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selenak: (M and Bond)
Darth Real Life is breathing down my neck again, so, in brevity:

- The Bletchley Circle is back for another season, i.e. another three episodes, starting out promisingly.

- courtesy of the international BBC iplayer, I watched the first season of Last Tango in Halifax, which was lovely. Also a good reminder that when he's not spouting Oxfordian nonsense, Derek Jacobi can be great. The premise of the series is that two widowed pensioners, Alan (Derek Jacobi) and Celia (Anne Reid), who were each other's school crushes but lost contact afterwards for decades, find each other again and decide to get married. This does not sit well at first with their respective families. Each has a daughter in her forties (both with kids of their own) who is also a main character, which means we get Nicola Walker (!!! good to see you again, Nicola Walker!) as Gillian (Alan's daughter, a competent, fierce and moody farmer with something of a catastrophic love life and A Secret In Her Past (which, since the show takes place in Yorkshire, makes Gillian the female Byronic hero strolling across the moors fields), and Caroline (headmistress at a school with a doctorate in chemistry, somewhat repressed and high strung, in the process of getting rid of her not malevolent but utterly unreliable husband (who cheated on her but now wants to return) and also in the process of coming out re: her romance with another (female) teacher, Kate (who is played by Nina Sosanya). Also present in this show as Gillian's brother-in-law, Robbie, a policeman who has it in for her in more than one sense, is Ray Carling Dean Andrews. And of course there are the (grand) kids, all teenagers, whom I don't think I've seen before but who come across well.

There are the expected personality clashes (with a side line of class clashes) between Gillian and Caroline at first, and their turbulent personal life contrasts to their parents' autumnal romance, but one of the nice things about the show is that there are no villains, and (nearly) everyone has their good and bad sides. Even characters like Caroline's husband, John, who is a bit of a parasite sponging off the nearest sympathetic female shoulder, or the oafish Paul (see above re: Gillian's catastrophic love life) turn out to have positive qualities as well and after a while, you can see where they are coming from, too. And Celia might be our twinkly and charming heroine (plus she and Alan are terribly endearing together), but when Alan the Old Labour man discovers halfway through the season she reads the Daily Mail and voted for Thatcher, this isn't random information; Celia's initial reaction to Kate isn't good at all (both to the part where Kate means Caroline in a lesbian relationship and the part where Kate is black), which shocks Alan who until then idealized his school crush. Alan is probably the only character who seems to have solely positive qualities, but Derek Jacobi gives him a natural sweetness and charm that mean you don't think he's too good to be true.

I am very amused that this review, after applauding Jacobi and Reid for being "capable of doing more with a startled look or careful smile (not to mention the Yorkshire patois of "nowts" and "weres") than most actors can do in seven pages of dialogue", points out that "the two also share the odd distinction of having taken Daniel Craig as a cinematic lover — Jacobi as artist Francis Bacon in "Love Is the Devil" and Reid in the stunning and unsettling "The Mother". This makes me wonder whether there are any crack James Bond crossovers. Seriously, though, the first season would have made a perfect miniseries as it tells a story that could stand alone, but I am delighted there is more to watch because I really like all the characters, and the actors are great together.
selenak: (Alex Drake by Renestarko)
Evil lingering cold is evil. And tomorrow a cousin's wedding, too.

On the cheerful side of things, The Bletchley Circle was as great as advertised. The basic premise - four women who used to be among the 80% female part of Bletchley Park employees (aka busy breaking codes in WWII) team up again to solve a case of murders nine years after the war is over and they've tried, with varying success, to cope with "ordinary" life in the 50s - should be good for a longer series, but if the miniseries of three parts i all there'll ever be, I'll still be content because it was fabulous. Not flawless - the third part was weaker than the first two, since the denouement depended on a very clever and sensible character doing something eminently stupid - but the good far outweighed this: the four women (Susan, Millie, Jean and Lucy) were all competent, interesting, with distinct personalities, and the revival of their war time comraderie under the very different circumstances they're now in was compelling.

With all the hiati and season premieres, it occurs to me that I've now dropped three shows I used to watch, all in the same year - Fringe, Dexter and now Downton Abbey. DA is painless, Fringe had such a lot going for it that dropping it leaves the kind of ache that dropping Heroes caused me a while back, but just as in that case, it has become necessary, and the decline of Dexter in s6 (though the rot set in earlier than that) still infuriates me.

It also makes me nervous because Homeland had its season premiere last night (haven't had a chance to watch yet, will do so soon), and the first season for me was terrific but also good in a way that makes me wonder whether this particular premise is sustainable for more than one season, and I should hate to see it decline the way Dexter did. I'll access my inner optimist soon!

Maybe, cold aside, I feel a bit in the doldrums because we've been doing media tie ins over at b5_revisited for a while now, having exhausted all the on screen canon, and while that was fine when we were talking about the telepath trilogy, it's become depressing for the most part since, because I dislike so much about the the Centauri trilogy (oh my beloved Centauri!), and of the JMS and Fiona Avery short stories, I loved The Shadow of his Thoughts, was fine with Genius Loci, but then came the appalling Space, Time and the Incurable Romantic and now Ms. Avery's story True Seeker, which I didn't know before, turns out to contain more coals than gems as well. So that meant I've been writing negative reviews for weeks now. And it's depressing. I don't like doing that, I really don't, it's just that hardly anyone else writes reviews at all and it's the Babylonverse which I still love discussing because of my ongoing affection for the show proper. But it's incredibly depressing. :( ...so much more fun to squee, I can't tell you. Speaking of which:

Discword/Avengers crossover of genius: Ankh-Morpork, Avenged. Which absolutely had to happen. It made my Monday.

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