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selenak: (Henry and Eleanor by Poisoninjest)
Daily horrors whenever one catches up with the news, both on a global and national level, makes for an increasing need to find some way to fannishly relax. (Mind you, there are no safe zones from current day insanity in fandom, either. Some weeks ago yours truly was horrified to learn the claim that the Orange Felon supposedly likes Sunset Boulevard, one of Billy Wilder's masterpieces. I'm still in denial about that - maybe he just likes some songs from ALW's musical version? How would he even have the patience and focus to watch an entire movie with no action scenes, no sex scenes and lots and lots of sharp dialogue, not to mention no macho hero in sight? What Billy Wilder, who as a young man watched the country he was in go from a Republic to a fascist state, but who was with all cynisim pretty idealistic about the US where he found refuge would have said about the present, I don't want to imagine. At the very least, he'd demand a rewrite. I mean: like all VPs during the Munich security conference, the current one a few days ago visited Dachau. I'm not exaggerating, it is what every single US VP attending the Munich security conference has done. Like the rest of them, Vance got a guided tour by one of the few still living survivors. If it filtered through that Dachau, one of the very first German concentration camps which when it was built and put to work in 1933 included as its very first inmates Social Democrats, Union Representatives and Communists, i.e. the very people Elon Musk and Alice Weidel (Germany's Marine Le Pen wannabe) declared to be Nazis to an audience of billions, Vance didn't say. Instead, he went from visiting a concentration camp to meeting Weidel, i.e. the leading woman of a certified right extremist (or if you want to be less polite, Neonazi) party, and then held forth at the conference where he claimed to defend free speech (you know, while his boss kicks out reporters daring to say "Gulf of Mexico" and erases trans people out of existence) and told Europeans they're the true anti democratic dictators and should work with their Nazi parties already.

Billy Wilder, at his most cynical, would not have written such caricatures as are currently in charge of dismantling democracy not just in the US but nearly everywhere. Btw, the retort by our current secretary for defense, Boris Pistorius, was this:





Aaanyway. I find history podcasts not just interesting in general but at such times as these oddly comforting in a "this, too, shall pass" way. (I am not referring to the history of the 20th century, of course. That currently provides a "this, too, shall come back" vibe.) Since it's been a while, some impressions on my English language favourites:

History of Byzantium: got into something of a depressive slump after the sacking of Constantinople in 1204, but that's history, and it is now back to the narrative. (Decline-and-fall-like as it has to be.)

Not just the Tudors: continues to be very entertaining, and most guest speakers Susannah Libscombe interviews are good, with the occasional dud; most recently there excellent episodes on the various males of the Borgia family, and then for Lucrezia she changed her interview partner and alas her new interviewee was, shall we say, less than stellar.


History of the Germans: has since last I wrote been reordered so there are thematic seasons, i.e. if you're just interested in, say, the Ottonians or the Hanseatic League, you can listen to just those seasons. On a personal level, my experience with this podcast has been that the seasons that deal with parts of history I'm not so familiar with captivate me more than those I do already know a lot about, but not because the later is badly researched (au contraire), it's just that I love getting intrigued and learning more. So of course I have favourites. In the recent year, I loved the Interregnum season (starring among others Rudolf von Habsburg, the first Emperor of that family, going from simple count to HRE buy "waving a marriage contract in one hand and a sword in the other" as he tactically married his many female relations to lots of dying-out-older nobility, Ludwig the Bavarian (proving that getting excommunicated by the (Avignon) Pope is no longer the big deal it used to be as he employs, as Dirk puts it, half the cast of The Name of the Rose, and Karl IV, he after whom the bridge and a lot of other things in Prague are named after) and the current season, The Reformation before the Reformation, which you get the whole late medieval enchilade of corrupt popes and antipopes, the Council of Konstanz (good for book swapping, not so good for actual radical reforms, ask Jan Hus, who gets burned during it) and then the Hussite Revolution in Bohemia.

Revolutions: Mike Duncan's second podcast which used to be finished with the Russian Revolution but now has been resumed by him with a highly entertaining sci fi season, the Martian Revolution. Its backstory sounds a bit inspired by The Expanse as well as lots of the historical revolutions he has covered. If the CEO of OmniCorps whose blinkered know-it-all-ness, ego and lack of anything resembling human empahy triggered the Martian Revolution sounds a bit like a current tech bro in charge of the White House, I'm sure it's entirely coincidental.
selenak: (Gaal Dornick - Foundation)
Dear Yuletide Writer,

we share at least one fandom, which is great, and I'm really grateful you take the time and trouble to write a story for me. All the prompts are just suggestions; if you have very different ideas featuring the same central characters, go for them. Also, I enjoy a broad range from fluff to angst, so whatever suits you best works fine with me.



DNW:

- bashing of canon pairings or characters in general. By which I don't mean the characters have to like each and everyone - a great number of those I've nominated can be described as prickly jerks, among other things, and it would be entirely ic for them to say something negative about people they canonically can't stand - but there's a difference between that and the narrative giving me the impression to go along with said opinions.

- Alpha/Beta/Omega scenarios, watersports, infantilisation. Really not my thing, sorry.


Likes:

- competence, competent people appreciating each other

- deep loyalty and not blindly accepting orders

- flirting/seduction via wordplay and banter (if it works for you with the characters in question)

- for the darker push/pull dynamics: moments of tenderness and understanding in between the fighting/one upman shipping (without abandoning the anger)

- for the pairings, both romantic and non-romantic, that are gentler and harmonious by nature: making it clear each has their own life and agenda as well

- some humor amidst the angst (especially if the character in question displays it in canon)


The question of AUs: depends. "What if this key canon event did not happen?" can lead to great character and dynamics exploration, some of which made it into my specific prompts, but I do want to recognize the characters. Half of those I nominated are from historical canons, and the history is part of the fascination the canon has for me. ) However, if you feel inspired to, say, write Henry of Prussia, space captain, and manage to do it in a way that gives me gripping analogues to the historical situations: be my guest!

How much or how little sex: I'm cool with anything you feel comfortable with, from detailed sex to the proverbial fade out after a kiss. Or no sex at all (case in point: several of the non-romantic relationships I prompted), as long as the story explores the emotional dynamics in an intense way.

Foundation (TV) )

The Bearkeeper's Daughter - Gillian Bradshaw )

Tudor Courtiers RPF )



18th Century Fredericians )

Those About To Die (TV) )
selenak: (Wilhelmine)
This seemingly harmless question by [personal profile] avrelia runs into the trickiness of language and history both. First of all, the English term “princess” can be translated in two different ways into German. Either as “Prinzessin”, as in, daughter of a monarch, or as “Fürstin”, someone who can be a ruling monarch herself, not necessarily a Queen, even; a ruling Duchess, say, can be a Fürstin, but so can an Empress be.

Secondly, “German”. Which definition does apply? Citzien of a realm which is located in territory that either today is in Germany or used to be in Germany pre WWI? How far back does this go, i.e. would we count the Frankish Carolingians? (Charlemagne: seen as German in Germany and French in France. Ditto for his offspring.) Do ladies count who came from decidedly non-German (by any definition) countries but who spent the majority of their lives as a princess of the HRE (think Theophanu, originally of Byzantium, or Irene who was married to Philip of Swabia)?

Conversely: what about princesses who are definitely the daughters of German monarchs but spent their entire lives in non-German realms (even by the definition of their era) and who did not speak German, to boot, but who were actively involved in German (by the definition of their era and ours, too) politics? I’m thinking of Margaret of Austria the daughter of Maximilian I (HRE) here. Born in Burgundy, raised in France, moved to Spain for a few years, returned to Burgundy, then Savoy, ended up as regent of the Netherlands for first her father and then her nephew. (Margaret and her Dad corresponded in French with the occasional Latin thrown in. She never spoke a word of German in her life. But she was a princess of the HRE all her life, and without her, it’s questionable whether nephews Charles would have become Emperor, or indeed whether the Habsburgs wouldn’t have lost their hold on the German and “Roman” crown after two generations again and gone back to being one (powerful) House among others within the HRE. (Okay, extra powerful because Charles inherited Spain via his mother, now with new colonies. But still.)

Or: how about princesses who start out German (in whichever sense of the above) and move to another country where they spend most of their lives? Catherine the Great being just one of the more famous cases in point - those first fourteen years as a German versus decades as a Russian definitely would favour “Russian” as the category to put her in, but she did start out as a German princess. Same for every Queen Consort of England starting with Caroline (of Ansbach, wife of George II) until Alexandra (Danish, wife of Edward VII).

Moving on somewhat nearer to the present, there’s the fact that today, Austria and Germany are two different nations. Both use the German language, but Austrians are not Germans and vice versa. (Unless you hold dual citizenship.) However, for most of our shared history, this did not apply. Mozart, born in (Austrian) Salzburg, referred to himself as a German in his letters, as of course did his father Leopold, born in (German) Augsburg. When a mid 18th century British pamphleteer calls the Maria Theresia versus Frederick the Great wars “a German civil war”, he’s not disingeneous, in that while Frederick was a Prussian and Maria Theresia an Austrian, they both also would have regarded themselves and each other as Germans.

(I’m just grateful that the question aims as princesses, not writers. Would you call Franz Kafka a) a Czech writer, b) an Austrian writer, c) a German writer? I’ve seen all three categorisations used.)

And lastly, what about German princesses who never lived but who were created (or at least solidified into written existence) by German writers? I mean, hello, Snow White? (Though my favourite fairy tale Grimm princess would probably be Allerleirauh - who runs from her father the King when he wants to marry her and lives dressed in animal skins for a while.)

With all this in mind, here’s a selection within different criteria:

Category: “Princess” as in Fürstin

Subcategory Imported Princesses

It’s a contest between my two favourite medieval Empresses, Adelheid (originally of Burgundy, kinda, sorta) and Theophanu. More about them here.

Subcategory exported or even completely extraterritorial Princesses:

Margaret of Austria; her praises sung here, here and here.

Subcategory not the daughter of a King and doesn’t rule a kingdom, but is a Fürstin in charge of a realm:

Anna Amalia of Saxe-Weimar: for contributing very much to Weimar’s a few decades long existence as the hotbed of German literature. Also for not using the Hohenzollern method of child raising on her own kids despite being a granddaughter of FW, for trying her best to keep her subjects out of Uncle Fritz’ recruitment clutches in the e/7 Years War, and for enjoying her retirement via travelling to Italy, staying there for a few years and (as a Protestan princess, no less) having an affair with a hot Catholic Bishop

Category: “Princess” as in Prinzessin

Subcategory: Exported to non-German country Princess: Anne of Bohemia, wife to Richard II (of England). I am admittedly influenced by her portrayal in various fictions, be they AU novels like Wheel of Fortune by Susan Howatch, straightforward history plays like Josephine Tey’s Richard of Bordeaux (though this one has a hilariously English-author-caused line where Anne, daughter of an HRE, refers to herself as provincial compared to Richard), or all the Richard II fanfiction on the A03, and won’t pretend not to be. But Anne comes across as a very sympathetic character all around, a patron of the arts, a loving spouse to her husband (who adored her and went bonkers when she died), doing her best to mediate between him and his family and nobles in an increasingly stressful situation.

Subcategory: Born into German realm, lived in (another) German realm: Wilhelmine of Bayreuth. Author of tell-all memoirs about her dreadful family, builder of magnificent Rokoko opera houses and palaces, one part of a co-dependent intense sibling relationship with brother Frederick the Great, like him a sometime composer and passionate music lover. Dreadful snob. (As noted by some snobbish themselves contemporaries.) (Hey, if both of your parents go after your self esteem throughout your childhood, you cling to whatever gives you a boost.) Great friend to have, though (ask Voltaire). More about her here.

The other days
selenak: (City - KathyH)
[personal profile] machiavellijr asked me. There is an embarrassment of riches to choose from, but I think hypothetical producer and headwriter me is going to go with The Macedonian Dynasty. With the potential spin-off/sequel after seven or so successful seasons: The Kommenian Dynasty, of course.

Why? For starters, there is not just one interesting woman around but several, lots and lots of messy family relationships, and it starts off with a bisexual threesome. Meet Basil the Macedonian (who probably wasn't Macedonian but Armenian in the ethnic sense, don't ask, it's complicated), enterprising stable boy and sexy charmer, who befriends and possibly more Michael III., young emperor who wants to get rid of his Uncle Bardas who governs for him and has just badgered Michael into naming him Co-Emperor (which makes Michael feel just a wee bit life threatened). Michael and Basil kill Uncle Bardas together. Basil becomes the first non-Eunuch Chamberlain sharing the Emperor's bedchamber. This he does with Michael's long term mistress Eudoxia, whom Michael marries him to. (Michael was married by Mom and Uncle Bardas to a pious lady he promptly ignored but had lived with Eudoxia all hi slife.) Then Eudoxia starts to have kids (which she didn't beore) whose paternity is hotly debated to this day. Then Basil seduces Michael into naming him Co-Emperor. You'd think Michael would now better, but no. He does it. Then Basil kills Michael and rules as the first Emperor of his new dynasty. Basil so far has three sons - one possibly from a pre-career marriage, Constantine (though Constantine might have been Eudoxia's kid, we just don't know), Leo (definitely Eudoxia's kid), and the kid Eudoxia is pregnant with when Micheal gets murdered, Stephen, and he'll have one more years after Michael's murder, Alexander. Because Basil can't stand Leo and has Stephen castrated once Stephen is born, the "but maybe they're Michael's kids?" theory keeps being brought up, especially since Alexander doesn't get castrated, so the idea that after an heir and a spare younger sons should not threaten the succession doesn't really hold.

Basil rules successfully but Constantine dies, and Basil has to face the fact that his bookish son Leo whom he can't stand will be his successor. After Eudoxia dies - and what did Eudoxia think about all of this? What were her feelings about Michael and Basil? Did she want to become Empress and was frustrated Michael would not marry her? - such a lot of room for speculation! - father and son (?) are at each other's throats. Locking Leo up for two years does not help. After Basil has a suspicious hunting accident, Leo becomes Emperor. Leo - whose bookishness and writings earn him the title "Leo the Wise" continues the family mission to scandalize the world. This he does via his marriages. Because the not yet called that Greek Orthodox Church of the time frowns on remarriage. Bear in mind: not just remarriage after divorce. Remarriage after Death of Spouse. A second marriage is just about permissable for heir getting but still distastful. A third marriage needs a very special license from the Patriarch and lots of penance. A fourth marriage is unthinkable. Except for Leo. Who starts out married to a pious woman he doesn't like (sounds familiar) and with a long term mistress he loves, Zoe. After wife 1 dies (minus children), Leo marries Zoe. Alas, Zoe does not produce an heir, either, and eventually dies. Leo marries a third time, which causes a mighty ruckus, but he just about cajoles and bullies the Patriarch into agreeing for the good of the realm etc. Alas, wife 3 does not produce a living heir, either, and dies. Leo marries a fourth time, another Zoe (because the selection of names is severely liimited), after she's born him a living son (Constantine) and this time the Patriarch locks him out of the Hagia Sophia when Leo shows up for Christmas. This almighty clash ends with Leo firing the Patriarch and installing his castrated brother Stephen (renember him?) as Patriarch.

Leo gets away with this for a few years but dies when his kid Constantine is still a kid. This means a big struggle for the regency, especially between Zoe and the returned once and future other Patriarch who called her a whore. Zoe temporarily wins, but the Patriarch teams up with some generals, there are the Arabs to contend with, and Zoe ends toppled in favour of popular admiral Romanos Lekapenos, who is made Co-Emperor with kid Constantine VII. Romanos Lekapenos starts a new trend by NOT killing young Contantine. Instead, he marries him to his daughter Helena (another strong willed and enterprising lady as we shall see) and keeps him in the friendly background for representative purposes while ruling the Empire himself. This goes well for a few years, but Romanos has ambitious sons who don't understand why they shouldn't become Emperor, too. (These are his legitimate sons. He also has an illegitimate son, Basil Lekapenos, whom he has castrated as a baby but raised to serve as a eunuch in the palace. Basil Lekapenos will be important later.) The legitimate sons eventually stage a coup and banish dear old Dad into a monastery on an island. They also want to off their brother-in-law, but a) Helena has gotten wind of this ahead of time and warns her husband and b) the population of Constantinople upon hearing off the coup is concerned about their favourite prince and revolts until they're shown a living breathing Constantine. Helena teams up with half brother Basili the Eunuch and together they get rid of her two brothers who are sent to the same island cloister, where Dad greets them supposedly with the words "my boys, so good of you to join your father".

This means Constantaine VII, by now in his mid thirties, is now actually ruling Emperor. Helena and he have some daughters and one son, Romanos. Romanos marries a girl who according to rumor was an inkeeper's daughter, Anastaso, renamed Theophano. Because of what will happen later on, Theophano got some bad press and was presented as a femme fatale, but as current historians point out, it's just as possible she didn't do any of the stuff she got accused of, and was scapegoated. Anyway, Theophano has already produced two grandsons for Constantine by the time he dies and her husband, Romanos, becomes Emperor. Alas, Romanos isn't long for this world. Which leaves Theophano with two kid sons (and a daughter) and some very ambitious generals. One of them, Nikephoros Phokas, has just started his series of incredible victories and has been haiiled as the best thing since Belisarius. Theophano can see the writing on the wall, and decides to marry Nikephoros Phokas before he becomes Emperor regardless and either kills or castrates her sons. This is a bit problematic since Nikephoros happened to be the godfather of her older son Basil which makes him spiritually her brother, but the Patriarch gets talked into licensing it, though he can't stand Theopano.

Now Nikephoros is a fabulous general who keeps bringing in the victories, but he is a terrible, terrible ruler and politician, and thus within only four years goes from most popular an in the East Roman Empire to most despised. When another very good general, his nephew, John Tsimiskes, murders him, there isn't protest (like there was when Romanos Lekapenos got toppled and people were worried about Constantine), there's celebration. Still, crowning a brazen assassin is a bit tricky, theologically, and so the Patriarch and John Tsimiskes make a deal: they blame the entire murder on Theophano and banish her to an island monestary. (It's stll admitted John did the actual deed, but he uses the "this evil woman made me do it" card and gets a pass from the Patriarch.) Did Theophano have an affair with John and was subsequently ditched? Did she co-plan the murder with him? We just don't know, because it was such a convenient excuse. Anyway, John marries one of Constantine VII's daughters and makes himself Co-Emperor to Theophano's son Basil, continueing the trend of NOT killing a child Emperor once you're crowned yourself. John rules efficiently and successfully for years (and also marries his niece, another Theophanu (usually spelled with an U in her case), to Otto the Great's son, future Otto II, thereby resolving a crisis between Emperors that started when Nikephoros Phokas pissed everyone off and changing German history forever). Then he dies. Two ambitous generals see this as their cue, but young Basil with the help of his Uncle, Eunuch Basil Lekapenos, manages to play one against the other, and eventually triumphs. (Basil the now II also gets his mother Theophano from that island nunnery and brings her home to the palace in Constantinople the moment John T. is dead. ) Eventually Basil has to do a power struggle with Uncle Basil, which he wins, and it ends without more kin killing, but it means that the cultural high point is over, because Basil the Eunuch was a great patron of the arts, whereas Basil the young Emperor grew up with two Generals as stepdads and an illustration that if you're not a great General yourself, someone will topple you. Which means he practially lives on compaign for the rest of his reign. Which is over 40 years, all in all. He keeps reconquering former Byzantine territory and slaying Bulgars, and I think that's where I'd stop the show, because what happens after Basil dies is just a depressing dragged out end for the Macedonian dynasty. Not least because Basil never married. At all. Had no bastards either. Was he gay? We don't know. He didn't adopt anyone, either. Which meant that when he died, the throne went to his totally unprepared brother who was never allowed any political responsibilities before, and acted accordingly, and then to his nieces, Zoe and Theodora, wo married a bunch of attractive but none too bright and able guys who helpled running the Empire into the ground. All of which ended in civil war while the Turks and the Normans attacked, and it wasn't until the next dynasty when things started to look up again.

However: no one can deny there is more than enough material for a great tv series! I think I'd give the entire first season to the Basil the Stableboy-Michael-Eudoxia triangle, ending with Michael's murder and Basil I's coronation. Then the second season covers Basil's reign, Leo's youth and clashes with Dad, introduces Zoe the first (I would be tempted to make the two Leonine Zoes into one Zoe, but Leo's four marriages are an important plot point) and ends with Basil's hunting accident and Leo's coronation. Season 3 is Leo and his four wives plus Leo versus the Church, of course. Season 4 is Zoe versus the Patriarch(y) in its first half and the rise and early rule of Romanos Lekapenos in the second. Season 5 gets its first half given to the legal toppling Dad only to find themselves toppled by Helena and Constantine, and the second half introduces Theophano, Nikephoros Phokas and John Tsimikes (they're mostly off generalling, but occasionally in the capital, and I would have Theopano make a tactical friend out of Nikepheros by making him her son's godfather while flirting a bit with John T. ) while covering Romanos II's short reign (which features a mighty power struggle between two Eunuchs as advisors of the young Emperor, one Joseph Bringas versus Basil Lekapenos). Season 6 starts with Romanos II's death and the Theophano/Nikephoros political marriage and has its mid season climax in Nikepheros' murder by John T. I haven't decided yet whether I want Theophano to be complicit or not, but if she is, I would have her reason being not that John T. is that sexy but that the Empire whom her son Basil has to rule one day is currently in the process of being split apart because for all his victories, Nikepheros keeps sucking as a politician and is this close to inciting an uprising against himself which might get her and her children killed as well. Season 6 B is John Tsimitikes reign, of course. And Basil II gets season 7 all to himself, starting his personal rule (i.e. when Uncle Basil Lekapenos is no longer his Grey Eminence) at the mid point and defeating all his enemies in the second half, with some foreshadowing that for all that ability - and Basil II was the only Emperor who could remain absent from Constantinople for years without anyone daring to organize a coup against him - , his not organizing a good succession will end his dynasty.

Fantasy casting: Honestly, I have no idea. Not least because I'd hope to include some Greek and Armenian actors, and I don't know any. In terms of English speaking actors, the problem is that most of the characters are introduced young and live through the years in the course of the show, so the older character actors that come to mind immediately could be used only later. (Claudia Black for Zoe the Regent?) Oh, I know - Nicolas Hoult as Basil the Stableboy and later Emperor! I know he can do both heroes and villains, and he does have the charisma. As for his son (or Michael's) Leo: Tom Holland needs a post Spider-man career.
Theophano: the actress currently playing Aleida in For All Mankind, Coral Pena, is someone I could see in the role.


The Other Days
selenak: (Livia by Pixelbee)
If this year's Yuletide stories written by yours truly had a theme, it was "comedy with dark undertones". I had originally planned something else as my main gift to write, but then firstly a lot of real life stuff happened, and secondly I wanted to cheer myself up while writing, so I continued my quest to throw the most unlikely outrageous tropes at Frederick the Great. This time, it was babysitting comedy. Not involving an actual baby, but his ten years old brother, whom no one tries to eata, but it was still an eerie feeling to watch this year's Doctor Who Christmas Special and see that RTD had gone for babysitting comedy tropes as well. With my thing for messy family relationships in general and siblings relationships in particular, I always enjoy writing Frederick and the brother who was way too much like him for them to get on, and Frederick with my favourite of his long term boyfriends, Fredersdorf.


The Sitter (5885 words) by Selena
Chapters: 1/1
Fandom: 18th Century CE RPF, 18th Century CE Frederician RPF
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Friedrich II von Preußen | Frederick the Great & Friedrich Heinrich Ludwig von Preußen (1726-1802), Michael Gabriel Fredersdorf/Friedrich II von Preußen | Frederick the Great
Characters: Friedrich II von Preußen | Frederick the Great, Friedrich Heinrich Ludwig von Preußen | Henry of Prussia (1726-1802), Michael Gabriel Fredersdorf
Additional Tags: Siblings, Dysfunctional Family, Slice of Life, Queering The Tide, Family, Humor, Established Relationship, Yuletide 2023, Yuletide
Summary:

Tragedy is behind him, glory ahead: Crown Prince Friedrich of Prussia is about to enjoy the best years of his life. At least that's what he thinks when fate inflicts what might be his harshest trial: having to take care of his brat of a younger brother...



Otoh, this story is another example of my tendency to get drawn into a fandom and emerge being primarily interest in not the juggernaut pairing and/or the characters the friend who tried to get me interested in. Not that the Third Century Crisis followed by the Tetrarchy in the late Roman Empire is a megafandom, and thus does not have a juggernaut pairing. But if there was one, it surely would have been the Emperors Diocletian/Maximian, who are the guys [personal profile] mildred_of_midgard wants to hear/read about. But while I do find them interesting, I am even more interested in the women around them - and one woman who started out really low on the social scale but ended up not just on top but surviving the various changes in power which had much of the remaining cast drop off like flies was Helena. Yes, the mother of Constatine (the Great). No, she wasn't a British princess. Why not more people fictionalizing her used her actual origins as a barmaid which are way more interesting at least from the 20th century onwards is a mystery to me, but hey: all the more fun to write about her for me, and to provide her perspective on the late Roman Game of Thrones:



Invicta (4566 words) by Selena
Chapters: 1/1
Fandom: 3rd Century CE RPF
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Helena (Mother of Constantine)/Constantius, Helena (Mother of Constantine) & Diocletian, Emperor Diocletian/Emperor Maximian, Diocletian & Maximian & Constantius
Characters: Helena (Mother of Constantine), Gaius Aurelius Valerius Diocletianus | Emperor Diocletian, Flavius Valerius Constantius "Chlorus" | Emperor Constantius I., Marcus Aurelius Valerius Maximianus | Emperor Maximian, Constantine the Great (d. 337 CE), Aurelia Prisca (d. 315 CE)
Additional Tags: POV Female Character, Game of Thrones-esque, Yuletide Treat, Yuletide, Yuletide 2023, Origin Story
Summary:

Tell me if you’ve heard this one before: three future Emperors walk into a bar. The one who’s going to end up with the Empire is the barmaid.

 

Or: Helena, history has its eyes on you....

Yuletide!

Dec. 25th, 2023 02:42 pm
selenak: (Demerzel)
Yuletide has gone live, and I received a fantastic story. This last year, I've become more and more interestedin Byzantine history, hence my nominating "Byzantine Empresses RPF" as a fandom, and lo and behold, a very talented soul has written a story about one of the most fascinating of those for me: Irene, contemporary of Charlemagne and Haroun Al Rashid, the only Empress who ended up ruling in her own right - at a terrible price.


Iconophilia (3505 words) by Anonymous
Chapters: 1/1
Fandom: Byzantine Empresses RPF, Late Antiquity RPF, Unspecified Fandom
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Irene of Athens/Leo IV, Irene of Athens & Staurokios, Irene of Athens & Constantine VI
Characters: Irene of Athens | Irene Sarantapechaena, Leo IV, Constantine VI, Staurokios (Eunuch of Irene of Athens)
Additional Tags: 5 Times, politics that are both lower case b byzantine and upper case b Byzantine, Arranged Marriage, Religious Conflict, Religious Discussion, Bad Parenting, absolute power corrupts absolutely etc etc, but also free my girl she was so stylish while doing all of that, Missing Scene, mentions of canonical torture/maiming but it's not on screen as it were, Epistolary, (in one scene)
selenak: (Wilhelmine)
Dear Yuletide Writer,

we share at least one fandom, which is great, and I'm really grateful you take the time and trouble to write a story for me. All the prompts are just suggestions; if you have very different ideas featuring the same central characters, go for them. Also, I enjoy a broad range from fluff to angst, so whatever suits you best works fine with me.



DNW:

- bashing of canon pairings or characters in general. By which I don't mean the characters have to like each and everyone - a great number of those I've nominated can be described as prickly jerks, among other things, and it would be entirely ic for them to say something negative about people they canonically can't stand - but there's a difference between that and the narrative giving me the impression to go along with said opinions.

- Alpha/Beta/Omega scenarios, watersports, infantilisation. Really not my thing, sorry.


Likes:

- competence, competent people appreciating each other

- deep loyalty and not blindly accepting orders

- flirting/seduction via wordplay and banter (if it works for you with the characters in question)

- for the darker push/pull dynamics: moments of tenderness and understanding in between the fighting/one upman shipping (without abandoning the anger)

- for the pairings, both romantic and non-romantic, that are gentler and harmonious by nature: making it clear each has their own life and agenda as well

- some humor amidst the angst (especially if the character in question displays it in canon)


The question of AUs: depends. "What if this key canon event did not happen?" can lead to great character and dynamics exploration, some of which made it into my specific prompts, but I do want to recognize the characters. Half of those I nominated are from historical canons, and the history is part of the fascination the canon has for me. ) However, if you feel inspired to, say, write Maria Theresa, space captain, and manage to do it in a way that gives me gripping analogues to the historical situations: be my guest!

How much or how little sex: I'm cool with anything you feel comfortable with, from detailed sex to the proverbial fade out after a kiss. Or no sex at all (case in point: several of the non-romantic relationships I prompted), as long as the story explores the emotional dynamics in an intense way.

Josephus Trilogy - Lion Feuchtwanger )

18th Century Fredericians )

Byzantine Empresses )



Foundation (TV) )


Lost in Space )

Vikings: Valhalla )
selenak: (City - KathyH)
Having finished the available episodes on the History of Byzantium podcast - it's not over by two hundred more years, but I've now listened to all the finished episodes - with the last one just happening to be the 1204 sacking of Constantinople (sob!); I've felt inspired to go back to a few Byzantine tales I'd read before and look for new ones.

My favourite novels set in or around Byzantium are by Gillian Bradshaw, and of those three, I can never decide whether I prefer The Bearkeeper's Daughter or Imperial Purple.

Vague spoilers about both ensue. )

These novels I'd read first decades ago. A much more recent reading experience, courtesy of the podcast reccommending it, was the graphich novel Theophano: A Byzantine Tale, text by Spyros Theocharis, art by Chrysa Sakel. If you're German, the first historical personality you think of when hearing the name "Theopanu", is this lady, the Ottonian Empress, who isn't the subject of this graphic novel. Rather, it is the woman she was possibly named after, , the Byzantine Empress. Now, according to the History of the Byzantium podcast, some of the deaths Theophano got blamed for were product of scapegoating, snobbery (she was a commoner) and power struggles long after her death where a rival family needed to damage her son, and that in all likelihood she's not responsible for any of them. Otoh, the graphic novel actually does let her go through with various murders (or aid them), but still goes with a sympathetic reading, not least by providing her with good motivations in all cases. Spoilers are determined not to die in the Game of Thrones and manage to keep their kids alive as well. )

And finally, seeing as the podcast got me as far as the century of the Komnenoi (i.e. the twelfth century), I checked, and lo and behold, the AO3 has this excellent fic with lots of UST between Alexios I. Komnenos and his most enduring arch nemesis, Bohemund the Norman. You don't have to know more than what is in the story itself to enjoy it, I promise.
selenak: (Young Elizabeth by Misbegotten)
There are still some free slots in my January meme, so if you want me to ramble on about the topic of your choice, ask me there.

I watched Glass Onion on Netflix which is indeed that rarity, a sequel of equal quality. All the actors are clearly having a blast, and yet it doesn't feel self indulgent, not least because in addition to Rian Johnson's (gleeful) anger at the super rich, there is, as in Knives Out, also a character to root for. (In addition to Blanc, that is, and in a way emotionally affecting that Blanc, in the detective role, can't be.) Here is an interesting interview with Johnson about this - spoilerly for Knives Out, but not Glass Onion -, though my favourite passage is this (which refers to a bit of dialogue that comes after Birdie, the Kate Hudson character, has prided herself on being a telling-it-like-it-is type:

Sims: The best line in the movie is Benoit saying to Kate Hudson’s character [a fashion designer named Birdie], “It’s a dangerous thing to mistake speaking without thought for speaking the truth,” and her replying, “Are you calling me dangerous?” You’re illustrating the voice that certain people present to society.

Johnson: The whole movie, for me, is a bit of a primal scream against the carnival-like idiocy of the past six years.


I hear you, Rian.

I also read The Perilous Gard by Elizabeth Marie Pope which was one of [personal profile] cahn's Christmas presents, and found it charming and engaging. The fairies manage to be genuinely other, which is always a plus in my book, and Kate was an excellent heroine. The relationship between her and her main antagonist eventually develops in the best kind of worthy opponent respect against the odds. If anything feels dated, it's the framing of late in Mary Tudor's reign, where (off page) Mary is just a meanie; one has the impression less for her religious policies and more because she supposedly makes sister Elizabeth live at Hatfield because it's the most unpleasant and coldest of Royal palaces. (Never mind the fact Elizabeth as a baby and toddler was put there already by her parents when her mother was still alive and Queen and that Mary was part of her household then.) After more recent takes on Mary I. which were far more interesting and more dimensional - for example, The Tudors had its myriad of faults, but its take on young Mary was one of its undisputed highlights, and Becoming Elizabeth has a very compelling, smart and heroic Mary while also showing the seeds of what's to come - it feels weird to go back to Cinderella!Elizabeth and Evil Stepsister!Mary. But this really is just early in the book to get the plot going, as our heroine Kate is banished by (mean) Mary to the titular location, and so it doesn't impact on the overall quality of the novel. (One last Tudor nitpick: when Kate finds out about pagan human sacrifice by burning, she reacts as one would, but I kept waiting for someone to bring up that if this is late in Mary I's reign, and Kate was a member of Elizabeth's household (thus presumably Protestant), Kate actually should firstly be aware of some present day Christian-on-Christian burnings, and secondly, if she remembers her childhood, be aware that there were also burnings ordered by Protestant Edward and Doing-His-Own-Thing Henry VIIII. (Meaning: executing another human being by fire should not be news to anyone living in the reign of a Tudor. Doesn't mean Kate can't be shocked. But not in the 20th century kind of way.)

Lastly, I'm continuing wiht the History of Byzantium podcast and am now around ca. 925 AD. Talk about violent regime changes. (Not just on the Byzantine side. The Abbasid Kaliphate is falling apart simultanously.) Iconoclasm is over and done with, and now I'm curious what the next big theological dispute will be - the great schism, I suppose?
selenak: (City - KathyH)
Another history podcast I‘ve been listening to in recent weeks is the History of Byzantium. This one has already 250 something episodes, so there‘s a lot to catch up with; I‘ve just finished the Empress Irene and thus am at the point where the prologue of History of the Germans introduces Charlemagne. History of Byzantium has the added challenge of lots of territory (at first) and people belonging to the Empire, and then, once that changes, the Emperors having the avarage life span of, I was going to write Italian, but no, a post Brexist British government before they get deposed, and then there‘s the constant obsession with theology in general and the nature of Christ in particular. (And no sooner are there finally no more monophysists for the orthodox to argue with because they all live in territories first the Persians and then the Arabs have annexed that iconoclasm becomes the next theological struggle.) All of which the podcaster, Robin Pierson, manages to make as interesting as the big action set pieces. (Like the 716 - 717 Siege of Constantinople with its first documented use of Greek Fire.) He‘s also good with periodically reminding his audience of source problems and source bias, and always adding the perspective of the various opponents, so, for example, when Emperor Constantine V gains a reputation of keeping the Arabs at bay, it‘s important to know that this was less to his military skills and more because the Caliphate was going through a civil war at the same time. And he talks about the changing self perception, i.e. Byzantium may have seen itself as the New Rome in Justinian I‘s time, but by the 8th century, they saw themselves as the New Jerusalem (no more Empire, surrounded by enemies, God‘s Chosen People trying really hard to figure out how to regain his favor).

On a less distant but still historical note, I watched The Wonder on Netflix, which is a film set just after the Great Famine in Ireland starring Florence Pugh, who is awesome in it. She plays Elizabeth, „Lib“, an English nurse who is one of two people - the other one being a local Nun - hired to watch over a girl, Anna, zwho, it‘s claimed, can survive without eating and has done so for four months already. The local dignitaries - who hired Lib - are majorly invested in this being a genuine miracle; Lib is a sceptic, but finds it‘s not as simple as Anna being a cheat, either. (Though spoiler, no, it‘s not a miracle.) The main relationship of the film is the one which builds between Lib and Anna, and secondly between Lib and a journalist, Will, who tuns out to have been a local whose entire family starved in the Famine. But really the movie stands and falls with Florence Pugh‘s intensity as her character tries to figure out the right thing to do. In the end, the question as to how Anna survived those four months is not really the key one, and its (provided) solution isn‘t the solution to the challenge the story puts to Lib, which is how she can help Anna in a way that reaches the girl instead of how Lib at first thinks she must act.
selenak: (Richard III. by Vexana_Sky)
This was given to me by [personal profile] cahn; takes place in an AU Renaissance (specifics to follow) in which Byantium never fell and instead became the last remaining superpower standing, gobling up most other countries (and is therefore the - off page - Big Bad of the story), while our heroes are a bunch of OCs - a Welsh wizard, a Greek mercenary who's really the last survivor of a previous dynasty, an Italian (female) doctor from Florence and a German science-minded weapons engineer plus mercenary who bears the hilarious-in-German-sounding designation "Fachritter", is otherwise called Gregory of Bavaria and is my favourite.

Spoilers have heard the chimes at midnight )
selenak: (Tourists by Kathyh)
On Monday evening, I travelled from Bologna to Naples. Which left me the entire day at my disposal, but unfortunately it didn't just rain, it poured, cats, dogs, and Tribbles for good measure.  And most of the museums were closed, plus I had already visited those I most wanted to see, and the one archive I had meant to go to on Monday originally was closed as well.

So I took the train to nearby Ravenna and did something I never had gotten around to; I saw the Byzantine mosaics there. Now I had already packed my suitcase and in it was my camera, which means you get only mobile phone photographs of Theodora, Justinian and Galla Placidia.  As it turned out, this was just as well, because I'm nearing my monthly bandwidth limited again, which means the photos of fair and foul Naples will have to wait until June. But cell phone photos of Ravenna were just within the limit.

Read more... )
selenak: (AmandaRebecca by Kathyh)
[community profile] fannish5: Name five historical characters whose lives you'd like to see adapted into movies or TV series.

1.) Hatshepsut, pharao of Egypt, one of the few female ones. (Yes, there were more than two.) (Though not many.) Now I'm admittedly biased in favour of Pauline Gedge's novel about her, so my ideal would be for that novel to be the basis of a film or miniseries, but I'd be fine with an original script as well, as long as it's good.

2.) The Dumas Family, consisting of Marie-Cesette Dumas (slave in Saint-Domingue, aka Haiti; had four children by a white French aristocrat, one of which he took with him to France; the other were sold to cover for debts, and Marie-Cesette died of dystentry) , Thomas-Alexandre, who upon reaching adulthood fell out with his white father, enlisted under his mother's name in the revolutionary army, served in an all-black unit in same, reached the rank of general, fell out with Napoleon and died when his son the author was only three years old; Alexandre père, entertaining novelist extraordinaire (aka he of the Three Musketeers and the Count of Monte-Christo), Alexandre fils (that's the one who wrote the Lady of the Camellias, which La Traviata is based on). A century of history via a family epic that could put Roots to shame; I'm surprised has filmed it yet (the whole family saga, I mean, not just Alexandre père's life).

3.) Frederick II (the emperor, not the king of Prussia with the same name who lived centuries later). Stupor Mundi, his contemporaries called him, the amazement of the world; Frederick was a religious sceptic, spoke seven languages, conducted the only crusade without bloodshed, entirely via negotiations, while he himself was excommunicated, and succeeded to the intense annoyance of the pope who had excommunicated him; had a great scientific mind, a terrible temper, was probably the first ruler to declare rape of prostitutes a crime (when it would take most societies a few centuries more to acknowledge there was such a thing) and unquestionably a tyrant in the modern sense of the word (ask anyone who rebelled), and co-founded poetry in the Italian, instead of Latin, language. Also he's one of those once and future rulers whom legend has returning in the hour of greatest need, etc., although the legend in question was transferred to his grandfather later. In short, someone with a gift for renaissance people in a medieval context should make the biopic or miniseries already!

4) Theophanu, a Byzantine princess who was nearly sent back to Constantinople because she was the niece, not the daughter of the Byzantine emperor and the German emperor who had wanted her for his son felt cheated. Lucky for the empire, he reconsidered, because Theophanu after her husband's early death became one hell of a regent, kept the various German princes in line (not an easy thing to do), introduced the fork to Europe and shocked everyone by bathing regularly. Despite an uneasy relatonship with her mother-in-law Adelheid these two women basically ruled the largest realm on the continent and disillusioned any ambitious wannabe who thought women couldn't and that there was time for a new dynasty.

5) Samuel Ibn Naghrela: also known as Samuel Ha-Nagid. Jewish scholar, poet and statesman, originally from Cordoba, eventually ending up as vizier and top general of Granada, the second most powerful man of that Muslim kingdom, a job he held until his death and passed on to his son (who lived a shorter and much more tragic life). Samuel's life is a fascinating part of Jewish-Muslim-Spanish history, and made for a cinematic treatment.


On a related note, about contemporary RPF and politics this time, after reading this review of Fair Game, about Valerie Plame and Joseph Wilson, starring Naomi Watts and Sean Penn, I definitely want to watch it. I remember reading that Op-Ed article in the NY Times, and the explosion that followed. Down to an interview with Cheney a year ago in which he's still sulking Bush didn't pardon Libby.

Lastly, [personal profile] skywaterblue, this one's for you. Sean Lennon, after being adorable at age 5, seems to be still incredibly sweet at age 35. Last month he said about older brother Julian that "Julian is the reason I started playing music actually" and "the truth is Julian was like my hero. He is still is". Today there's an article in which he praises and defends his mother and which contains a wonderful Yoko anecdote involving Lady Gaga as told by Sean's girlfriend: 'Gaga was killing it as always and everyone was standing on their feet and screaming. And Yoko was looking at this and she was like, “Hmm…” She was not to be outdone! So she climbed all over the piano – and she’s 77! And Gaga climbed up after her. They both started rolling around and singing upside down on top of the piano. It was amazing.' Just to round off the collection of adorable quotes, in that same article Sean says about Paul McCartney: 'I’m just so excited when I’m around him. It’s like when you see a white buffalo and you just hold your breath – you’re just hoping that it’s not going to end. Becaus it’s the closest I can come to hanging out with my dad. Every second I’ve ever spent with Paul has been really meaningful to me. He was my dad’s best mate for a long time. And my dad didn’t have many friends, you know?’

Awwwwwwwwwww.

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