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Wiki summary: Moya performs an emergency starburst that fragments her into four different dimensions. As John attempts to find crewmembers missing in each dimension, an energy creature appears to add more danger to their predicament.
Second bottle show of the season, where all events take place on the ship. Would be worth rewatching for the two group meal scenes alone that open and close the episode, but there are other things I like about it, too. Seriously, though, I'm ridiculously charmed by the two meals. The opening one might be when everyone is contemplating - or in the case of John and Aeryn, rejecting - the idea of leaving Moya because they're afraid her now very limited ability to starburst will get them captured. But consider: this group of beings who at first had no connections beyond their escape situation and in some cases serious dislike involved is now comfortable sharing meals together. ( And Rygel is sharing food. Rygel!) They haven't gone any more prickly (see also the way new arrival Chiana is ignored), but they have bonded, and just know each other. And speaking of Chiana, while the set up for the punch line that she actually has something important to observe was obvious, I stll found it gratifying. In this episode, I think the writer have settled on her being considerably younger than the rest of the cast (which wasn't apparant in Durka Returns, given the gang treats her like an irritating teenager, and Crichton starts with the big brother attitude (here more admonishing and educating than protecting, but there). We also get the debut of his nickname "Pip" for her. Which causes this German to ask: what pop culture allusion is this? Because the only Pip I could recall is the one from Great Expectations, who doesn't really work as a Chiana analogue.
Aeryn in the blue dimension coming up with a solution to the ringing sounds by using the headsets from her prowler was a great way to showcase her practical intelligence, and of course the episode gives us more continuity in terms of her sharing Pilot's knowledge. However, the crew member who does some bonding with Pilot here is John, not just because he's the one moving through all the dimensions but because he provides some comfort to the anxious Pilot (and Moya) in their fear that they'll be left behind. It's one of those things I love the show for, that it never forgets Pilot and Moya are living beings, not a bord computer and a mechanical ship respectively, and have thoughts and feelings about any given situation, and the scene where John talks to Pilot in person (not via view screen) is quite tender.
Another thing: D'Argo and Zhaan rejecting the possibility that Moya could terminate her pregnancy in order to starburst provides a strong contrast to both their willingness to hack Pilot's arm off earlier this season. I don't think it's about less or more selfishness but the way they now see Moya, Pilot and Moya's unborn child as one of theirs.
I don't think we see the starburst dimension alien again, but it's worth pointing out this encounter is the second time in a row Crichton has had with a very powerful alien being connected to space travel. (And go him for figuring out it was trying to communicate, not menace the crew. Very Star Trek of him, if you'll allow me the heresy. :) )
Chiana remaining unaffected in the red dimension is an early hint that Nebari eyes work somewhat differently, yes?
Lastly: as the world's lone John/Rygel shipper I am gratified to hear Rygel in the dimension of yellow laughter considers Crichton "cute".
The other days
Second bottle show of the season, where all events take place on the ship. Would be worth rewatching for the two group meal scenes alone that open and close the episode, but there are other things I like about it, too. Seriously, though, I'm ridiculously charmed by the two meals. The opening one might be when everyone is contemplating - or in the case of John and Aeryn, rejecting - the idea of leaving Moya because they're afraid her now very limited ability to starburst will get them captured. But consider: this group of beings who at first had no connections beyond their escape situation and in some cases serious dislike involved is now comfortable sharing meals together. ( And Rygel is sharing food. Rygel!) They haven't gone any more prickly (see also the way new arrival Chiana is ignored), but they have bonded, and just know each other. And speaking of Chiana, while the set up for the punch line that she actually has something important to observe was obvious, I stll found it gratifying. In this episode, I think the writer have settled on her being considerably younger than the rest of the cast (which wasn't apparant in Durka Returns, given the gang treats her like an irritating teenager, and Crichton starts with the big brother attitude (here more admonishing and educating than protecting, but there). We also get the debut of his nickname "Pip" for her. Which causes this German to ask: what pop culture allusion is this? Because the only Pip I could recall is the one from Great Expectations, who doesn't really work as a Chiana analogue.
Aeryn in the blue dimension coming up with a solution to the ringing sounds by using the headsets from her prowler was a great way to showcase her practical intelligence, and of course the episode gives us more continuity in terms of her sharing Pilot's knowledge. However, the crew member who does some bonding with Pilot here is John, not just because he's the one moving through all the dimensions but because he provides some comfort to the anxious Pilot (and Moya) in their fear that they'll be left behind. It's one of those things I love the show for, that it never forgets Pilot and Moya are living beings, not a bord computer and a mechanical ship respectively, and have thoughts and feelings about any given situation, and the scene where John talks to Pilot in person (not via view screen) is quite tender.
Another thing: D'Argo and Zhaan rejecting the possibility that Moya could terminate her pregnancy in order to starburst provides a strong contrast to both their willingness to hack Pilot's arm off earlier this season. I don't think it's about less or more selfishness but the way they now see Moya, Pilot and Moya's unborn child as one of theirs.
I don't think we see the starburst dimension alien again, but it's worth pointing out this encounter is the second time in a row Crichton has had with a very powerful alien being connected to space travel. (And go him for figuring out it was trying to communicate, not menace the crew. Very Star Trek of him, if you'll allow me the heresy. :) )
Chiana remaining unaffected in the red dimension is an early hint that Nebari eyes work somewhat differently, yes?
Lastly: as the world's lone John/Rygel shipper I am gratified to hear Rygel in the dimension of yellow laughter considers Crichton "cute".
The other days
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Date: 2020-06-28 12:08 pm (UTC)I read somewhere that "Pip" is what Ben Browder nicknamed Gigi Edgley (but that's the Doylist explanation of the name). Now, what I want to know is where the nickname "Buckwheat" came from. *g* And yes, Crichton does call Rygel "Buckwheat" in this episode.
The main plot of this episode didn't make much impression on me--yes, I enjoyed it, but it didn't inspire any deep thoughts or observations. I will say I enjoyed Aeryn's competence in this one, D'Argo's "one mippippi, two mippippi" to count the microts was amusing, and Rygel telling bad jokes to Crichton was priceless!
Finally:
... But alas, you're going to have to wait until the second season's "Won't Get Fooled Again" for some hot Rygel on John action. *g*
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Date: 2020-06-29 04:50 am (UTC)https://www.youtube.com/watch?v=TwH292SOWf4 - The Pooch (1932)
https://www.youtube.com/watch?v=EtxGMXsotyU - Forgotten Babies (1933)
https://www.youtube.com/watch?v=fAq0abNh6XE - Second Childhood (1936)
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Date: 2020-06-28 01:25 pm (UTC)As far as the characters' reactions to the different other dimensions showing off their sensory idiosyncrasies, is it later on in "Crackers Don't Matter" that we discover that Moya is covered in signs and labels that John and we can't even see are there, because they're in colours that aren't visible to human eyes?
"Pip" for Chiana, and also as Browder's real-world nickname for Gigi Edgley - it isn't a cultural allusion, it's slightly old-fashioned American slang for a charming live-wire of a person, the sort of thing you'd be more likely to encounter in a work from the first half of the twentieth century.
"Buckwheat" is a cultural allusion, though, it's the name of one of the characters from a long-running series of US short films about a gang of mischievous kids, first titled Our Gang and later The Little Rascals.
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Date: 2020-06-28 02:15 pm (UTC)There seem to be a couple of branches of it: https://english.stackexchange.com/questions/408232/whats-the-meaning-of-she-is-a-real-pip
"Pippin" -- pretty girl
"Pip" -- "gives me the pip," supposedly from the name for a disease in chickens?
"Pip" -- something small, like orange pips (pits), pips on dominoes, "pipped at the post" -- to lose right at the end by a hair
When I first saw the show, all I could think was that Crichton was Dickens fan!....nope
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Date: 2020-06-28 04:28 pm (UTC)Pip and Buckwheat: thank you for the explanations!
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Date: 2020-06-28 04:24 pm (UTC)Thank you for the Doylist Pip explanation!
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Date: 2020-06-28 01:37 pm (UTC)Ah, we're still in early days here, too, with both John and Aeryn wearing grey shirts before they hit all-black all the time. And the meals are such perfect parentheses, and yes, this is one of the good days when none of them die, no one kills anyone, pursuit is an ever-present backdrop, but not today close.
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Date: 2020-06-28 04:36 pm (UTC)https://archiveofourown.org/works/17304092
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Date: 2020-06-29 05:59 am (UTC)no subject
Date: 2020-06-29 01:36 pm (UTC)Also, God, Crais was hot.
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Date: 2020-06-28 06:07 pm (UTC)This is the first time Farscape has sounded interesting enough to possibly watch.
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