That and this
Jul. 24th, 2021 07:05 pmStarted but didn't finish: Once upon a time in Hollywood. Aber about an hour, I realised I didn't care about any of the characters despite being a soft touch for a well done "Hollywood on Hollywood" story, the fictional excerpts from the various Westerns, tv shows and movies alike, that Rick Dalton had been in just came across as self indulgent on Tarantino's part, and the aesthetic reconstruction of 1969's Hollywood plus the usual good soundtrack wasn't worth it. I'll pass.
Watched the first episode and immediately decided this was not for me: the cartoon series Star Trek: Lower Decks. Sorry. It's not the format - I mean, I loved The Clone Wars, which was also marketed primarly at a younger audience - it's the relentless slapstick-ness and way too much embarassment humor. I'm sticking to the non-animated Star Trek for now.
Listened to and actually liked: Six, the musical about Henry VIII's Queens, which maps each on a current day type of singer, stylistically, and does some both witty and empathic things with the two wives usually treated least well in fiction, Anne of Clevers and Katherine Howard in particular. Katherine Howard's song, All You Wanna Do is a fantastic example of that trickiest of feats to accomplish, a song where the singer starts out telling a very different story than the one she ends up telling, because she herself only realises/reveals while singing that the cheerful tale is actually a horror story. Terrific acting/singing, too. Here it is:
Watched the first episode and immediately decided this was not for me: the cartoon series Star Trek: Lower Decks. Sorry. It's not the format - I mean, I loved The Clone Wars, which was also marketed primarly at a younger audience - it's the relentless slapstick-ness and way too much embarassment humor. I'm sticking to the non-animated Star Trek for now.
Listened to and actually liked: Six, the musical about Henry VIII's Queens, which maps each on a current day type of singer, stylistically, and does some both witty and empathic things with the two wives usually treated least well in fiction, Anne of Clevers and Katherine Howard in particular. Katherine Howard's song, All You Wanna Do is a fantastic example of that trickiest of feats to accomplish, a song where the singer starts out telling a very different story than the one she ends up telling, because she herself only realises/reveals while singing that the cheerful tale is actually a horror story. Terrific acting/singing, too. Here it is:
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Date: 2021-07-25 04:04 am (UTC)no subject
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Date: 2021-07-25 01:11 pm (UTC)It just really rubbed me the wrong way Tarantino not only made this paean to Old Hollywood machismo with extra racism (the Bruce Lee bit) and also made the two imaginary macho dudes "good" by saving Sharon Tate, one of Hollywood's most famous murder victims, by brutally murdering the Manson girls. It smacked of this really weird compensatory macho rescue wish fulfillment and I was like, I don't want to be part of your self-insert fantasy RPF about Sharon Tate, bro. (Adding insult to injury, it was supposed to be a "tribute" to Sharon Tate and he talked Tate's family into it by telling them she didn't die, and Margot Robbie got something like three lines in the whole flick.) Tarantino's never been great on women but this movie in particular really got my hackles up.
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Date: 2021-07-26 07:50 pm (UTC)Star Trek Prodigy does seem to be aimed at kids but the teaser emphasized more the drama than humor. Granted, I don't know if it'll be like Clone Wars or Sarah Jane Adventures in terms of tone and writing or not.
The only thing I know about Once Upon A Time in Hollywood was there was controversy over how Bruce Lee was portrayed.
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Date: 2021-07-27 04:48 pm (UTC)no subject
Date: 2021-07-27 07:05 pm (UTC)Toggling my region settings to Europe, I think this trailer will play in your region (apologies for the quality): https://www.youtube.com/watch?v=Hty8ufTB4Z4
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Date: 2021-07-28 05:26 am (UTC)no subject
Date: 2021-07-27 04:07 pm (UTC)The one memorable bit for me was two scenes with Dalton playing a villain-of-the-week in the sort of western TV show that he had earlier played the hero of. In the first one, he's hungover, doesn't know his lines, and performs disastrously. After he throws a tantrum alone in his trailer, we later see him filming another scene in the episode, in which he's now fully on top of the script and delivers a genuinely menacing and powerful performance, showing that he does actually have some talent.
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Date: 2021-07-27 04:47 pm (UTC)no subject
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Date: 2021-08-02 09:00 pm (UTC)no subject
Date: 2021-08-03 07:53 am (UTC)