Expand Cut Tags

No cut tags
selenak: (Old School by Khalls_stuff)
Neapolitan Quartet - Elena Ferrante:

L'Amica Crudele Lénu and Lila in a time loop. It would never have occured to me to use the Groundhog Day principle on the "My Brilliant Friend" verse, and yet it feels perfect for how Elena uses her memories and writing even in canon in order to capture the vanished Lila.

Sarah Jane Adventures:

Wanted: Defender of the Earth (Short Term Substite): in which Sarah Jane wants to go on a direly needed vacation and tries to find someone with world-saving experience to look after the kids in the meantime. The results, with candidates from the various DW incarnations and spin-offs, are hysterical. I loved it.

Star Trek: Discovery:

Our minds, one and together: which is a fantastic take on the relationship between Michael and Sarek, with all its ups and downs, its complexities, deftly steering between angst and humor.

Lawrence of Arabia:

Your words devour my heart: which manages to be so many things: inter alia, an ambitious and clever update of the movie to the current day (during the Arab Spring and its ongoing devastating aftermath), and slightly more hopeful outcome for Ali and Lawrence.

Wuthering Heights

Trapped and Fluttering - an episode shows the changing relationship between Cathy the younger and Hareton in the second part of the novel. Not least since so many people seem to ignore the second part of the novel, I'm always delighted to find fans engaging with it, and this story does so with tenderness and skill.
selenak: (Emily by Lotesse)
Allow me to geek out for a moment: Byron's copy of 'Frankenstein' with a handwritten dedication by Mary Shelley goes on sale at an auction! Haunted summer! One of the more creative laudanum-drenched get togethers of English writers while touring Switzerland! (Also a bad Highlander episode, but forget that one.) (The Ken Russell movie Gothic, otoh, is also historical nonsense but in Russell fashion outrageously entertaining nonsense. Have a look at the trailer. Anyway, the dedication is very formal - "Lord Byron", when later he's Albé (as a play on L.B.) - and I find it amusing and touching that nineteen-years-old Mary writes "from the author" instead of her name. She did publish anonymously at first, but this was a private inscription, not for the public eye, and yet. Her feelings about Byron were always mixed, never just dislike or sympathy but usually both at the same time, but either she wanted him to have a copy anyway or maybe he bought one and asked her for a dedication. (Byron mentions Frankenstein as a remarkable book in a letter to his publisher John Murray, in the larger context of denying writing The Vampyre which was by his only-for-a-short-while doctor John Polidori but also published anonymously at first and rumoured to be by Byron; Murray as Byron's publisher had an obvious interest in clearing up whether his author was cheating on him, so Byron went through the whole origin saga of the best horror fandom challenge fest ever at the Villa Diodati when Mary, Shelley and Mary's stepsister Claire dropped by.)

Moving to English writers some decades later, since two months ago I wrote some Bronte meta along similar lines, I was delighted today to discover this post on Jane Eyre, Wide Sargasso Sea and Wuthering Heights.
selenak: (Claudius by Pixelbee)
I had the great luck of reading Wuthering Heights without any expectations whatsoever. What I mean by that is: being German, it wasn't a part of our literary canon we had to read, so I didn't encounter it in school (though I was still a teenager when reading it - I simply came across it in the library, started and couldn't put it down), I had never heard about the characters before and had not seen any of the film versions. Given that a lot of the time when I come across references to WH, I have the impression that the people in question either haven't read the book at all or came to it because they had to and/or expecting a romance and not surprisingly were bewildered by what they found (WH not being a romance in the sense we use the word), and given that I am by no means immune to the effect of coming to a literary, cinematic or tv work via hype/raised expectations and then feeling let down not so much by the content on its own merit but by the wrong expectations, I think that's very lucky indeed. (Vide my Jane Austen reaction; I didn't read any Jane A. until I did know her reputation, that she was the greatest of the great, P & P was supposed to be the epitome of novels, Lizzie and Darcy the pairing of pairings, etc., etc., and that may have contributed to my "well, yes, it was fun to read - and?" reaction when I finally got around to it.) (I take it in recent years WH also had the misfortune of being liked by Stephanie Meyer, but really, that has nothing to do with anyone's reactions predating Twilight.)

It's been a few decades since I was a teenager, and here are some reasons why I still love Wuthering Heights in my jaded 43rd year of life, which also hopefully explain the "have you actually read the book?" reaction I often have when encountering said references. (Also why I think most of the films get it completely wrong.) (Not least for missing the book's sense of humour.)

I’m come home: I’d lost my way on the moor )

Yuletide I

Dec. 25th, 2010 07:21 pm
selenak: (Catherine Weaver by Miss Mandy)
Yuuuuuuuuletide! And what an abundance of treasure it brings.

The story I got was my Wuthering Heights prompt (an examination of the relationship between Heathcliff and Hareton): Fathers and Sons. It's a Heathcliff pov, and the author pulls it off well, which I've always imagined to be extremely tricky.

On to a measly selection of the abundance of great stories in other fandoms:


Rome:

Kohl: which is the Antony/Vorenus story I always hoped someone would write, set in Egypt, fantastic take on both characters, with terrific dialogue. Extra bonus for letting Antony use the Caesar-in-Bithynia anecdote.

Gens Julia in aeternum: Wonderful portrait of Atia in her complexity and strength, and also of her relationship with Antony.

History

This Yuletide is definitely the time of the Borgias. Five stories featuring the most famous - or infamous Spanish expats to make it big time in the Italian Renaissance. Two that especially impressed me:

Mine Eyes Dazzle: Lucrezia-centric, secondary emphasis on Cesare, doing justice to the convoluted relationships within and without the family. A gem of a historical novella.

De casibus vivorum illustrium: this one focuses on Machiavelli and Cesare. And the fickleness of fortune. Good stuff.


Doctor Who Audio /History

Whatever You Want To Call It: Not for nothing does The Kingmaker regularly end up on the "best Doctor Who audios of all time" list. Among its many virtues: it's absolutely hysterical if you're even vaguely familiar with all the Richard III related historians' debates. This story, a sequel to the audio (I'm trying to keep the summary as unspoilery as possible), does a similar great job with the Shakespeare authorship debates. Clearly the answer to "who wrote Shakespeare's works" questions. :) :) :)

Arthurian Mythology

Camelot to Camlann: shared povs between Gawain and Guinevere in a compelling, vivid take on the story of Guinevere, Arthur and Mordred.

Euripides - Bacchae

Bakcheios: this one so far is hands down the masterpiece of all the stories I've read so far. I really hope the author will publish it. Using not only Euripides' drama (which tells the story of Pentheus and his clash with Dionysos/Bacchos) but also the myths of Semele and Acteon, this is a poetic, incredibly disturbing (in just the right way) tale doing justice the cruelty and power of the myths. If you read no other Yuletide story this year, read this one.

Sarah Connor Chronicles:

My Father's House Has Many Rooms: James Ellison, Sarah, Savannah and John Henry. Ellison pov's are still rare; rarer still are stories that deal with what I thought were among the most fascinating scenes of season 2, his relationship with John Henry, complete with the struggle about the theological implications of John Henry's existence. Nor does this story forget the s2 finale leaves Ellison with the responsibility for Savannah, and lets Ellison respond to this. Loved it.

Benjamin January Mysteries - Barbara Hambly:

Rescue: in which January's younger sister Dominique (aka Minou) is kidnapped, and it's January and Abisag Shaw to the rescue. Barbara Hambly's novels, which are set in a pre-Civil War New Orleans among the gens du coleur libre, as the non-enslaved black population was referred to, manage to create memorable characters and compelling relationships that feel true to the period, and come with a keen awareness of how everyone's status would inform every second of their lives. Same for this fanfic - January is the freed son of two slaves who was able to practice as a physician in Paris but not at home in New Orleans, while Minou is the daughter of their mother by one of her white lovers and basically trained to be a (rich) white man's mistress from birth, while Shaw is poor, but white and free in a very different sense than that of having to carry your papers all the time to prove you're no one's property. While the adventure plot unfolds, all those differences - and the affection that is there between the characters nonetheless - are done full justice.

Ladyhawke:

A woman's whole heart: set after the film. How do you adjust after having been a hawk, after having been a wolf? Treading a delicate balance between fantasy and history, this take on Isabeau (and Navarre) manages to be both romantic and challenging, and, incidentally, a proof that "established relationship" (and a woman in same) does not equal lack of tension or the end of personal goals. Beautiful to read, just the kind of sweeping, satisfying tale to end your day with.

Unconnected thoughts about fandoms I haven't read yet: yay, five DS9 stories, mmmm, lots of of Fringe stories, err, isn't "Social Network RPF" kind of a doubling of terms?
selenak: (Beatles by Alexis3)
Yuletide assignment: hmmm. One of my oldest fandoms, so I'm comfortable there. Two relationships I'm neutral about (i.e. I don't love them but neither do I have anything against them), though luckily I love all three characters in question. It'll mean writing something I haven't before, stretching my muscles, as it were, which it all of the good. It'll probably also mean I'll have to rewatch some specific canon since these relationships were never my focus. Okay then.

Merlin: great meta on Morgana by [personal profile] zahrawithaz. What she said re: why the "Morgana would never have turned evil if Merlin had outed himself to her" complaint is insulting to Morgana.

There hasn't been a Wuthering Heights adaption I've been really happy with though the one with Ralph Fiennes and Juliette Binoche came closest (not least because it didn't ditch the second generation and didn't prettify Heathcliff - which the novel itself decidedly does not), so I'm intrigued about news from the latest adaption, in which a black actor plays Heathcliff. This actually works with the novel's emphasis on Heathcliff's dark skin and Liverpool (as in: slave port) origins and adds a whole new subtext for today's audience to lines like "it would degrade me to marry Heathcliff" and Edgar Linton refusing contact with his sister Isabella during her brief and miserable marriage to Heathcliff. Not to mention Heathcliff's own revenge issues. It could also backfire in terms of subtext because Heathcliff, as written, isn't some misunderstood brooding soul (the novel goes somewhat meta on us in the passages in which Cathy mocks poor Isabella for her original assumption Heathcliff is a Byronic hero to be saved by the love of a noble woman), but a cruel bastard in the not-biological sense of the word, and if he's likely to be the only black character... Still. It's one of the big Bronte roles, and now I'm looking forward to the film instead of thinking "oh, yet another one?".

Beatles: The concert the Beatles gave in Paris in 1965 is famous for a) the music and the singing actually being audible (by 1965, this wasn't the rule but the exception), b) the audience being mainly male as opposed to all their other concerts where it was mainly female, c) the fanboys being no less enthusiastic than the fangirls in their behaviour (thus giving the lie to 60s pop psychologists' theories about "female hysteria"). It's online now in its entirety here (i.e. half an hour - their concert sets at that point didn't last longer for security reasons) and great fun to watch, giving a true sense of what the Beatles must have been like for a live audience.

And here's another rarity I found on YouTube - the only song where all four Beatles sing (Ringo usually doesn't unless it's "his" song per album where he sings the lead; otherwise, it's John, Paul and George in various combinations), a cover of the Isley Brothers' Shout which they did on the British tv show Ready Steady Go:

Profile

selenak: (Default)
selenak

June 2025

S M T W T F S
1 23 4567
891011121314
15161718192021
22232425262728
2930     

Most Popular Tags

Syndicate

RSS Atom

Style Credit

Page generated Jun. 6th, 2025 09:27 am
Powered by Dreamwidth Studios