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selenak: (Porthos by Chatona)
In which we find out what exactly happened between Camille and the Montrachets, and the era's most prominent historical personality gets a cameo.

Spoilers continue to like this prequel series )

On a "adaptions of classic French novels" note: behold, yet another take on the Three Musketeers... but this one French! (Eva Green as Milady not withstanding.) The correct pronounciations of everyone's names alone will be worth it. Also, it seems we're getting two movies (Part I: D'Artagnan, Part II: Milady), so I assume we'll get more or less the actual Dumas plots (the business with the Queen's jewels in part I, the siege of La Rochelle and Buckingham's assassination in part II). I'm cautiously optimistic there will not be any silly Richelieu-wants-the-throne-for-himnself rubbish based on the trailer, and am looking forward to Eva Green as Milady and Vincent Cassel as Athos like you wouldn't believe. But: why on earth did everyone have to be in Rembrandt brown? This was in any sense of the word a colorful era, with the Musketeers uniforms being primarily a bright blue. Is this because of some consensus in the last 20 years that brown = historically authentic? Because it's really not.


selenak: (Émilie du Chatelet)
This prequel series continues to be entertain and at times delight me by delivering on schemes, twists, and awful people having unexpected emotions. Doing well so far, show!

Spoilery comments )
selenak: (Émilie du Chatelet)
In catching-up-with-the-Mouse-news:

She Hulk: Attorney at Law: enjoyable silly fun, for the most part. The fourth wall breaking female narrator is rapidly becoming such a cliché, though, that I really hope future productions will give it a rest. After Orphan Black, I'm sure all of this feels like a holiday for Tatiana Maslany, and it reminded me a bit of the start of Alias the comics (not so much Jessica Jones the tv show), where every day problems in a world with superheroes were a plot thing. Also, and here it gets somewhat spoilery ) I think the reason why the comedy format works for me here when it didn't in the last two Thor mnovies is that the show never pretends to be anything but frothy silly fun, and manages to be so with much affection for the entire universe it's set in, and it's (non-incel fanboy) fans. The scene alone where Jen keeps bugging Bruce about whether or not Steve Rogers ever had sex.... (BTW, the now canonical answer is spoilery. ) The season finale was a bit too much wall breaking for my taste, but hey. All in all, not a must, but if you want rl distraction in a fun way, that'll do it.

Non-Mouse:

Dangerous Liasons (prequel tv series): I've now seen the first two episodes and am cautiously optimistic they might actually pull this off. Now, given that Merteuil and Valmont are essentially supervillains of pre revolutionary France in their novel, I wasn't sure whether or not an origin story would work. Also, I haven't forgotten that some adaptions - looking at you, Cruel Intentions, though otherwise you're fun - tend to soften the Valmont character and make him less villainous than the Merteuil character, which I didn't want, but I also didn't want the reverse. And then there's the part where part of what makes Les Liasons Dangereuses compelling is the very fact that two amoral characters get away with their schemes for a long time before destroying each other. And any prequel with two main characters from another work has the problem that their fates are fixed.

What the tv series, did, so far: is spoilery. )


Lastly: ever since [personal profile] mildred_of_midgard recced the Podcast History of the Germans, I wanted to try it, and now I finally found the time and am delighted. There are 25 minutes per episode, the guy in question is a good storyteller with a sense of humor and the gift to explain very complex episodes in a way that makes them understandable without coming across as patronizing, and while I already knew bits and pieces about some of the cast in the episodes I've listened to so far, there's enough new for me that I'm learning tihngs in addition to being intrigued, amused and appalled in turns.
selenak: (Elizabeth - shadows in shadows by Poison)
Since I'm currently enjoying The Serpent Queen a lot, I'm keeping my Starz/Lionsgate subscription for another month, which means I'll also be able to check this Dangerous Liaisons prequel they're advertising. On the one hand, this is one of those stories where my instinct is to say "doesn't need one" re: prequel (Merteuil's answer to Valmont's "how did you invent yourself?" in Christopher Hampton's version summarizes the relevant letter in Laclos' original novel neatly), otoh, I thought this about Saul Goodman, too, and lo, I happily ate my words. Also, there are the inevitable "but there were no black people in Paris at that time! Only a few servants!" (at the sight of young Valmont and young Merteiul talking to one each) comments at Youtube, which aside from the obvious motivation is just plain wrong. The Chevalier de Saint-Georges and Thomas-Alexandre Dumas would like a word.

But to return to my latest historical interest on tv, I wrote a contribution at the promo post, to wit:

Title: The Serpent Queen (2022)

Media: TV Series

Approx length: New series, as of today (October 3rd) four broadcast episodes

Where to find it: Starzplay (now called Lionsgate+ in some countries), one of the Amazon Prime channels

What is it, in summary?: tv series about Renaissaunce Queen Catherine de' Medici

What do you love about it?: It shapes up to be a really good ensemble series. Both Samantha Morton and Liv Hill (as teenage Catherine) in the title role are fabulous, but the show doesn't make the mistake of letting Catherine be the only interesting woman around. We get the pov of servants as well as of nobles, and said servants have their own lives and opinions. Antagonists of our (anti)heroine get fleshed out and we're given their povs as well. Lots of complex relationships between women, grudging alliances with rivals, mind games, fantastic location shooting (those Loire chateaus are swoonworthy) and great costumes. As or our main character: so far, this is the Catherine de' Medici I always hoped to see, neither over the top evil nor innocent of all wrong doings (well, other than as a child, and even then she's trying to outplan an environment eager to destroy her), but the product of her era with all its vices and virtues. And, in both her incarnations, a glare that sees entirely through you.

What sort of things are you likely to request for it?: Characters teaming up, missing scenes, possibly crossovers.

Are there sections of canon (rather than the whole canon) that can be consumed by themselves to fulfil your requests, or that showcase particular characters and relationships?: It's a vey new canon (see above re: the episode number broadcast).

Content warnings (ie, rape, incest, racism, gore/violence): To date there's been one gorey execution scene and a deeply traumatic childbirth scene. No explicit sex scenes so far. Historical sexism. There may be incest in the future, depending on the show's take on a few Valois siibling relationships, but that's not a given, as the biography it's based on doesn't interpret the relationships in question this way.

Additional: Here is the show's trailer; and this is a scene whish fleshes out Diane, Catherine's arch nemesis, who is actually helpful to her here (for her own reasons).
selenak: (Dork)
I had an extremely busy week, but also a successful one in real life terms. Which means I can reward myself with pure indulgence. In this case, an imprompt few days in London. Off to the airport this afternoon, and I'm determined to somehow aquire a Much Ado ticket on the spot. Speaking of Shakespeare and favourite actors, I hear the BBC is doing to do the histories including a Richard II with Patrick Stewart, David Morrisey, Lindsay Duncan and James Purfoy, which sounds lie must watch tv to me.

(The other day someone inflicted the Anonymous trailer on me again. Oh Derek Jacobi, why?)

I missed The Borgias this week. It's going to be a long year till the second season. Having warmed up a bit to the Games of Thrones tv version, I still can't bring myself to love it, so that doesn't fill my messed up three dimensional characters and their schemes shaped hole. Also, the last episode had the most ridiculous sexposition scene of the season, which is saying something since not only GoT uses that device. (Otoh, tv GoT does so much better by Cersei, and Peter Dinklage is awesome as Tyrion, so there is that.) Since I believe in constructive criticism: a sexposition scene which manages a) exposition, b) a point about the characters involved in the scene, b) being actually erotic as opposed to looking like staged gymnastics would be Valmont writing a letter on Cecile's back (to another woman) while in bed with her in Stephen Frears' version of Dangerous Liasons. Now, the original novel consists solely of letters and the Christopher Hampton play the film is based on still has a lot of letter writing, and I imagine Frears and Hampton (who also wrote the screenplay) had the same problem HBO had, to wit, wanting to get information across without boring anyone and making it look too stagey, and wanting to offer the audience some attractive nudity (in this case, young Uma Thurman). Which the scene in question does provide, but it never feels gratuitous. The content of the letter, which Valmont recites out loud, is just one part of the information conveyed there. It also shows you someting about Valmont as a character, about the way he uses sex and language both, about Cecile at this point and how her seduction is changing her, and about the absent Madame de Tourvel. If you can do it like that, go ahead; if not, find another way of leave the scene out altogether, especially since the GoT one didn't tell us anything we didn't already know and required some very ooc behaviour from one character for it to work.

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