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selenak: (Alex Drake by Renestarko)
Choose ten characters. What fandoms would they participate in, and in what ways?

1.) I already did a post on clearly both movieverse Magneto and Xavier being Doctor Who fans, complete with highly scientific poll as to which Doctors and which Companions they like best. Expanding on that, I'd say Erik Lehnsherr to this day argues Genesis of the Daleks with Charles online and and has dispatched Mystique to Simbabe to investigate those rumours that there are copies of the lost Second Doctor episodes there. He could only sell her on this by telling her she might as well kill Mugabe while she was in the country, but by all means had to retrieve the tapes.

2.) Severus Snape, growing up with a Muggle father as he did, had off course access to 70s and early 80s tv. You know what this means, don't you? Young Severus was a Blake's 7 fan. Only Lily knew, of course, because he'd never have confessed it to his Slytherin friends; he just used Avon's one liners to great effect without them recognizing the origin. He used to write Avon/Cally fanfic under a pseudonym for fanzines and then broke it off. During his time as a Death Eater, he was severely tempted to go after Chris Boucher for Gauda Prime, but the thought of Voldemort figuring out the reason held him back. Later, at Hogwarts, he came around to regarding Blake as a great finale. At least Avon didn't have to teach kids as a punishment.

3.) Arvin Sloane's secret vice, as opposed to the more obvious ones, are Andrew Llyod Webber musicals, especially The Phantom of the Opera. He has all kinds of recordings, went to see it every time he was in London for an Alliance meeting and when really depressed finds reading Erik/Christine OTP fanfic complete with Raoul bashing cheers him up to no end. He'd never write it, though. On the other hand, he nearly got into a flame war on the subject why older manipulative mentor types with a killing record might not be the ideal partner for young talented ingenues. The other person just couldn't see Erik did it all for Christine's own good and that she'd never become such a stellar soprano without him; and why should the occasional posing as her father be a bad thing?

4.) Darla was really into Wilkie Collins novels back in the 19th century and had a bet running with Angelus as to what the nature of Sir Percy's secret was, though her favourite of his novels wasn't The Woman in White, it was Armadale. In the 20th century, she discovered the film Theatre of Blood and thought it was a marvellous idea, very inspirational. Only instead of killing off critics by staging Shakespearean deaths, she celebrated her ongoing Collins fannishness by killing off critics who insisted that he just wrote cheap potboilers by staging Collins murders. Also prevented murders which really should have been allowed to succeed for everyone's good, like the death of blond Alan in Armadale, oh yes. Wilkie Collins' reputation with literature professors improved; his critics literally died away. Clearly, fandom is not powerless.

5.) Alex Drake was a big Professionals fan as a girl, read Bodie/Doyle slashfic though she didn't write it, and made character and relationship soundmixes. She also catches Martin Shaw on stage when she can. Well, she did when she was living in the present, that is. Since her trip to the past, she found she couldn't stand watching The Professionals on screen anymore, for some reason, and instead distracts herself by watching Dallas, annoying her teammates by predicting plot twists and reconciling them by inventing drinking games.

6.) Toshiko Sato was a big Battlestar Galactica (new) fan, creating some of the best vids in fandom and writing lengthy, thoughtful meta. She was secretly a Kara/Leoben shipper (secretely because she knew how screwed up that was, and so used another handle when talking about that ship), but her vids were either Roslin-centric or ensemble. She was tempted to ask Jack about the Final Five and how it all ended but in the end didn't, and died not knowing.

7.) Abigail Brand is familiar enough with Star Wars to get Hank's references and respond accordingly, but she's really a fan of the Alien franchise. Ripley was and is her idol. She has all editions of all four movies on dvd and Sigourney Weaver's autograph, though she claimed her geeky boyfriend wanted it. In her non-existant spare time, she writes furious posts in online forums as to why there shouldn't be a fifth one.

8.) John Connor actually tries to stay away from sci fi, but one day caught a BSG episode, and, well, it all ended with him arguing in Television Without Pity why Cylons were completely implausible but Boomer was screwed over as a character anyway and should have gotten a redemption arc. He'd never tell his mother but has a feeling Cameron knows.

9.) Martha Jones stays away from medical shows except House; she and Tom regularly mock the medicine during episodes, but they never miss one, and though Hugh Laurie's American accent still occasionally weirds her out - after all, she watched Blackadder as a girl - she has a huge crush on him. Sometimes she checks the internet for Shakespeare fanfic and never knows whether she's dissapointed or relieved that there don't appear any Shakespeare/Dark Lady stories available.

10.) Vince Matsuka is a big Star Trek fan, which isn't a secret, and mods a Kira/Odo shipping community, which is, since he always tells everyone he's just in it for the chance to get naked photos of the female actors. He also gets into regular flame wars with Kira/Dukat shippers and with someone with a goverment computer IP who wants the discussion to get back to whether the Enterprise could beat the Death Star, with the online handle of LemonLymon.
selenak: (Alex Drake by Renestarko)
Name the five unlikeliest (but successful) canon friendships.

Aha! Now let's define criteria first. "Unlikeliest" means, for example, that Vir and Londo are out of the running, because while the fact they got so close surprised both them at different points, it wasn't something we, the audience, would have declared to be totally out of the question the first time we saw them. Meanwhile, Londo/G'Kar, who would fid the "unlikeliest" criteria, are also not fitting the criteria because "friendship" isn't exactly what I'd term their relationship at the end. Similarly, I can't use Calamity Jane and Joanie Stubbs from Deadwood, much as I want to, because they do become lovers, and lovers weren't asked for. So, here's what I ended up with:

1) Ashes to Ashes: Alex Drake and Ray Carling. One of the best things in s2, with some tiny seeds planted in s1. Definitely unlikely, given that he initially resents her for being yet another person stealing Gene's attention, like Sam did, and she thinks he's a Neanderthal construct. (And one, as opposed to Gene, she's not attracted to.) By the time the second season ends, she's sort of apprenticing him and he's the one defending her to Gene. It's something nobody would have predicted from the pilot, and it works beautifully.

2) Farscape: John Crichton and Rygel. Well, you might argue "Rygel and anyone at all" to be unlikely if you watch the FS pilot, and he has touching scenes with Aeryn and Zhaan, too, but I insist the Crichton-Rygel bond is special. Not least because Crichton kisses Rygel more often than anyone else safe Aeryn. It involves a maximum at geek references for Crichton, acceptance of Rygel's occasional sell-out attempts, sugar highs, canon mpreg, and Rygel giving him exasparated but supremely sane advice, like in one of my favourite scenes between them from s4's opening episode, Crichton Kicks:

Hidden under a cut for the benefit of Farscape newbies )

3) Lost: Hurley aka Hugo Reyes and Sawyer aka James Ford. As opposed to a great many Lost fans, I didn't like Sawyer initially. What won me around certainly wasn't the annoying triangle but Sawyer coming to respect and like Hurley a great deal. Once Charlie, err, is no longer a show regular, I'd go so far as to say Sawyer is probably the best friend Hurley has. They're at different times immensely entertaining and awwww-worthy together.

4) Star Trek: Deep Space Nine: Miles O'Brien and Julian Bashir. I may not ship them in a slash fashion, but I think their friendship, born out of Julian's tendency to be the clingiest puppy who ever clung, never mind the Chief's disdain for obnoxious young newbies, is adorable. Also, it stuck with me so much that when I read the various accounts of the Lebanon hostages from the 80s, especially Brian Keenan's and John McCarthy's, I thought: OMG, growly working class Irishman and determinedly optimistic diffident Englishman - THEY ARE O'BRIEN AND BASHIR, OF COURSE THEY END UP AS BFFS!!!

5) The Sarah Connor Chronicles: Savannah Weaver and John Henry. Spoiler cut for SCC watchers who haven't seen season 2 yet. )
selenak: (Default)
Name five series that should have had a musical episode (and how it could have been explained).

1.) Alias. Especially given they had a genuine star of the genre among the cast (Victor Garber), they so should have gone there. Yes, there was one episode where Sydney's alias was a singer, but that just sufficed for measly one and a half songs and is not the same thing. How it could have been explained: if in doubt, via a Rambaldi invention - only by singing will Our Heroes And Villians discover the key to his most mysterious masterpiece/prophecy yet! Or, more mundanely, they simply have to go undercover. Not on Broadway, no; the villain of the hour conducts his operation hidden in Rio during the carnival, and for the grand climax, Sydney & Co. have to dance and sing through the Sambadrome. (Originally only Sydney was sent on the mission, with Dixon as her back-up, but Jack, being the concerned SpyDad he is, went as well to keep an eye on her and ended up having to perform a solo so we can finally hear Victor Garber. Also, Sloane perfectly embodies an agent and gets roped into singing "I am a sentimental man" from Wicked because he gets confused with Ned Bolger. *Joel Grey joke*)

2.) Babylon 5. Instead of showcasing both writerly exhaustion and pettiness in the last season 4 episode, The Deconstruction of Falling Stars, JMS uses the same basic idea but in a different and more original format. So we don't get debating historians bashed or holo reconstructions, oh no. Instead, we see the story of B5 as narrated a century later in a glorious Centauri opera, with the regular cast playing their roles, but with a musical twist. Christoph Franke rises to the challenge, and we get an episode nearly threatening to outshine the s5 finale.

3.) Ashes to Ashes or Life on Mars, I'd be happy with either. Justifying it would not be a problem, given the nature of both shows (i.e. the ambiguity as to whether any of this happens anywhere outside of Our Timetravelling Cops Heads). That convenient sudden attack of illness which has been known to hit both Sam and Alex mid-seasons to heighten suspense and make everything even more surreal strikes again, and suddenly Gene sings, Chris and Ray duet, and Ray, depending on whether this takes place in the 70s or 80s, has a particular moment of musical revelation. Also, if it's the 80s, there's a tango number of Alex, and if it's the 70s, Sam gets to to stepdance (we know John Simm can do it).

4.) Star Trek: The Next Generation. It's Q's fault, obviously. Our Heroes have to solve the mystery of the hour before they're allowed to speak instead of sing again. Surprisingly, Worf - who loves Klingon opera, after all, and has been known to belt out tunes of same when alone - adopts quite quickly, though not as quickly as Data who sounds mysteriously like John Adams in 1776. Beverly Crusher stuns everyone with a dance number, and Deanna duets not with Will but with Reg Barclay, who has practice for these kind of scenarios thanks to the holodeck and thinks his hour has finally come. But because it is a Q story, the final challenge has to involve a solo from Picard. (Sidenote: the reason why I picked TNG instead of the others is that DS9 basically went there already with the various Vic Fontaine episodes, and Voyager with the Doctor and Seven, more than once.)

5.) Farscape. If in doubt, blame John Crichton's mind. He came up with cartoon scenarios to indulge in while in a coma, so why not with a musical? Most likely setting would be s3, which means Moya-John, but because we're in his mind, he gets a terzett with Talyn-John and Aeryn. More importantly, he also gets a shared step dance number with Harvey and a duet with Scorpius, while his imagination resurrects Zhaan for a Zhaan/Chiana/Aeryn number. The breakaway hit is a song from Pilot to Moya, though. When John finally visits Earth again in s4 and collects the Buffy tapes his sister recorded for him while he was gone (remember, he was a BTVS fan and explicitly lamented the missing of episodes as one of the drawbacks of his existence in the UTs), he thinks Joss must be in a conspiracy with the Ancients because clearly Once More, With Feeling is directly ripped off his mind.
selenak: (Alex Drake by Renestarko)
Above lj cut resumé: last season I liked the last but one episode better than the season finale (though that was good, too, but it did have THAT speech from Gene which ticked me off); this season it's the reverse. Which isn't to say I'm completely happy; as with LoM, I think in both cases overall the first season was stronger than the second. However, the AtA season 2 finale was one which I didn't feel betrayed the characters, let alone pulled off an ending that infuriated me, and it brought on something new instead, so AtA s2 still wins over LoM s2.

Cooper for the romance, Eastwood for the mystery )
selenak: (Alex Drake by Renestarko)
Two okay episodes, not spectacular but with good character moments.

What did you do, steam the letter open? )
selenak: (Default)
Guys, I'm staring in something between awe and dread at the sheer amount of Star Trek fanfiction written since I went off to Görlitz and then Poland. As I have also a lot of RL business to catch up with, I can't afford to read it yet. However, even when gallivanting about abroad, I did read, thanks to [personal profile] skywaterblue, that scriptwriter Bob Orci said the inspiration for Star Trek 2009 Kirk and Spock and their relationship, as well as one particular plot point, were John Lennon and Paul McCartney, and their relationship. Source. This of course begs the very important question: which is which (or is the correct English phrasing "who is who?")? Tentatively, I'm going with Reboot!Kirk as Lennon (authority issues, likes rebel attitude, somewhat wastes his time in same until getting kick in the backside by fate propelling him into do the band thing properly join Starfleet, and Spock as McCartney (perfectionist, could have made it in a proper job the Vulcan Science Academy but chose to join the band go Starfleet instead). [personal profile] skywaterblue wisely declared Scotty is Ringo (joined the band late) and George is Sulu (way better at guitar playing piloting than either Kirk or Spock, and eventually he'll come into his own as a composer Captain as well, but for now he's okay with being a helmsman. I declare that McCoy is obviously George Martin. (For you Beatles lay people, George Martin was their absolutely essential producer, without whom Lennon & MacCartney would never have refined that raw talent into history making form.)

...which of course begs the question: is Uhura a) Linda, b) Yoko, or c) Brian Epstein?

In non Beatles or Star Trek news, this article about Ian McKellen apropos his Godot team-up with Patrick Stewart is great except for the part where the reporter tries to sound geeky by using the phrase "sharp as a Hobbit's dagger". *facepalms*

If you need another smile this morning:

Ashes to Ashes: Machinations of an Engine gives us a look at the true love the Quattro has for Alex Drake. Because Gene might like the Cortina best, but clearly the Quattro returns that compliment by preferring Alex to the Guv...
selenak: (Default)
Any episode which has Chris and Ray quoting Brideshead Revisited to each other can't be bad anyways, but with the exception of one thing that annoyed me a bit, this one was great. Also, I caved and got myself an Alex icon. The beauty of Keeley Hawes could no longer be resisted.

The little pitter patter of tiny crocodile boots )

Now I'm off to Görlitz and another conference.
selenak: (Default)
I'm in Vienna now, attending a conference on Lion Feuchtwanger, which means little time online. It also meant a train journey from Munich though, and thus I could get my weekly AtA review written.

I can't believe they used a song from the Neue Deutsche Welle in this episode )
selenak: (Tourists by Kathyh)
Maybe there is more than one real world )

In other news, have some fanfic from other fandoms:

Battlestar Galactica:

So you'll aim towards the sky: Caprica Six during the occupation arc of s3, finding Gaius Baltar not as she left him. Captures Six and Baltar during that stage beautifully, and the atmosphere of the New Caprica episodes.

Torchwood:

Out of Time: Tosh and Owen, from Tosh's pov. A story which doesn't idealize the relationship, let alone Owen, and because of that manages to touch me deeply. Oh, Tosh.
selenak: (Tourists by Kathyh)
Attention [personal profile] leia_naberrie and other people wanting a Dreamwidth account: if you sign up for Dreamwidth with an OpenID account before April 30, and you validate your email address, you will automatically get an invite.

Ashes to Ashes is back. (Icon justified by an 80s theme and the fact that if there ever is a B7 remake, Servalan must be played by Keely Hawes. I insist.) Now, I liked the first season way better than the second season of Life on Mars (even leaving my issues with the ending aside, though I have to say, now that I've heard how the Americans ended their LoM, the original ending starts to look better to me *g*), and actually, I have to confess to the heresy of liking AtA in general better than LoM. LoM is the greater and more original artistic achievement, I'll freely concede. But I like the greater ensembleness of AtA, which gives us far more development for Chris and Ray than they ever got on AtA and gives Shaz more to do than poor Annie had, plus as of now, I like Alex Drake better than Sam Tyler. Which might change by the time the second season is done for all I know, hence the qualification. I am admittedly slightly nervous about that. Because both LoM and AtA had strong narrative arcs through their respective first seasons... which were resolved in the s1 finales. So it might very well be that the second season of AtA will suffer from the same or similar problems the second season of LoM did. However, now that I've seen the season opener, my nervousness about this possibility is somewhat lessened. I liked it very much, it avoided doing what had annoyed me about LoM 2.1, and right now I'm feeling all fuzzy about the entire A2A gang. In a "no, I don't want to live through the 80s again" way, of course.

He's being post modern in an attractive way )

Speaking of the 80s, [personal profile] rozk posted a description a real life police encounter back then, which everyone tempted to feel nostalgic for the Gene Hunt days of policing (as some newspapers apparantly are) should read.

Lastly, two fanfic recs from another fandom:

Doctor Who:

On the Horizon: what became of Brannigan and Valerie after Gridlock. Gridlock was one of my favourite s3 episodes (always fighting it out with Utopia and Paul Cornell's two-parter for favourite and often winning), and I adored the cat/human couple. This story also has a cameo of a certain season 4 character which made me smile very fondly.

Heartland: in which Jabe the tree from The End of the World (probably my favourite Nine era episode, full stop, and Jabe is certainly one of my favourite guest characters) meets classic Who's Jo Grant and Sgt. Benton. Written with much love for everyone concerned, this is a joy to read.
selenak: (Owen and Jack by Summerskin)
That pesky real life again, but I have some links:

Ashes to Ashes:

Major Tom is a Junkie: Alex and her Electra issues, with Evan and Gene both. By [livejournal.com profile] paperclipbitch, who wrote some of my favourite Torchwood fanfic, which reminds me there ought to be a crossover.

Torchwood:

The Dead Hour: Jack, Owen and the little Tarot reading girl. I stand by my claim the relationship between Jack and Owen was the most interesting one on the show, and here we get one of the most intriguing cameos thrown in for good measure.

Shakespeare:

Now, while I still bask in my memories of the Stratford Hamlet, I do regret not being able to go a month later, because then I would have been able to attend the "Shakespeare and Me" session where Patrick Stewart, David Tennant and the director talked about all things bard. At least there are photos. (Haven't found a good report yet, though, just someone declaring Patrick Stewart has the sexiest voice known to men and women, which is not news (but still true, of course). If someone finds a report on what was actually said by whom about Shakespeare, I'd be profoundly grateful!)
selenak: (BuffyDawn - Twinkledru)
One great thing about cons one can't attend: this particular one means a lot of vids in various fandoms get all at once.

Life on Mars/Ashes to Ashes:

I bet you look good on the dance floor: Gene Hunt, Sam Tyler, Alex Drake, the 70s and the 80s, and that mixture of craziness (often in the fun sense) and angst both shows amply display. Given that the visual styles for each show are quite different (except in the "contemporary" i.e. 2006/2007/2008 scenes, which is noticable here), unique to the period and milieu in question - 70s working class Manchester versus 80s middle class London - which the vid makes a point of, the way it all jells into a cohesive whole is amazing. The great transition with the Cortina starting a drive and the Quattro ending it, the juxtaposition of Sam's and Alex's arcs, the suckerpunch of the last two images - I really loved this one.

Buffy the Vampire Slayer:

Scarlet Ribbons: the Slayers, all of them. Favourite detail: the way [livejournal.com profile] aycheb uses The Wish and Normal Again, both episodes that present an alternate version of Buffy, to show the parallels to Kendra and Dana respectively.

House:

Ghosts: I have issues with the s4 finale, which I haven't resolved for myself yet. Mostly because of spoilery things ) So I'm torn. And this vid brought everything up, bad and good, that I feel on this subject, in great visual style. Definitely worth watching, not in spite but because it makes you argue in your head.

Doctor Who:
On the other hand, sometimes you don't need arguments, you need hugs. If you need something to cheer yourself up: [livejournal.com profile] ariastar did a fabulous pic spam of (nearly) all of the great hugs in the Tenth Doctor's era, here. Just the thing to start a Sunday morning with!


Torchwood:

ETA: my absolute favourite just went up. [livejournal.com profile] andrastewhite posted A thousand suns - Jack and his team. The sheer ensembleness, the way these people at last connect and relate to each other, their humanity, good and bad - I love it.
selenak: (Alex Drake by Renestarko)
Something that has undoubtedly occured to dozens of watchers before me, but bear with me:

Spoilers for AtA, including the season finale )

While we're talking about literary references and fantasy realms on both shows, there is a great Ashes to Ashes vid using Elphaba's song from Wicked: The Wizard and I.

I also was motivated to look for fanfic, and found, courtesy of an author I knew from her fabulous Torchwood fanfic: One flash of light but no smoking pistol.

***

I hadn't read Fray when it first came out, but when I came across a trade collection in England, I bought it and read it on the flight back. Fray, for those who don't know, was Joss Whedon's first excursion in the realm of comics, and is the story of a Slayer two centuries into the future, Melaka Fray. He wrote it while BtVS was still being broadcast, and there is a tiny link of sorts in Chosen, but basically you can read it on its own, without any background knowledge. I had stumbled across an individual issue eons ago which I remembered as only so-so, which was why I hadn't read it before, but when I now read the complete story, it bowled me over, and I loved it. Doesn't dethrone Astonishing X-Men as my favourite Whedonian oeuvre post-BTVS/AtS/Firefly, but only barely.

In spoilery detail: )
selenak: (Alex Drake by Renestarko)
The reason why I hesitated watching it in the first place where two or rather three fold. I had and still have issues with the Life on Mars finale; moreover, I thought the second season in general, while not being bad, was noticable weaker than the first one and showed the writing staff losing interest in their main character while falling in love a tad too much in love with Gene Hunt; and thirdly, the premise of Ashes to Ashes as described basically sounded like a remake, only with the early 80s instead of 1973 and a female police officer to have het UST instead of slash UST. However, some people on my flst whose judgment I value seemed to like it, and when the entertainment program of the flight to Bali had the first two episodes, I was curious enough to watch. Now I've seen all eight episodes, and must say not only did I like it but I liked it more than the second season of Life on Mars, even discounting my finale issues. Which doesn't mean it's perfect. Gene has a speech in the Ashes to Ashes season finale which is one of these eye-rolling examples of the "pompous superior shows up just so Our Hero can show/tell him what's what" motif so beloved by show runners. (No, I didn't even like it when Joss did it with Buffy and the Watcher's council in season 5, and he's a far better writer.) But that's one scene, not a blemish of the whole season. The characterisation of Gene in general is one I'm happy with; the heroic introduction shot from the pilot is also full of irony, and the writing for him in general is full of affection but not uncritical or glorifying, larger-than-life personality notwithstanding.

Alex, I take it, had her detractors, expecially in the early episodes, but I like her, especially that she isn't written as a female Sam Tyler and doesn't have the same dilemma. (Alex doesn't wonder whether or not what she experiences is real; she's convinced and absolutely sure it's not, but can't help starting to feel for and interact with everyone anyway.) Moreover, by giving her a little daughter to return to, the creators seem to have gone out of their way to make sure something spoilery for the LoM finale ). The coupling of Alex and her daughter in the present, and Alex and her mother in the past is also dramatically very efficient. As for the mystery/revelation at the end: I have spoilery things to say )

Ray and Chris got more narrative room here than on LoM, and Shaz, replacing Annie as the sweet and kind WPC in the team, is extremely likeable. (Also, with Alex and Shaz as regulars and Caroline as a semi-regular character, plus Alex' daughter Molly as not always present but very much thought of, we have four important female roles to balance the blokeishness. It's appreciated.) I'm not sure I buy Gene would have been able to take his sidekicks with him after being transferred to the capital, but I can see why they moved the location to London; it just fits more with the early 80s.

Lastly: you know how in shows, movies and films most of the time male characters are allowed one night stands without being characterized in negative ways, but heroic female characters don't have sex unless they're either seriously in love or evilly tricked? This show doesn't do that. Sadly, this is still worth mentioning. Makes me almost forgive the obnoxious "let's show it to the man" speech alluded to above.

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