who 11.03
Oct. 22nd, 2018 10:52 amNot the completely sci fi free historical some people were hoping for, but it felt very much in the spirit of those First Doctor era educational history tales, while using a current day sensibility. If you think about it: back when DW premiered, Rosa Parks refusing to give up her bus seat was a rather recent event - what, seven, eight years earlier?
There were a number of obvious trapfalls this episode thankfully avoided - Rosa Parks isn't inspired by the Doctor, racism isn't just embodied by the villain. (Otoh, you could say racism is the antagonist of the episode - the Josh Bowman played bad guy is just there to get the plot in motion and provide a reason for our heroes to be there as well.) Nor is racism treated as a thing of the past (or limited to the US); Yas and Ryan talking about their own experiences in the present was a really important scene in this regard. Acknowledging that things got better (as compared to Rosa Parks' reality) but are by no means perfect felt like the right note to strike in this regard. (Incidentally, I also note the bit of exposition slipped in when Yas mentioned "on the way from the mosque" - i.e. she's a practicing Muslima.)
The Doctor and friends trying to keep history on course also contained another thing which I thought was new, or even innovative. I've complained in the past not just in DW but also various ST Shows reviews about how every time when in a story with time travel our heroes have to rectify something dealing with the Third Reich, it's the "Hitler won!" scenario where they get to feel great about themselves while enabling a Nazi loss. Here, the Doctor and her companions got to help in the sense that they battled off the interference to history by an outside force, their interactions with Rosa Parks through the episode were friendly, Ryan got to meet Martin Luther King and spend an hour with Civil Rights activists, Yas, too, had the chance to talk to Rosa about their hopes for the future. But when the big moment arrived the episode had been building towards, Graham and the Doctor had to be part of the white people for whose benefit Rosa was asked to give up her seat. They couldn't play heroic roles, or supporting roles. They had to be part of the oppression Rosa was facing. And that, to me, meant the episode was without the smug roleplay that often goes with this trope and really an ode to the heroism of Rosa and the others. Well done, show!
Bits and pieces: "She'd have started a riot." Grace remaining such a vivid presence in Ryan's and Graham's emotions works towards reconciling me with her death, I have to admit.
Graham's bus driver knowledge and the practical way it keeps getting used reminds me of Donna's temp knowledge and the way s4 used it.
The Doctor recognizing Stormcage tattoos was a neat nod towards River without mentioning her name.
I recognize a set up when I see one: they'll meet Krasko again, whereever Ryan has sent him.
Time Lords dissing the non-TARDIS ways of time travel: never gets old.
There were a number of obvious trapfalls this episode thankfully avoided - Rosa Parks isn't inspired by the Doctor, racism isn't just embodied by the villain. (Otoh, you could say racism is the antagonist of the episode - the Josh Bowman played bad guy is just there to get the plot in motion and provide a reason for our heroes to be there as well.) Nor is racism treated as a thing of the past (or limited to the US); Yas and Ryan talking about their own experiences in the present was a really important scene in this regard. Acknowledging that things got better (as compared to Rosa Parks' reality) but are by no means perfect felt like the right note to strike in this regard. (Incidentally, I also note the bit of exposition slipped in when Yas mentioned "on the way from the mosque" - i.e. she's a practicing Muslima.)
The Doctor and friends trying to keep history on course also contained another thing which I thought was new, or even innovative. I've complained in the past not just in DW but also various ST Shows reviews about how every time when in a story with time travel our heroes have to rectify something dealing with the Third Reich, it's the "Hitler won!" scenario where they get to feel great about themselves while enabling a Nazi loss. Here, the Doctor and her companions got to help in the sense that they battled off the interference to history by an outside force, their interactions with Rosa Parks through the episode were friendly, Ryan got to meet Martin Luther King and spend an hour with Civil Rights activists, Yas, too, had the chance to talk to Rosa about their hopes for the future. But when the big moment arrived the episode had been building towards, Graham and the Doctor had to be part of the white people for whose benefit Rosa was asked to give up her seat. They couldn't play heroic roles, or supporting roles. They had to be part of the oppression Rosa was facing. And that, to me, meant the episode was without the smug roleplay that often goes with this trope and really an ode to the heroism of Rosa and the others. Well done, show!
Bits and pieces: "She'd have started a riot." Grace remaining such a vivid presence in Ryan's and Graham's emotions works towards reconciling me with her death, I have to admit.
Graham's bus driver knowledge and the practical way it keeps getting used reminds me of Donna's temp knowledge and the way s4 used it.
The Doctor recognizing Stormcage tattoos was a neat nod towards River without mentioning her name.
I recognize a set up when I see one: they'll meet Krasko again, whereever Ryan has sent him.
Time Lords dissing the non-TARDIS ways of time travel: never gets old.
no subject
Date: 2018-10-22 11:27 am (UTC)no subject
Date: 2018-10-22 12:25 pm (UTC)no subject
Date: 2018-10-22 01:36 pm (UTC)YAY
I was thinking they wouldn't go there, probably not this creative crew, but still dreading it might happen. Still have to catch up on these....
no subject
Date: 2018-10-22 03:16 pm (UTC)no subject
Date: 2018-10-23 08:14 pm (UTC)no subject
Date: 2018-10-24 11:33 am (UTC)Every other local looks angry, or disgusted, or contemptuous. She's so rigid she barely breathes, let alone reacts. You don't need a word of dialogue spoken to know that she's passing, and she's terrified.
Elements like that were a good way of making the point that the situation and the story were more than just a setting for time-traveller shenanigans or a hero narrative about one woman, without the script getting lecturey.
no subject
Date: 2018-10-25 10:46 am (UTC)