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selenak: (Alicia and Diane - Winterfish)
The fifth and, I take it, the final season of this show confirmed to me that this is a spin-off which all in all I prefer to the original. (The Good Wife started out strongly, but derailed so much for me that I never watched the final season.) Not least because it managed to remain an ensemble show, and impressively ambitious in its surreal black humor in how it responded to the times it was produced in.

Spoilery musings ensue. )

Black comedy with real emotional stakes as a way to depict the madness of our times: sounds easy, must have been fiendishly difficult to accomplish and get right. I'm very interest in what the Kings and the other writers will do next.
selenak: (Alicia and Diane - Winterfish)
Courtesy of the Mouse, I was finally able to watch it. It's been literally years since I saw s3, but not for lack of affection for this show who imo belongs in the same category of Better Call Saul in being a spin-off which became very much its own thing and indeed something you very much would not have expected back when watching the parent show. In the case of The Good Fight, it's also perhaps the tv show most reflecting the present with its frantic surreallism and satire echoing the insanity of the Orange Menace dominated US. Making Trump literally the show's main antagonist, especially in seasons 2 and 3, was a bold move, but s4 impressed me especially by complicating the matter right from its opening episode onwards, which is one episode long dream/hallucination of Diane's, a "what if Hillary had become President" AU. (Which, btw, also hints at what the show had been like if, as it was originally conceived, it would have taken place in such a world.) While Diane at first is dizzy with relief at "waking up" in a world where Elizabeth Warren and Merrick Garland are on the Supreme Court and there's even a cure for cancer around, her joy quickly fades as she finds out there never was a #MeToo movement, Harvey Weinstein is still un-outed and a client of the firm. And then there are such zingers as when Marissa and Liz ask her re: the world with Trump as President which Diane now believes she must have dreamt and the horrors of which she lits: "And where were the Obamas when all this happened?" Diane replies: "Getting a deal from Netflix." Ouch.

Now, that's just the opening episode, and the rest of the season takes place in the Orange Menace's reign, alright, but it still moves him mostly to the background while concentrating on the corrosion of the judicary going on. Now, the whole "Memo 618" MacGuffin at first didn't really work for me, but then I bought into it. The Supreme Court is never mentioned, but the whole season asks that if you can't believe anymore there's any instutition where law prevails, when everything is so corrupt that it's impossible to achieve justice no matter how clever and resourceful you are, where do we even go from there? And because it's The Good Fight, it asks this not through serious ponderings but gleefully sharp, quick paced narrative explosions.

It wouldn't work if one didn't care about the charactes, though. Maia exited the show at the end of the previous season, and I was surprised how well this worked out for the series. Also, Julius, who in The Good Wife was the occasionally getting lines single black Republican, already in s3 had a subplot of his own pairing him up with Marissa (narratively! Not romantically, good lord, no!) as he campaigns for judge, but it's in s4 where he gets possibly the most challenging of the subplots, and the actor is more than up for it.

Speaking of narrative gambits, the season finale provides one mean riff on Citizen Kane. And Diane still gives the best "I am outraged about this and I will cut you" expressions. But I think I'll take a break between seasons before finding out how the series handles January 6th....
selenak: (Naomie Harris by Lady Turner)
For anyone who hasn't already watched it, here's a divine birthday gift for Stephen Sondheim, courtesy of Christine Baranski, Audra McDonald and Meryl Streep:



And there's a multipart Sandman audio adaption coming, starting in July, which I hadn't heard about before, and which, forgive the inevitable pun, looks like it has a dream cast - I think my favourite choices so far are Miriam Margolyes as Despair, Joanne Lumley as Lady Johanna Constantine (!!!! I love her! I mean, I'm also cool with Taron Egerton as John Constantine, but Johanna is my fave Constantine bar none), and Andy Serkis as Matthew the Raven. (Of course!) Arthur Darvill, Rory himself, is Shakespeare, while Michael Sheen is Lucifer. (Which means we will finally get Lucifer as written in the comics. No offense to Tom Ellis. But it's a completely different character. Also go Sheen for playing another (fallen) Angel as written by Neil Gaiman.) Morpheus himself is James MacAvoy, which would not work for me in a visual format, but audio-wise, I'm cool with it. In general I think an audio adaption should work perfectly since it doesn't have to blow a budget in special effects.
selenak: (Alicia and Diane - Winterfish)
Amazon Prime put up the second season of The Good Fight, which I just finished marathoning, with great delight. My continuing impression: the spin-off gives me all I’d liked about the parent show without the things I came to dislike, and manages to improve on its successful first season by getting rid what few nitpicks I had there. Also, it unabashedly makes the Orange Menace and all he stands for the primary Antagonist (aka Big Bad), which means they don’t have to invent an arch nemesis for our characters to defeat only to keep trying to top this in the next season and failing. And nobody can accuse them of going over the top with their Big Bad, because, well, #45. Definitely (not just) the lawyer show for our time.

(BTW: the main villain being the current real life, not fictional, President of the country the show’s produced and set in – it’s a first, isn’t it?)

Nobody’s above the law )
selenak: (Alicia and Diane - Winterfish)
Last year I watched the first four episodes of The Good Fight, and liked them very much, but then I travelled to New Zealand, and by the time I had returned, the first season, consisting of ten episodes in totem, was basically over. Consesequently, I didn’t have the chance to watch the rest of the episodes until now.

My initial impression stands: the spin-off has many of The Good Wife‘s virtues minus several of the flaws which in early s6 stopped me from continuing the parent series, which doesn’t mean it’s perfect. It definitely left me cheerful and glad I watched.

More spoilery impressions of episodes 1.05 – 1.10 beneath the cut )
selenak: (Alicia and Diane - Winterfish)
Which is probably the most 2017 story yet.

Read more... )
selenak: (Alicia and Diane - Winterfish)
Good episode, which addressed one of my few concerns immediately.

Read more... )
selenak: (Alicia and Diane - Winterfish)
I had stopped watching The Good Wife in early season 6, not because of the backstage drama, which I only heard about later, but because after the fabulous fifth season, the show seemed to me to lose nearly all the qualities that had made me love it, and when watching something provides you with more irritation than anything else week after week, it's time to get out. I never got the point of hate watching.

Otoh I do have fond memories of a lot of things about The Good Wife, and thus I tuned in for the new spin-off, The Good Fight, centred around Diane Lockhart, the first two episodes of which are now available for watching.

And the verdict is... )

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