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Jul. 13th, 2011

selenak: (Lochley by Melligator)
13 – Do you prefer canon or fanon when you write? Has writing fanfic for a fandom changed the way you see some or even all of the original source material?

As to the former, by and large, canon. Even if it's an open canon, we're talking about backstory and I happen to like the one I wrote/read about better than the one the show eventually gives us, which was the case in Torchwood with Owen's backstory and his first meeting(s) with Jack. Still, if I wrote Owen again I'd use the backstory as given in the episode Fragments; I wouldn't be emotionally capable of using the one I made up before Fragments was broadcast. When it gets to the point where what canon tells me makes no sense whatsoever for me anymore I quit the fandom (alas, Heroes).

(Sidenote: as a reader, especially in fandoms I haven't written nor intend to write in myself, like Harry Potter, I find it sometimes interesting and/or amusing to be able to follow specific clashes of fanon and canon and being able to date stories from that. For example, pre-Half Blood Prince any number of stories featuring Snape out of Hogwarts gift him with "Snape Manor" (huge, naturally) and a Gothic House of Usher type of background, so the revelation he lives in a small city house in a northern industrial area instead entirely jossed that. BTW, this is one instance where I vastly prefer canon because I think it's far more interesting than Usher!Snape's dwellings. And then there are all those Jossverse stories (including a media tie-in) dealing with Spike's backstory written before and after Fool for Love was broadcast; not just relating to the Sire question but also in how Spike was like as a mortal. Not to mention that my girl Darla was peripheral or non-mentioned in most Angel-related backstories written before Angel the show started, due to her brief appearances on BTVS which didn't yet have the in depth characterisation she was to get in the spin-off, and that massively changed when canon established she and Angel(us) were hardly apart from the time she made him till the curse 150 years later.)

There are, of course exceptions to every personal rule. I am quite fond of what fanon [personal profile] andraste, myself and a few others created for the Centauri and Narn in Babylon 5, and kept using it in my stories. Too late now for JMS to tell us Centauri male tentacles aren't called brachiarte. :) Or about how the G'Kar/Mariel affair went, whether or not Londo speaks some of the Narn language and how he learned it, or what became of the four female Centauri telepaths.

As to the second part of the question: well, yes, to a point. Participating in a number of ficathons meant that I wrote the human characters of B5 as focus of stories which I had never done before (what with the aliens being more interesting to me, other than Bester), and that in tern enhanced my fondness and interest for these characters upon rewatching. Conversely, sometimes what was only a mild annoyance pre-fanfic writing can be an infuriating red emotional button when you rewatch and have to engage with that part of canon specifically for a story; certainly this happened to me in DS9, when I rewatched some Ezri-centric episodes in order to get a grip on her voice in preparation for writing Let It Be, and the way Ezri's mother was dealt with in Prodigal Daughter angered me so much that I wrote a rant about it. (Otoh writing Cold Heaven and Second Coming did neither appease nor inflame my Prophet dislike and fury about Sarah and what was done to her; it was there before, during and after writing in equal proportion.



The rest of the questions )

Links

Jul. 13th, 2011 10:39 am
selenak: (Camelot Factor by Kathyh)
One of the best summaries of the Murdoch/his papers/politicians affair online so far.

Fanfic recs:

Merlin:

You are a runner and I am my father's son: post season 3 tale which satisfies various of my fictional cravings, most of all that it doesn't treat Arthur's love for Gwen and Merlin as competitive or mutually exclusive but in addition and support of each other. *waves OT3 flag* (The only complaint I have is my usual one in Arthur-finds-out tales, not particular to this one. Sooner or later I'll probably get around to writing my own version so I do something constructive instead of just murmuring to myself that what Arthur needs to deal with most in such a case isn't "Merlin is a sorceror and lied to me" or even "what I thought about magic was wrong" but "if what I thought about magic and magic users is wrong, what does this mean regarding the many people to whose death I actively or indirectly contributed?") Also there is hilarious Gwaine and an imaginative use of one particular bit of Arthurian myth.

X-Men:

A summer so late in coming: in which Charles and Erik, post X3 (the tag scene to that film makes it possible), and due to a certain change in New York State law, get their happy ending at long last. Of sorts. It's the kind of story that can easily go wrong and treacly if unbalanced but here it's just perfect, with the bittersweetness very appropriate to the characters.

The Raven, the Rooks and the Lantern: a Narnia crossover, in which young Charles and Raven go through a certain wardrobe.

Review:

Jane Espenson writes about the first episode of Miracle Day: choice quote, not very spoilery but just to be on the safe side I cut: )

You said it, Jane.

Say what?

Jul. 13th, 2011 06:38 pm
selenak: (Hyperion by son_of)
Possibly of interest only to comic book readers: [personal profile] jesuswasbatman linked to Grant Morrison. In which Grant M. tells us that the person who inspired him to become a writer as a kid was, wait for it, Enid Blyton. With her Famous Five novels.

*blinks*

*imagines Grant Morrison's take on the X-Men clad in black leather*

*sees Morrison!Jean, Emma, Scott, Logan and Hank as Famous Five*

*can never unsee*

I should have known. Cassandra Nova is such an Enid Blyton supervillain, and zomg, the whole disguised identity thing Magneto pulls... :)

In other news, he also says, re: his run of Superman, that he's aiming for "a Bruce Springsteen version of Superman, that’s the angle we’re taking." This should please [personal profile] likeadeuce and I think I can actually see what he's getting at, and it fits. Springsteen/Clark Kent OTP! Of course, it's Springsteen as interpreted by Grant Morrison. And I'm back with Enid Blyton as Grant's unsuspected muse...

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