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selenak: (John Silver by Violateraindrop)
It's good to know that Bryan Fuller's American Gods adaption is still on, and progressing. (Not just because I'm looking forward to the Fuller-meets-Gaiman result, but because I would like a Fuller series I can watch again. Says she who tried and disliked Hannibal, thus gave it up after eight episodes.) Meanwhile, I've just seen a (German) tweet to the effect that they want to do a remake of The League of Extraordinary Gentlemen. Methinks someone took notice of the fact that Penny Dreadful is drawing an audience and recalled they still have the Alan Moore property. Dear movie makers who own the LoeG rights: I didn't see your first movie because your git of a director and your idiot of a producer gave an interview before it ever came out in which they said they changed the set up from Mina being the leader to Alan Quatermain being the leader because "can you imagine Sean Connery taking orders from a woman?" So if you want me to watch a new film version, pray go back to the Moore, let Mina stay the leader (and don't change her into a vampire, the entirely human sharp tongued take charge woman of the first two LoeG volumes will do nicely), and if you must add non-Moore characters, don't let these be Dorian Gray and Tom Sawyer. Go for Lydia Gwilt from Armadale and Marian Halcombe from The Woman in White instead.

Yesterday I got a mail informing me the BBC will stop its Global iPlayer service, so that was depressing. Whyyyyy, BBC? I loved watching your shows in my trusty iPad! Has the newly confirmed Cameron slashed your budget that much already? On the bright side of BBC news, though, they're planning an adaption of A Place of Greater Safety. Considering this is the Hilary Mantel novel I love, whereas I have mixed "yes, BUT" feelings about the Thomas Cromwell novels, I hope this will indeed come to pass. Not least because: a British production about the French Revolution in which the French revolutionaries are the heroes and there's not a heroic aristocrat, British or otherwise, in sight, that will truly be a first one. (There are some sympathetic aristocrats in Mantel's novel - poor trying-to-do-the-right-thing Lafayette who gets loathed by Marie Antoinette and the Jacobins alike for his trouble, Mirabeau as the gifted and corrupt but not evil type, oh, and Mantel has fun giving a few scenes to the author of Les Liasons Dangereuses since he's Philippe d'Orleans' sidekick for a while - but they're all supporting, not major characters.) I'm also looking forward to bisexual Camille Desmoulins, a tragic instead of evil Robespierre and hope that whoever gets cast as Danton has the necessary charisma (and voice!). Finger crossing for Alex Kingston as Annette Duplessis - for Lucille, I have no opinion yet.


And lastly, because Elementary is so much on my mind these days, a fanfic rec:


When You Know I Can't Love You (3319 words) by AxolotlQueen
Chapters: 1/1
Fandom: Elementary (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Sherlock Holmes & Joan Watson, Sherlock Holmes & Kitty Winter
Characters: Sherlock Holmes, Joan Watson, Kitty Winter, Jamie Moriarty | Irene Adler
Additional Tags: Character Study, Platonic Love, Mental Health Issues, Mentions of addiction, Past Sherlock Holmes/Jamie Moriarty | Irene Adler, Gray aromantic Sherlock, Loneliness
Summary:


He had thought himself, for a long time, incapable of love. Some people simply are, after all.


A character study of Sherlock and various kinds of love.

selenak: (Tardis - Hellopinkie)
Via [personal profile] watervole:



The sheer number of shows I recognized was a good reminder of why I adore (a lot of) British television. Also the sheer number of TARDIS appearances cracks me up.

Still on an anglocentric note, I haven't read Peter Doggett's You Never Give Me Your Money yet, but word is that it manages that minor miracle, being an even-handed and fair to everyone book about the Beatles' breakup and the ensuing decades of lawsuits, settlements, reconciliations and dramas of both the melodramatic (George/Maureen/Ringo omg!) and the tragic sort (i.e. deaths by madmen and cancer). The author displays a wry sense of humour in his blog when taking a (positive) review by an American newspaper which suggests that everyone should just have had group therapy and countering this by stating group therapy in later 1969 would have gone thusly (* courtesy of Doggett):


THERAPIST: OK, now perhaps you can each tell me what you'd like to tell the others.
JOHN: Tell Paul and his ******* family to **** off.
PAUL: Tell John to leave his wife at home.
JOHN: You ****!
GEORGE: Is it time to play my songs yet?


:) Well, yes. (If you want to read the entire entry, it's here.) (On a more serious note, Get Back/Let It Be was actually supposed to be group therapy, McCartney style, meaning: music/work. This, err, backfired, but given that it's what he consistently did and does every time something in his life goes spectacularly wrong from the time he was 14, I'm not surprised he thought it was a good idea.)

Doggett also has a short but good Yoko portrait, a drawing rather than a full fresco, if you like, but it brings her to life for me and proves his reputation for even handedness, as it's neither a repetition of the hostile clichés of old nor a fiery "why Yoko is the greatest female icon who ever lived!" speech; while ending on an admiring note, it leaves her human.

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