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Yeah, no

Oct. 29th, 2023 05:49 pm
selenak: (Voltaire)
Good grief. Philip Norman strikes again. His career as a Beatle biographer for non-Beatles fans, summarized:

Shout!: "John Lennon was two thirds of the Beatles" is the most infamous claim and the one he had to walk back on most, but while the book is fluently written (that was never Norman's problem), it's the kind of biography where we're told what exactly Brian Epstein felt when seeing John Lennon for the first time (not, you understand, based on Brian Epstein's own comments), and where the Paul bashing is only matched by the George ignoring-or-sneering. (Poor Ringo doesn't even rate a bashing.) And you can tell Norman has not much interest in the musical production side of things, which is, after all, what makes the Beatles important to begin with. It's positive about Yoko which at the time was still relatively rare, but otherwise, I'm struggling to find good things to say. The 2001 reedition preface includes more sneering at George and bashing of Paul, including the claim the only reason why people felt sorry when Linda McCartney died was that the British public had gotten into the habit of mourning blondes with Diana, I kid you not.

...and when George died, he wrote an incredibly mean spirited obituary. This is a plot point.

John Lennon: The Life: Note the "The" Life. Norman didn't make a secret out of the fact he considers all other Lennon biographers inferior to himself. That said, this particular biography included some genuine new material - Aunt Mimi's fling with her student subletter, and famously the passage where either Yoko or Norman-as-narrator (it's phrased a bit ambigiously) says John told her something that made he wonder whether he didn't have certain feelings for Paul. Also, and perhaps not unrelatedly to the fact that while he still refused to meet him, Paul did answer some of Norman's emails, Mr. Norman has changed his mind about the importance of Paul McCartney to the Beatles. Behold, now he's a worthy co-creator! Otoh, Norman still isn't really interested in the creative musical process, and ignores anything not fitting with his idea of John.

Norman's Paul biography: I haven't read it. The novelty of of Norman no longer being anti Paul has already been spent with the Lennon bio, so I was and am not very motivated. Also, I'm still resentful over that tasteless Linda remark.

And now he has written a George biography. And a lengthy article about writing the George biography, in wihch he's absolutely bewildered as to why Olivia Harrison, son Dhani and the fans would hold such a little thing as the absolutely mean spirited George obituary against him. Quoth Norman: I’d hoped that my sympathetic treatment of George in the Lennon, McCartney and Clapton books might persuade Olivia Harrison and their son, Dhani, to co-operate in it. However, the sample of my work drawn to her attention – by a previously friendly executive at the Beatles’ Apple company – was that ill-judged 2001 obituary, given seeming eternal life on the internet along with numerous posts from fans virtually endowing me with horns and a tail. Now there clearly was no possibility of access to Olivia or Dhani.

Firstly, what sympathetic treatment of George in the Lennon book? Secondly, gee, Philip N., why would a woman who has had to watch her husband die of cancer, then opens up a national newspaper and reads you calling said husband "a miserable git", not to mention a couple of other equally mean-spirited things, want to talk to you? Especially since the motivation for you writing a biography of her husband clearly isn't because you cared for his music, thoughts and person during his life time, but because writing abouto the Beatles is still your best paying gig. (Also: Olivia once saved George from a knife attack by attacking the attacker. Maybe Norman is lucky she won't receive him, is what I'm saying. Olivia is hardcore.)

Going from an older fandom to a newer one: this cracked me up to no end. And makes me wonder whether someone will ever be insane enough to write that fusion. (Don't look at me.) And you know, given that Frederick the Great wrote in his obituary (!) of Voltaire, of himself in the third person, "the King wished to possess this genius of such rarity and uniqueness", which is an Annie Wilkes thing to say if ever there was one, the comparison does have its merits. *veg*
selenak: (Schreiben by Poisoninjest)
List the five scariest characters ever.

As the question was about characters, not monsters, I shall try to avoid the obvious (i.e. an old reply of mine). (The Gentlemen from Hush or the Alien from Alien would fall under this category, as would Shelob from Lord of the Rings. That's the difference between monster and villain, too.)

1.) Caligula as interpreted by Robert Graves and John Hurt in I, Claudius. Making genuine madmen scary is more difficult than you think, because of that "oh, he's so funny, and the hero is smarter anyway, so what's to fear?" trap. What makes the Graves version of Caligula the often imitated and copied epitome of genuine mads cariness is, among other things, that Caligula even at his maddest isn't stupid. He's also mercurial and unpredictable so that a successful compliment from last week can be a death sentence this week. Particularly scary Caligula scenes in the tv version of I, Claudius: are spoilery if you have neither read nor watched. )

2.) Annie Wilkes, main character from Stephen King's novel Misery. The film to my mind while offering a great performance from Kathy Bates gets a few things crucially wrong, among them that this is a story about writing. In which true fannish dedication is explored in spoilery ways. )

3.) Dolores Umbridge, from Harry Potter and the Order of the Phoenix. Speaking of people I know: to my mind, Dolores Umbridge is the best villain JKR came up with in all seven Potter novels. Voldemort is your conventional Evil Overlord who keeps ignoring the Evil Overlord Rules. Bellatrix Lestrange is flashy fun as far as evil madwoman go. But Umbridge is the banality of evil personified. She's not mad, she's seriously convinced of her own goodness, and the petty kind of sadism she indulges in is so frightening because it's the type you find, minus magical means, in all kind of people in authority. Exemplified by a spoilery scene. )

4.) Livia from I, Claudius. Another I, Claudius entry is inevitable because Livia isn't just that great but that scary as well. In a very different way than Caligula. Livia isn't insane, for starters. She's smart, cruel, and when telling her dying husband after decades of pulling strings behind the scenes, killing and/or ruining everyone standing in her way, "All I ever did was for Rome", honestly convinced that this is true. As opposed to the banality-of-evil type of vllain Umbridge is, Livia isn't petty, though, and she's also very witty; with just enough vulnerability flickering up very new and then to remind us she's human in addition to being a mastermind. And a master manipulator till her last breath; the scene I mentioned in the Caligula entry isn't her last one, it's the last-but-one; in her last one, she pulls off another victory, which is spoilery ).

5.) Dream of the Endless, from Sandman. Morpheus might not be the most obvious candidate, given his narrative regularly makes fun of his Byronic tendencies, and also, he's the hero of same. But he can be scary as hell. Cases in point of a spoilery nature. )

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